Is There a Doctor in the House? Say you’re at a party. You’ve had a martini or three, and you mingle through the crowd, wondering how long you need to stay before going out for pizza. Suddenly you’re introduced to someone new, Dr. Nice Tomeetya. You forget the pizza. Now is the perfect time to bring up all those strange questions you’d like to ask during an office visit with your own doctor but haven’t had the guts (or more likely the time) to do so. You’re filled with liquid courage. . now is your chance! If you’ve ever wanted to ask a doctor. . •How do people in wheelchairs have sex? •Why do I get a killer headache when I suck down my milkshake too fast? •Can I lose my contact lens inside my head forever? •Why does asparagus make my pee smell? •Why do old people grow hair on their ears? •Is the old adage “beer before liquor, never sicker, liquor before beer. .” really true? . . then Why Do Men Have Nipples? is the book for you. Compiled by Billy Goldberg, an emergency medicine physician, and Mark Leyner, bestselling author and well-known satirist, Why Do Men Have Nipples? offers real factual and really funny answers to some of the big questions about the oddities of our bodies

A stimulating read, a real page turner. Perfect for those nights when your girlfriend just left you for a sushi chef and stomped a hole in your heart with a spiked high heel shoe

In Amanda Michalopoulou's Why I Killed My Best Friend, a young girl named Maria is lifted from her beloved Africa and relocated to her native Greece. She struggles with the transition, hating everything about Athens: the food, the air, the school, her classmates, the language. Just as she resigns herself to misery, Anna arrives. Though Anna's refined, Parisian upbringing is the exact opposite of Maria's, the two girls instantly bond over their common foreignness, becoming inseperable in their relationship as each other's best friend, but also as each other's fiercest competition-be it in relation to boys, talents, future aspirations, or political beliefs. From Maria and Anna's gradeschool days in 70s, post-dictatorship Greece, to their adult lives in the present, Michalopoulou charts the ups, downs, and fallings-out of the powerful self-destructive bond only true best friends can have. Simply and beautifully written, Why I Killed My Best Friend is a novel that ultimately compares and explores friendship as a political system of totalitarianism and democracy. "Flawlessly translated, Amanda Michalopolou's WIKMBF uses the backdrop of Greek politics, radical protests, and the art world to explore the dangers and joys that come with BFFs. Or, as the narrator puts it, 'odiodsamato,' which translates roughly as 'frienemies.'"-Gary Shteyngart

One of the greatest raconteurs of the 20th century, Saadat Hasan Manto declares that he was forced to write when his wife routinely demanded that he put bread on the table for the family. He doesn’t attribute any genius to his skills as a writer and convinces his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treats his tryst with Bollywood with disdain and unmasks the cardboard lives of tinsel town when a horse is painted to double up for a zebra or multiple fans rotate to create a deluge. Two of Manto’s favourite and recurring themes — Women and Partition — find special mention. For the first time ever, this unique collection of non-fiction writing from the subcontinent’s greatest writer, translated by well known author and journalist, Aakar Patel showcases Saadat Hasan Manto’s brilliance while dealing with life’s most mundane things — graveyards, bumming cigarettes, a film crew with motley characters from mythology — and a sharp dissection of what ails the subcontinent even after 6 decades — Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear

“Why is Sex Fun? is the best book on the subject I've read. This lively exploration of our sexual heritage offers fascinating reading for anyone curious about why lovers do what they do.” — Diane Ackerman, author of A Natural History of the Senses “I am so jealous of Jared Diamond, for he writes with such an elegant simplicity! Here, he takes a loot at the endlessly fascinating topic of human sexuality His convincing arguments should persuade xm that there are very special reasons why we evolved to use sex for recreation as well as for procreatim whereas most other mammals are denied that pleasure…. It is a great little book, by one of the worlds foremost biological philosophers.” — Roger Shohl, Professor of Physiology Monash University Australia “Once again Jared Diamond provides us with answers to questions we may never have stopped to ask, but wish we had. In this long essay Diamond explains that recreational sex, while not unique to humans, is a rare behavior in the animal world. Above all, we learn, sexual activity divorced fron procreation is not only part of what it is to be human, but the very crux of our evolutionary success.” — Bettyaxn Kevles, author of Naked to the Bonn Medical Imaging in the Twentieth Century

The Byzantine Fire: 90 carats of flawless ruby with great national and religious significance. It's the biggest heist of Dortmunder's career, making him the target of everyone from the FBI to the Turkish government. Now Dortmunder has to find a way to unsteal the heist of a lifetime…

This formidable work — also published under the title of Principals of Social Reconstruction — discusses war, pacifism, reason, impulse and personal liberty, and greatly contributed to Russells fame as a formidable social critic and anti-war activist. “The supreme principle, both in politics and in private life, should be to promote all that is creative, and so to diminish the impulses and desires that centre around possession.” “Russell is one of the most profound thinkers of the modern age.”

With saucy detail on every page, this no-nonsense guide reveals why a strong woman is much more desirable than a “yes woman” who routinely sacrifices herself. Contending that some women are “too nice,” comedian and radio show host Sherry Argov has written Why Men Love Bitches: From Doormat to Dreamgirl—A Woman’s Guide to Holding Her Own in a Relationship. “I’m not recommending that a woman have an abrasive disposition,” Argov writes, “The woman I’m describing is kind yet strong. She doesn’t give up her life, and she won't chase a man.” Her sassy book is filled with scenarios and advice aimed at making women subtly stronger and self-empowered. Argov’s principles, which range from the farfetched to the downright absurd, include “If you give him a feeling of power, he'll want to protect you and he'll want to give you the world” and “A little distance combined with the appearance of self-control makes him nervous that he may be losing you.” The book, which has already been featured on The View and The O’Reilly Factor, should make waves with its controversial view of relationships

A non fiction book At last, together in one collection, are Lisa Scottoline's wildly popular Philadelphia Inquirer columns. In her column, Lisa lets her hair down, roots and all, to show the humorous side of life from a woman's perspective. The Sunday column debuted in 2007 and on the day it started, Lisa wrote, 'I write novels, so I usually have 100,000 words to tell a story. In a column there's only 700 words. I can barely say hello in 700 words. I'm Italian.' The column gained momentum and popularity. Word of mouth spread, and readers demanded a collection. Why My Third Husband Will Be a Dog is that collection. Seventy vignettes. Vintage Scottoline

***Brilliant and engagingly written,* Why Nations Fail *answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? *** Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South

If there hadn't been a 24-hour blackout… Mallory never would have had the nerve to seduce her photographer, and first love, Adam. Sure, she knew she was on the rebound, but it was for only one night. And for Mallory, that was going to have to be enough… Adam never would have believed he'd end up in Mallory's bed-just days after taking her boudoir photos for another man! But he was definitely enjoying their sensual reminiscing… Unfortunately, the timing was all wrong-he was leaving the country next week. Still, he couldn't say no to her tonight… They never would have experienced the best sex of their lives! But then again, chemistry had never been their problem. After all, there was more to life than just good sex. Wasn't there?

Wagner's second collection contains 11 horror stories, most of which are diverting if not actually horrifying. "Neither Brute Nor Human" is a tale of two writers who make it big, one of whom is really drained by his success; "Into Whose Hands" is an account, with very sinister overtones, of a day in the life of a psychiatrist in a state mental hospital; "Old Loves" makes gentle and not so gentle fun of the fanatic fans of the old Avengers television series; "The Last Wolf" is a sad tale of the future in which people have almost ceased to read; "Sign of the Salamander" is a well-executed pastiche of 1930s pulp magazine hero stories; "Blue Lady, Come Back" is an expert mix of detective story and supernatural story; and "Lacunae" concerns a drug that expands the consciousness a bit beyond its limits

In this age of supposed scientific enlightenment, many people still believe in mind reading, past-life regression theory, New Age hokum, and alien abduction. A no-holds-barred assault on popular superstitions and prejudices, with more than 80,000 copies in print, Why People Believe Weird Things debunks these nonsensical claims and explores the very human reasons people find otherworldly phenomena, conspiracy theories, and cults so appealing. In an entirely new chapter, "Why Smart People Believe in Weird Things," Michael Shermer takes on science luminaries like physicist Frank Tippler and others, who hide their spiritual beliefs behind the trappings of science. Shermer, science historian and true crusader, also reveals the more dangerous side of such illogical thinking, including Holocaust denial, the recovered-memory movement, the satanic ritual abuse scare, and other modern crazes. Why People Believe Strange Things is an eye-opening resource for the most gullible among us and those who want to protect them. Who should read it? Anyone interested in science or psychology Anyone who wants to learn about incorrect but widely held beliefs Anyone interested in the difference between science and faith Who's the author? Michael Shermer is a science journalist, historian and founder of The Skeptics Society – a non-profit organization of over 55,000 members that promotes scientific skepticism and fights pseudoscience. He’s the editor in chief of Skeptic, and writes monthly for Scientific American. He’s also published many other books, such as Why Darwin Matters: The Case Against Intelligent Design and The Science of Good and Evil: Why People Cheat, Gossip, Care, Share and Follow the Golden Rule

Every family has secrets, but the Fountains' are turning deadly… On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her—at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up… In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled. Fortunately, in ferreting out a desperate killer, amateur sleuth Amberley is as brilliant as he is arrogant, but this time he's not sure he wants to know the truth…

In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra-examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them. From Publishers Weekly Like a musical Elements of Style, Hamill’s slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra’s death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer’s music. But Hamill doesn’t fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer’s best recordings, dismissing “the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers,” because in the end, he writes, they are “of little relevance.” What matters, according to Hamill, is the music, chiefly that of Sinatra’s early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer’s Capitol comeback years, Sinatra’s fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra’s later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer’s greatest musical period, Hamill writes that Sinatra “perfected the role of the Tender Tough Guy… Before him, that archetype did not exist in American popular culture.” That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill’s is a definitive introduction to Sinatra’s work. Copyright 1998 Reed Business Information, Inc. From Library Journal The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill’s slim essay is distinguished from other recent works by its objective focus on the components of the late singer’s enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book’s strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.?Bruce Henson, Georgia Inst. of Technology, Atlanta Copyright 1998 Reed Business Information, Inc

George Orwell’s payment book for 20 December 1943 records the sum of pounds 5.5.0 for a special article of 2,000 words for Tribune. This has never been traced in Tribune under Orwell’s name but it now seems certain that an essay, entitled “Can Socialists Be Happy?” by “John Freeman” is what is referred to. The name Freeman would have appealed to Orwell as a pseudonym, and the article has many social, political and literary links with Orwell, such as the relation of Lenin to Dickens (the fact that Lenin read A Christmas Carol on his deathbed also appears in the second paragraph of Orwell’s 1939 essay, “Charles Dickens”). A “real” John Freeman, later editor of the New Statesman, has confirmed that he did not write the article. The reason why Orwell chose to write as “John Freeman” he never used this pseudonym again is not clear. It may be that Tribune did not want its literary editor to be seen to be associated with its political pages. Possibly it was a device that allowed Orwell to be paid a special fee. Or it may be that he simply wished to see how far Tribune would let him go with his opinions. In any case, the article appeared in the Christmas issue and provoked much debate in the issues that followed. The “lost essay” is included in the Collected Works and printed here for the first time under Orwell’s name

A warm, funny, and heartfelt novel about a tight-knit group of twentysomethings in New York whose lives are upended by tragedy — from the widely acclaimed author of The Unchangeable Spots of Leopards. December, 2008. A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past. Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead — a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses. Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph

“A tightly wound and imaginative thriller.” In tomorrow’s world, Kirsten is a roaming, restless synaesthete: a photographer with bad habits and a fertility problem. A troubled woman approaches Kirsten with a warning, and is found dead shortly afterwards. The warning leads her to the Doomsday Vault and a hit list of seven people — and Kirsten’s barcode is on it. Edgy and original, Why You Were Taken is a glittering, dark, cinematic thriller that will keep you guessing till the last page