When Nicholson Baker, one of the most linguistically talented writers in America, set out to write a book about John Updike, the result was no ordinary biography. Instead Baker's account of his relationship with his hero is a hilarious story of ambition, obsession, talent and neurosis, alternately self-deprecating and self-aggrandizing. More memoir than literary criticism, Baker is excruciatingly honest, and U & I reveals at least as much about Baker himself as it does about his idol. Written twenty years before Updike's death in 2009, U & I is a very smart and extremely funny exploration of the debts we owe our heroes

It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications? Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp-tongued, observant, a loner – 'a heroine,' said The New York Times Book Review, 'with foibles you can laugh at and faults you can forgive

Dzięki wynalezionej w japońskim laboratorium syntetycznej krwi oraz napojowi z jej ekstraktem o nazwie Tru: Blood, w ciągu zaledwie jednej nocy wampiry z legendarnych potworów przeistoczyły się w przykładnych obywateli. I chociaż ludzie nie figurują już w ich jadłospisie, społeczeństwo niepokoi się, co stanie się, gdy wampiry opuszczą mroczne kryjówki. Pewnego dnia Sookie znajduje na parkingu ciało zamordowanego kucharza z baru, w którym pracuje. Jakby tego było mało, zostaje śmiertelnie poraniona i otruta przez tajemnicza postać z mitów greckich. Na szczęście, pewne przyjacielsko usposobione wampiry wysysają jej zatrutą krew. Kiedy proszą ja o przysługę, Sookie wdzięczna za uratowanie życia nie odmawia. Wkrótce wykorzystuje swoje telepatyczne zdolności aby znaleźć wskazówkę co do zaginięcia pewnego wampira. Wkrótce, jednak Sookie zaczyna żałować swej decyzji…