A debut novel about Thomas Jefferson and Sally Hemings, in whose story the conflict between the American ideal of equality and the realities of slavery and racism played out in the most tragic of terms. Novels such as Toni Morrison’s Beloved, The Known World by Edward P. Jones, James McBride’s The Good Lord Bird and Cloudsplitter by Russell Banks are a part of a long tradition of American fiction that plumbs the moral and human costs of history in ways that nonfiction simply can't. Now Stephen O’Connor joins this company with a profoundly original exploration of the many ways that the institution of slavery warped the human soul, as seen through the story of Thomas Jefferson and Sally Hemings. O’Connor’s protagonists are rendered via scrupulously researched scenes of their lives in Paris and at Monticello that alternate with a harrowing memoir written by Hemings after Jefferson’s death, as well as with dreamlike sequences in which Jefferson watches a movie about his life, Hemings fabricates an "invention" that becomes the whole world, and they run into each other "after an unimaginable length of time" on the New York City subway. O'Connor is unsparing in his rendition of the hypocrisy of the Founding Father and slaveholder who wrote "all men are created equal,” while enabling Hemings to tell her story in a way history has not allowed her to. His important and beautifully written novel is a deep moral reckoning, a story about the search for justice, freedom and an ideal world — and about the survival of hope even in the midst of catastrophe

The crew of Takami returns to the South Pacific to meet with Yamamoto, and now they must undertake a new operation. A daring raid into the Indian Ocean is planned, as the Japanese aim to capture the last British outposts on Ceylon. Lost in time, Anton Fedorov now confronts his moment of destiny in the lonesome village of Ilanskiy, and the decision he makes will decide the fate of the world he hopes to return to. Meanwhile, the Germans now drive to the city of Volgograd, cutting it off as their troops reach the Volga in the north. There, a vital bridge links Hitler’s legions to those of Ivan Volkov, and the Germans mass their toughest Pioneers to attempt to break through at Rynok. Steiner is determined to storm this last Soviet bastion in the south, but Chuikov and Shumilov plot the stalwart Soviet defense that made this place an anvil of doom for Germany’s fortunes in the war. As the elite German divisions strike one by one to hammer upon that anvil, General Zhukov unleashes his long awaited winter counteroffensive aimed at Kursk

Действия рассказа начинают разворачиваться через год после нападения армии пришельцев во главе с богом коварства и лжи Локи. Он побежден и отбывает срок в Асгарде. Могучий Тор возвращается на Землю, чтобы забрать с собой даму сердца Джейн Фостер, но новая беда заставляет прихватить из царства смертных еще одного человека. На сей раз в эпицентре событий оказывается сестра Наташи Романовой, которая работала в лаборатории Старка. Что ожидает спасенную девушку в Асгарде? Время покажет

Any resemblance to anything else you’ve ever read is, of course, purely coincidental…

Eugenie Markham is a shaman for hire, paid to bind and banish creatures from the Otherworld. But after her last battle, she s also become queen of the Thorn Land. It s hardly an envious life, not with her kingdom in tatters, her love life in chaos, and Eugenie eager to avoid the prophecy about her firstborn destroying mankind. And now young girls are disappearing from the Otherworld, and no one--except Eugenie--seems willing to find out why. Eugenie has spilled plenty of fey blood in her time, but this enemy is shrewd, subtle, and nursing a very personal grudge. And the men in her life aren't making things any easier. Her boyfriend Kiyo is preoccupied with his pregnant ex, and sexy fey king Dorian always poses a dangerous distraction. With or without their help, Eugenie must venture deep into the Otherworld and trust in an unpredictable power she can barely control. Reluctant queen or not, Eugenie has sworn to do her duty--even if it means facing the darkest--and deadliest--side of her nature… He gripped me by the arms, voice calm but infused with anger. “You can do whatever it is you have to do! You are a queen. Forget all this talk about Storm King’s grandson. Right now, you are his heir. You are on the verge of becoming one of the most powerful rulers in this world….”

Mac can’t lose another friend. Even if he doesn’t want to be found. The ripple effect caused by Mac’s best friend Amy’s murder has driven Mac’s new love, Kyle, to leave Hemlock and disappear from her life forever. But Mac knows that Kyle plans to enroll in a rehabilitation camp, where he can live with other werewolves. She refuses to accept his decision, especially since the camps are rumored to be tortuous. So she sets out in search of Kyle with a barely sober Jason—and Amy’s all-seeing ghost—in tow. Clues lead Mac to find Kyle in a werewolf den in Colorado—but their reunion is cut short by a Tracker raid. Now Mac and Kyle are trapped inside the electric fences of Thornhill, a camp for young werewolves. As she devises an escape plan, Mac uncovers dangerous secrets buried within the walls of Thornhill—and realizes that the risk to the people she loves is greater than ever before

Duncan Chalk is a monstrous media mogul with a vast appetite for other people’s pain. He feeds off it, and carefully nurtures it in order to feed it to the public. It is inevitable that Chalk should home in on Minner Burris, a space traveler whose body was taken apart by alien surgeons and then put back together again differently. Burris’ pain is constant. And so is that of Lona Kelvin, used by scientists to supply eggs for 100 children and then ruthlessly discarded. Only an emotional vampire like Chalk can see the huge audience eager to watch a relationship develop between these two damaged people. And only Chalk can make it happen. Attention: the text lacks aithor’s italic

Failed academic Frank Nichols and his wife, Eudora, have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family’s old estate—the Savoyard Plantation—and the horrors that occurred there. At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols’s homecoming…

Huxley spares no one in his ironic, piercing portrayal of a group gathered in an Italian palace by the socially ambitious and self-professed lover of art, Mrs. Aldwinkle. Here, Mrs. Aldwinkle yearns to recapture the glories of the Italian Renaissance, but her guests ultimately fail to fulfill her naive expectations. Among her entourage are: a suffering poet and reluctant editor of the “Rabbit Fanciers’ Gazette” who silently bears the widowed Mrs. Aldwinkle’s desperate advances; a popular novelist who records every detail of her affair with another guest, the amorous Calamy, for future literary endeavors; and an aging sensualist philosopher who pursues a wealthy yet mentally-disabled heiress. Stripping the houseguests of their pretensions, Huxley reveals the superficiality of the cultural elite. Deliciously satirical, Those Barren Leaves bites the hands of those who dare to posture or feign sophistication and is as comically fresh today as when first published

Got Vampires? Ghosts? Monsters? We Can help! Those Who Fight Monsters: Tales of Occult Detectives, is your one-stop-shop for Urban Fantasy’s finest anthology of the supernatural. 14 sleuths are gathered together for the first time in all-original tales of unusual cases which require services that go far beyond mere deduction! Those Who Fight Monsters: Tales of Occult Detectives brings together popular characters from many Urban Fantasy paranormal investigative series, for your enjoyment. Meet the Detectives: Danny Hendrickson - from Laura Anne Gilman's Cosa Nostradamus series. Kate Connor - from Julie Kenner’s Demon Hunting Soccer Mom series. John Taylor - from Simon R. Green’s Nightside series. Jill Kismet - from Lilith Saintcrow’s Jill Kismet series. Jessi Hardin - from Carrie Vaughn’s Kitty Norville series. Quincey Morris - from Justin Gustainis’ Morris/Chastain Investigations series. Marla Mason - from T. A. Pratt's Marla Mason series. Tony Foster - from Tanya Huff’s Smoke and Shadows series. Dawn Madison - from Chris Marie Green’s Vampire Babylon series. Pete Caldecott - from Caitlin Kittredge’s Black London series. Tony Giodone - from C. T. Adams and Cathy Clamp’s Tales of the Sazi series. Jezebel - from Jackie Kessler’s Hell on Earth series. Piers Knight - from C. J. Henderson’s Brooklyn Knight series. Cassiel - from Rachel Caine’s Outcast Season series. Demons may lurk, werewolves may prowl, vampires may ride the wind. These are things that go bump in the night, but we are the ones who bump back!

Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors-Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few-and critics-James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women have attempted are pushing against the walls of a prison that would have seem them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond

The Barnes & Noble Review When metanormals (humans with supernatural powers) first showed themselves in public, they were dressed like comic book icons and had names like Nightshift and Quadrupleman. They saved lives and stopped crimes and averted natural disasters. They were true superheroes. But there were also super villains. Like Thrill Kill and the Giggler and Hatchetman. They kidnapped the pope and held the U.N. General Assembly hostage. After a genetically mutated criminal mastermind destroyed most of San Francisco and killed more than 600,000 people, all metanormals were outlawed and given an ultimatum: Leave the United States or be killed. Soledad O'Roark is a rookie in the M-Tac (Metanormal Tactical) unit in Los Angeles, an elite group of law enforcers trained to hunt down and exterminate rogue metanormals. Soledad makes a name for herself on her very first call by killing a metanormal with a non-regulation gun she developed. The kill gets her a hero's praise, but when the police brass get wind of the non-reg weapon, Soledad is promptly stuck behind a desk, awaiting an internal investigation. But when she finally gets another chance in the field, she takes full advantage…. Although Those Who Walk in Darkness reads like a graphic novel — with larger-than-life characters, richly stylized urban landscapes, and breakneck pacing — it's so much more than an action-packed science fiction thriller. There are elements of hard-boiled mystery, horror, and even a little romance. And the character of Soledad O'Roark isn't just another run-of-the-mill antihero. Ridley creates a realistic, flawed character that readers will not only pull for but also will ultimately want to know much more about when the novel ends. Paul Goat Allen

The novel concerns a trio of alien explorers, each one surgically altered so that they outwardly appear human, who find themselves separated, and permanently stranded on Earth, after their ship explodes while hovering in low orbit. Each of the aliens is injured during the accident, and all are taken in and nursed back to health by kindly human beings

In ten of her best essay-stories, Giedra Radvilavičiūtė travels between the ridiculous and the sublime, the everyday and the extraordinary. In the place of plot, which the author claims to have had "shot and buried with the proper honors," the reader finds a dense, subtly interwoven structure of memory and reality, banalities and fantasy, all served up with a good dollop of absurdity and humor. We travel from the old town of Vilnius to Chicago's Brighton Park neighborhood, from the seaside to a local delicatessen, all in a narrative collage as exquisitely detailed as a bouquet of flowers. As in all of her work, Radvilavičiūtė plays with the genres of fiction and nonfiction, essay and short story, in which the experiences of life "are unrecognizably transformed, like the flour, eggs, nuts, and apples in a cake."

The beloved Pulitzer Prize-winning novelist turns his pen to the real people and places that have influenced his life and, in turn, his literature. Growing up in 1950's working-class New York City to Cuban immigrants, Hijuelos journey to literary acclaim is the evolution of an unlikely writer. Oscar Hijuelos has enchanted readers with vibrant characters who hunger for success, love, and self-acceptance. In his first work of nonfiction, Hijuelos writes from the heart about the people and places that inspired his international bestselling novels. Born in Manhattan's Morningside Heights to Cuban immigrants in 1951, Hijuelos introduces readers to the colorful circumstances of his upbringing. The son of a Cuban hotel worker and exuberant poetry- writing mother, his story, played out against the backdrop of an often prejudiced working-class neighborhood, takes on an even richer dimension when his relationship to his family and culture changes forever. During a sojourn in pre-Castro Cuba with his mother, he catches a disease that sends him into a Dickensian home for terminally ill children. The yearlong stay estranges him from the very language and people he had so loved. With a cast of characters whose stories are both funny and tragic, Thoughts Without Cigarettes follows Hijuelos's subsequent quest for his true identity into adulthood, through college and beyond-a mystery whose resolution he eventually discovers hidden away in the trappings of his fiction, and which finds its most glorious expression in his best-known book, The Mambo Kings Play Songs of Love. Illuminating the most dazzling scenes from his novels, Thoughts Without Cigarettes reveals the true stories and indelible memories that shaped a literary genius