"[An] excellent debut… filled with murder, betrayal, and a terrific sense of place." – C J Box Set in the wilds of Maine, this is an explosive tale of an estranged son thrust into the hunt for a murderous fugitive--his own father. Game warden Mike Bowditch returns home one evening to find an alarming voice from the past on his answering machine: his father, Jack, a hard-drinking womanizer who makes his living poaching illegal game. An even more frightening call comes the next morning from the police: They are searching for the man who killed a beloved local cop the night before--and his father is their prime suspect. Jack has escaped from police custody, and only Mike believes that his tormented father might not be guilty. Now, alienated from the woman he loves, shunned by colleagues who have no sympathy for the suspected cop killer, Mike must come to terms with his haunted past. He knows firsthand Jack's brutality, but is the man capable of murder? Desperate and alone, Mike strikes up an uneasy alliance with a retired warden pilot, and together the two men journey deep into the Maine wilderness in search of a runaway fugitive. There they meet a beautiful woman who claims to be Jack's mistress but who seems to be guarding a more dangerous secret. The only way for Mike to save his father now is to find the real killer--which could mean putting everyone he loves in the line of fire.The Poacher's Son is a sterling debut of literary suspense. Taut and engrossing, it represents the first in a series featuring Mike Bowditch

MATTHEW PEARL'S second novel is based on what he calls "one of literary history's most persistent gaps." Edgar Allan Poe died, Pearl tells us, "at the age of 40 in a Baltimore hospital on Oct. 7, 1849, four days after being found in distress at Ryan's inn and tavern." The stubbornly unexplained gap occurred in the five days preceding his appearance at the tavern. Poe was supposed to be almost anywhere other than Baltimore: he was traveling from Richmond to New York with a planned stop in Philadelphia, not Baltimore. No one knows how he came to be in the city – or, for that matter, how he ended up at the tavern. For some of us, this pretty much describes a really great Saturday night, but when it happens to the master of darkness, just days before his untimely death, it has the makings of a mystery. Pearl takes us back to those few lost days through the inquiries of Quentin Clark, a Poe-mad young Baltimorean who is dismayed not just by the writer's death but by the press's apathetic reponse to the news. Clark takes it upon himself to look into matters and rectify this slight to his hero. The trouble is, Clark is a stock character from the world of commercial thrillers: a man with a lot to lose, imperiled by his own obsession. Engaged to a beautiful young woman, the son of wealthy and very proper parents and pursuing a career as a lawyer, he may sacrifice them all to his devotion to Poe. Clark haunts the writer's grave, visits the hospital where he lay dying and tracks down the Poe cousins. But wherever he turns, he's met with indifference or outright obstruction. Finally, in desperation, he turns to another source of information: the pages of a book. Clark has always admired Poe's "Murders in the Rue Morgue" and the other mysteries featuring C. Auguste Dupin, the brilliant Frenchman who solves crimes too baffling for the Paris police. "Dupin's reasoning followed a method Poe called ratiocination," Clark reminds himself, "employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination." When Clark stumbles on a newspaper item suggesting that Dupin was based on a real Frenchman, he promptly takes off for the Continent. Of course, there turns out to be more than one candidate for this honor, and soon a couple of testy Frenchmen are racing back to America, eager to snatch whatever glory they might from Poe's death. Baroquely orchestrated complications ensue, up to and including a threat to the future of the French republic. As he demonstrated in his serial-killers-and-philosophers best seller, "The Dante Club," Pearl is a fine scene-setter and a resolute, if not always inspired, plotter. "The Poe Shadow" is thick with intrigue and thicker still with carefully researched (and ostentatiously displayed) details. Pearl, who taught literature at Harvard before embarking on his literary career, sometimes displays a wonderfully knowing tone, and enjoys playing with 19th-century lingo. When a Baltimore police officer asks Clark if he has a wife and is told that he has a fiancée, the officer warns: "You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten." Sadly, Pearl's plot is not all sweethearts and mittens. With its bewildered narrator and its attempt to marry the rational and the spooky, "The Poe Shadow" seems to be modeled on Poe's own writing, but it's missing a crucial element: brevity. Although Pearl has a real affinity for 19th-century America, he overwhelms the strengths of his book with a hurricane of ersatz Victorian prose. He doesn't just disinter Poe's story; he disinters the language of Poe's time. After a while, you feel like you're trapped in a sepia-toned faux-daguerrotype. Pearl has created a museum rather than a world. And no one lives in a museum

Anthony Awards The apparent suicide of his policeman brother sets Denver crime reporter Jack McEvoy on edge. Surprise at the circumstances of his brother's death prompts Jack to look into a whole series of police suicides and puts him on the trail of a cop killer whose victims are selected all too carefully. Not only that, but they all leave suicide notes drawn from the poems of writer Edgar Allan Poe in their wake. More frightening still the killer appears to know that Jack is getting nearer and nearer. An investigation that looks like being the story of a lifetime, might also be Jack's ticket to a lonely end

Being an account of another adventure of Prof. George E. Challenger, Lord John Roxton, Prof. Summerlee, and Mr. E. D. Malone,the discoverers of "The Lost World"

1915. German guns are on their way to Ireland. The British government faces its worst nightmare: insurrection at home while it struggles with bloody stalemate on the Western Front. A British spy, Sebastian Wolff of the new Secret Service Bureau, is given the task of hunting down its enemies: one a traitor reviled by the society that honoured him as a national hero; the other a German American doctor who, instead of healing the sick, is developing a terrifying new weapon that he will use in the country of his birth. Wolff’s mission will take him undercover into the corridors of power in Berlin — where he must win the confidence of the German spymaster who controls both men — then across the Atlantic in a race against time to prevent the destruction of the ships and supplies Britain so desperately needs to stave off defeat. Moving from London to the Baltic coast, from Berlin to New York, The Poison Tide is set against a war like none before, in which men die in their thousands every day. And there are those on both sides who will use any weapon, who accept no limits, no morality except victory

A Crowner John Mystery #2 Coroner Sir John investigates a series of attacks on wealthy women in this tense, pacey instalment in the Crowner John medieval mystery series, set in twelfth-century England. 1194. The well-born ladies of Exeter are under attack. First, Christina Rifford, the daughter of a rich merchant, is raped. Then, just months before her marriage, Lady Adele de Courcy is found dead in one of the poorest areas of the city. The common factor is Godfrey Fitzosbern, the local silversmith. Despite his own suspicions, county coroner Sir John de Wolfe is determined to protect Godfrey from the women’s vengeful families. Until, that is, he can find proof of the man’s guilt. Aided by his mistress Nesta, and hindered by his social-climbing wife Matilda and her power-hungry brother, Sheriff Richard de Revelle, John slowly begins to put the pieces together. But a final, brutal act of violence makes John question everything he’s discovered so far …

For Matt Helm the investigation was personal. He'd worked with Annette O'Leary before and was determined to find out who'd killed her. What he found was a fiendish plot to poison America with massive pollution, the Generator was potentially more devastating than an H-Bomb

Amazon.com Review Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse? In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years. The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo. Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber From Publishers Weekly In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel

THE EXTRAORDINARY LOST STORY OF AMERICA’S INVASION OF RUSSIA 100 YEARS AGO In the brutally cold winter of 1919, 5,000 Americans battled the Red Army 600 miles north of Moscow. We have forgotten. Russia has not. An unforgettable human drama deep with contemporary resonance, award-winning historian James Carl Nelson’s The Polar Bear Expedition draws on an untapped trove of firsthand accounts to deliver a vivid, soldier’s-eye view of an extraordinary lost chapter of American history—the Invasion of Russia one hundred years ago during the last days of the Great War. In the winter of 1919, 5,000 U.S. soldiers, nicknamed “The Polar Bears,” found themselves hundreds of miles north of Moscow in desperate, bloody combat against the newly formed Soviet Union’s Red Army. Temperatures plummeted to sixty below zero. Their guns and their flesh froze. The Bolsheviks, camouflaged in white, advanced in waves across the snow like ghosts. The Polar Bears, hailing largely from Michigan, heroically waged a courageous campaign in the brutal, frigid subarctic of northern Russia for almost a year. And yet they are all but unknown today. Indeed, during the Cold War, two U.S. presidents, Ronald Reagan and Richard Nixon, would assert that the American and the Russian people had never directly fought each other. They were spectacularly wrong, and so too is the nation’s collective memory. It began in August 1918, during the last months of the First World War: the U.S. Army’s 339th Infantry Regiment crossed the Arctic Circle; instead of the Western Front, these troops were sailing en route to Archangel, Russia, on the White Sea, to intervene in the Russian Civil War. The American Expeditionary Force, North Russia, had been sent to fight the Soviet Red Army and aid anti-Bolshevik forces in hopes of reopening the Eastern Front against Germany. And yet even after the Great War officially ended in November 1918, American troops continued to battle the Red Army and another, equally formiddable enemy, “General Winter,” which had destroyed Napoleon’s Grand Armee a century earlier and would do the same to Hitler’s once invincible Wehrmacht. More than two hundred Polar Bears perished before their withdrawal in July 1919. But their story does not end there. Ten years after they left, a contingent of veterans returned to Russia to recover the remains of more than a hundred of their fallen brothers and lay them to rest in Michigan, where a monument honoring their service still stands. In the century since, America has forgotten the Polar Bears’ harrowing campaign. Russia, notably, has not, and as Nelson reveals, the episode continues to color Russian attitudes toward the United States. At once epic and intimate, The Polar Bear Expedition masterfully recovers this remarkable tale at a time of new relevance

When a polar bear is sighted in a sleepy Icelandic fishing village, then shot dead by local policeman Constable Halldr, it triggers a debate in the local community. Was Halldr a hero for killing the bear, or should the animal have been protected? Animal rights activists in the area see the constable as a villain, and when days later the dead body of Halldr is discovered at a remote beauty spot, the activists are immediately under suspicion. As Sergeant Magnus Ragnarsson and his colleague Detective Vigds Audardtti begin to investigate the policeman’s murder, they soon discover that things are not as clear-cut as might first appear. By degrees, Magnus and Vigds are drawn into this small and complex community — one riven with rivalries and grudges — in search of a deadly killer

Retired Delta Force commander Brad Taylor returns with the fifth propulsive thriller in his *New York Times* bestselling Pike Logan series. Taskforce operators Pike Logan and Jennifer Cahill are used to putting their lives at risk, but in *The Polaris Protocol* it’s Jennifer’s brother and countless more innocents who face unfathomable violence and bloodshed. Pike and Jennifer are in Turkmenistan with the Taskforce—a top-secret antiterrorist unit that operates outside US law—when Jennifer gets a call from her brother, Jack. Working on an investigative report into the Mexican drug cartels, Jack Cahill has unknowingly gotten caught between two rival groups. His desperate call to his sister is his last before he’s kidnapped. In their efforts to rescue Jack, Pike and Jennifer uncover a plot much more insidious than illegal drug trafficking—the cartel that put a target on Jack’s back has discovered a GPS hack with the power to effectively debilitate the United States. The hack allows a user to send false GPS signals, making it possible to manipulate everything from traffic signals and banking wire transfers to cruise missiles, but only while the system’s loophole remains in place. With the GPS hack about to be exploited and Jack’s life at stake, Jennifer and Pike must find a way to infiltrate the cartel’s inner circle and eliminate the impending threat. The price of failure, for both the Taskforce and the country, is higher than ever. **

A light plane has crashed near isolated Dolphin Cove. The pilot's dead, and passengers are missing. But when Dr. Alistair Benn asks for help, they send Dr. Sarah Rose. Alistair held Sarah responsible for a tragedy in his past. He has never forgiven her… or forgotten her

The Polish Boxer covers a vast landscape of human experience while enfolding a search for origins: a grandson tries to make sense of his Polish grandfather’s past and the story behind his numbered tattoo; a Serbian classical pianist longs for his forbidden heritage; a Mayan poet is torn between his studies and filial obligations; a striking young Israeli woman seeks answers in Central America; a university professor yearns for knowledge that he can’t find in books and discovers something unexpected at a Mark Twain conference. Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator — a Guatemalan literature professor and writer named Eduardo Halfon — pursues his most enigmatic subject: himself. Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English

“The greatest political saga, the one that has it all, that gets to the real heart of American politics, is the John Edwards story… This isn’t just politics, it’s literature. It’s the great American novel, the kind that isn’t written anymore.” -Michael Wolff on John Edwards's trajectory, on VanityFair.com The underside of modern American politics – raw ambition, manipulation, and deception – are revealed in detail by Andrew Young’s riveting account of a presidential hopeful’s meteoric rise and scandalous fall. Like a non-fiction version of All the King’s Men, The Politician offers a truly disturbing, even shocking perspective on the risks taken and tactics employed by a man determined to rule the most powerful nation on earth. Idealistic and ambitious, Andrew Young volunteered for the John Edwards campaign for Senate in 1998 and quickly became the candidate’s right hand man. As the senator became a national star, Young’s responsibilities grew. For a decade he was this politician’s confidant and he was assured he was ‘like family.” In time, however, Young was drawn into a series of questionable assignments that culminated with Edwards asking him to help conceal the Senator’s ongoing adultery. Days before the 2008 presidential primaries began, Young gained international notoriety when he told the world that he was the father of a child being carried by a woman named Rielle Hunter, who was actually the senator’s mistress. While Young began a life on the run, hiding from the press with his family and alleged mistress, John Edwards continued to pursue the presidency and then the Vice Presidency in the future Obama administration. Young had been the senator’s closest aide and most trusted friend. He believed that John Edwards could be a great president, and was assured throughout the cover-up that his boss and friend would ultimately step forward to both tell the truth and protect his aide’s career. Neither promise was kept. Not only a moving personal account of Andrew Young’s political education, THE POLITICIAN offers a look at the trajectory which made John Edwards the ideal Democratic candidate for president, and the hubris which brought him down, leaving his career, his marriage and his dreams in ashes

Since the end of the Cold War, more and more countries feature political regimes that are neither liberal democracies nor closed authoritarian systems. Most research on these hybrid regimes focuses on how elites manipulate elections to stay in office, but in places as diverse as Bolivia, Georgia, Kyrgyzstan, Serbia, Thailand, Ukraine, and Venezuela, protest in the streets has been at least as important as elections in bringing about political change. The Politics of Protest in Hybrid Regimes builds on previously unpublished data and extensive fieldwork in Russia to show how one high-profile hybrid regime manages political competition in the workplace and in the streets. More generally, the book develops a theory of how the nature of organizations in society, state strategies for mobilizing supporters, and elite competition shape political protest in hybrid regimes

The Polyglots is the story of an eccentric Belgian family living in the Far East in the uncertain years after World War I and the Russian Revolution. The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters — depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs — Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined

This award-winning historical novel deals with the stormy life of the outstanding Arab philosopher Ibn Khaldun, using historical sources, and particularly material from the writer's works, to construct the personal and intellectual universe of a fourteenth-century genius. The dominant concern of the novel — the uneasy relationship between intellectuals and political power, between scholars and authority — addresses our times through the transparent veil of history. In the first part of the novel, we are introduced to the mind of Ibn Khaldun as he dictates his work to his scribe and interlocutor. The second part delves into the heart of the man and his retrieval of a measure of happiness and affection in a remarriage, after the drowning of his first wife and their children at sea. Finally we see Ibn Khaldun as a man of action, trying to minimize the imminent horrors of invading armies and averting the sack of Damascus by Tamerlane, only to spend his last years lonely and destitute, having been fired from his post as qadi, his wife having gone to Morocco, and his attempts at saving the political situation having come to nil

Angelet Hanson The tale is long and complicated, but attention is held as Angelet, daughter of Annora and Rolf of Midsummer's Eve, begins to enter adulthood. One incident marks her indelibly. At the superstition-laden pool of St. Branok in Cornwall, she is saved from a rapist by Ben, a young family connection on a visit from Australia. When she and Ben dispose of the attacker's body in the pool, their bond is strengthened. Ben returns to Australia in pursuit of gold; Angelet debuts in London and marries a charming scapegrace, a gambler who will eventually take her to Australia in pursuit of a fortune. There the stage is set for Angelet, by now a widow, and Ben, a putative widower

Elizabeth Gaskell was a Victorian short storywriter and novelist. Her biography of Charlotte Bronte is her most famous work. Gaskell's novels portray varied social classes. Gaskell saw and wrote about the problems caused by the gulf between the social classes. She fought for tolerance and better labor conditions. The Poor Clare is an 1856 gothic ghost story told in a series of narratives. Bridget, the grandmother, invoked a phantom who is now haunting the pure and innocent Lucy. The story is full of intergenerational secrets

Downloaded from Z-Library https://singlelogin.se

In the mode of The Fools in Town Are on Our Side, Ross Thomas’s best-selling novel to date, The Porkchoppers takes an inside look at corruption — this time in an American labor union. The result is Thomas’s toughest and most entertaining book. Donald Cubbin is president of a 990,000-member American labor union, and he faces a tough, dirty campaign for reelection against Sammy Hanks, the union’s secretary-treasurer. When both Cubbin and opponent pull out the stops to defeat each other, the action — including election-stealing and assassination-comes fast and nasty, with unexpected results, all served up in the incomparable Ross Thomas style

Michael, a writer of pornographic fiction, creates an ideal world of sex through his two stock athletes, Colonel Grimshaw and Mavis Carmichael, while he bungles every phase of his entanglement with an older woman who has the misfortune to fall in love with him. But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in hospital tolerable, while his employer, Maloney, failed poet and comic king of pornographers, comes gradually to preside over this broken world. Everywhere in this rich novel is the drama of opposites, but, above all, sex and death are never far from each other

From the #1 New York Times best-selling author of God Is Not Great, a provocative and entertaining guided tour of atheist and agnostic thought through the ages—with never-before-published pieces by Salman Rushdie, Ian McEwan, and Ayaan Hirsi Ali. Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices—past and present—that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they’re all set in context and commented upon as only Christopher Hitchens—“political and literary journalist extraordinaire” (Los Angeles Times). Atheist? Believer? Uncertain? No matter: The Portable Atheist will speak to you and engage you every step of the way

An exuberant, one-of-a-kind novel about love and family, war and nature, new money and old values by a brilliant New Yorker contributor. The Portable Veblen is a dazzlingly original novel that’s as big-hearted as it is laugh-out-loud funny. Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage — the charming Veblen and her fiancé Paul, a brilliant neurologist — find their engagement in danger of collapse. Along the way they weather everything from each other’s dysfunctional families, to the attentions of a seductive pharmaceutical heiress, to an intimate tête-à-tête with a very charismatic squirrel. Veblen (named after the iconoclastic economist Thorstein Veblen, who coined the term “conspicuous consumption”) is one of the most refreshing heroines in recent fiction. Not quite liberated from the burdens of her hypochondriac, narcissistic mother and her institutionalized father, Veblen is an amateur translator and “freelance self”; in other words, she’s adrift. Meanwhile, Paul — the product of good hippies who were bad parents — finds his ambition soaring. His medical research has led to the development of a device to help minimize battlefield brain trauma — an invention that gets him swept up in a high-stakes deal with the Department of Defense, a Bizarro World that McKenzie satirizes with granular specificity. As Paul is swept up by the promise of fame and fortune, Veblen heroically keeps the peace between all the damaged parties involved in their upcoming wedding, until she finds herself falling for someone — or something — else. Throughout, Elizabeth McKenzie asks: Where do our families end and we begin? How do we stay true to our ideals? And what is that squirrel really thinking? Replete with deadpan photos and sly appendices, The Portable Veblen is at once an honest inquiry into what we look for in love and an electrifying reading experience

A perfectly rendered short novel of suspense about a painter driven to extremes.  An influential art critic in the early years of the twentieth century journeys from London to the rustic, remote island of Houat, off France's northwest coast, to sit for a portrait painted by an old friend, a gifted but tormented artist living in self-imposed exile. Over the course of the sitting, the painter recalls their years of friendship, the double-edged gift of the critic's patronage, the power he wielded over aspiring artists, and his apparent callousness in anointing the careers of some and devastating the lives of others. The balance of power between the two men shifts dramatically as the critic becomes a passive subject, while the painter struggles to capture the character of the man, as well as his image, on canvas.  Reminiscing with ease and familiarity one minute, with anger and menace the next, the painter eventually reveals why he has accepted the commission of this portrait, why he left London suddenly and mysteriously at the height of his success, and why now, with dark determination, he feels ready to return.  Set against the dramatic, untamed landscape of Brittany during one of the most explosive periods in art history, The Portrait is rich with atmosphere and suggestion, psychological complexity, and marvelous detail. It is a novel you will want to begin again immediately after turning the last chilling page, to read once more with a watchful eye and appreciate the hand of an ingenious storyteller at work

A hilarious and dazzling debut novel about a master impressionist at risk of losing his true self. All his life, Giovanni Bernini has possessed an uncanny gift: he can imitate anyone he meets. Honed by his mother at a young age, the talent catapults him from small-town obscurity to stardom. As Giovanni describes it, “No one’s disguise is perfect. There is in every person, no matter how graceful, a seam, a thread curling out of them. . When pulled by the right hands, it will unravel the person entire.” As his fame grows, Giovanni encounters a beautiful and enigmatic stage singer, Lucy Starlight — the only person whose thread he cannot find — and becomes increasingly trapped inside his many poses. Ultimately, he must assume the one identity he has never been able to master: his own. In the vein of Jonathan Lethem’s and Kevin Wilson’s playful surrealism, Jacob Rubin’s The Poser is the debut of a major literary voice, a masterfully written, deeply original comic novel, and the moving story of a man who must risk everything for the chance to save his life and know true love

The Post-War Dream is the eighth book by American author Mitch Cullin and was published by Random House in March 2008. Initial reviews of the novel were mixed, with Kirkus calling it "a misstep in Cullin's unpredictable, adventurous and, alas, frustratingly uneven oeuvre," and Publishers Weekly dismissing the work as "sterile." But subsequent pre-publication reviews from Booklist, Library Journal, and The Denver Post were positive. In the March 16 edition of the Los Angeles Times Book Review and, simultaneously published, the Chicago Tribune, critic Donna Seaman praised the book, stating: "In this exacting, suspenseful, elegiac yet life-embracing novel, Cullin reminds us that no boundaries separate the personal and communal, the past and present, the false and true."

Gordon Krantz survived the Doomwar only to spend years crossing a post-apocalypse United States looking for something or someone he could believe in again. Ironically, when he's inadvertently forced to assume the made-up role of a “Restored United States” postal inspector, he becomes the very thing he's been seeking: a symbol of hope and rebirth for a desperate nation. Gordon goes through the motions of establishing a new postal route in the Pacific Northwest, uniting secluded towns and enclaves that are starved for communication with the rest of the world. And even though inside he feels like a fraud, eventually he will have to stand up for the new society he's helping to build or see it destroyed by fanatic survivalists

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution — a solution that only creates other problems that no one can ever solve

This crime-laden novel is full of deceitful characters, illegal monies and lots of booze. Bryce Courtenay’s The Potato Factory concerns the notorious criminal Ikey Solomon who is the undisputed king rat. While he is on top of the underworld, he is only fearful of his ambitious and resentful wife Hannah. Together they share a safe with plenty of money in it, yet they each only have half the combination. So when Hannah and Mary, Ikey’s razor sharp mistress, are deported to the penal colony in Van…

Pelmen the Powershaper was over his head in trouble. Trouble was nothing new to him, but this time it was too much. His beloved Serphimera had left him without a word of farewell. His old rival, the sorceress Mar-Yilot, had vowed to kill him and his friend Dorlyth mod Karis. Ngandib-Mar, seat of the Power Pelmen obeyed, was on the brink of bitter internal war, and Chaomonous was again threatening to invade. Even the formerly peaceful tugoliths were marching into Ngandib-Mar to wreak slaughter and destruction. Now young Rosha mod Dorlyth was trying to get into the High Fortress to confront the evil sorcerer Flayh, who controlled it. It seemed that some dark Nemesis was dogging Pelmen’s footsteps, and there was nothing he could do about it. He did the only thing he could. He headed into the trouble

A month after his death, angel Tristan is still trying to warn Ivy of impending danger. Only after narrowly escaping death does Ivy know the truth-Tristan is with her, and angels do exist. For young adult readers, this trilogy blending celestial visitors, teen romance and suspense is a match made in heaven

В этой книге есть сила, способная перенести вас в тихое место за пределами мыслей — туда, где исчезают порожденные разумом проблемы и где человек наконец понимает, что значит самому творить собственную жизнь. В книге приведено множество специальных практик, даны ясные ключи, которые позволят открыть для себя «изящество, легкость и свободу», появляющиеся в нашей жизни, когда мы просто останавливаем мысли и воспринимаем окружающий мир с позиции Сейчас

«…Книга „The Power of Now“ („Сила Настоящего“) поставила Экхарта Толле в один ряд с самыми выдающимися духовными учителями современности. В этой книге он стремится показать, что все проблемы человечества – от ума. А точнее, они являются следствием нашего отождествления себя со своим умом…» «…Такое новое видение мира подразумевает способность воспринимать самих себя, других живых существ и жизнь в целом не глазами нашей маленькой земной личности, которая рождается и живет во времени, а скорее глазами души – самой нашей сущности, нашего истинного „Я“. И все больше и больше людей совершают сегодня квантовый скачок на более высокую орбиту реальности…»

The modern classic. No stranger to the injustice of racial hatred, five-year-old Peekay learns the hard way the first secret of survival and self-preservation - the power of one. An encounter with amateur boxer Hoppie Groenewald inspires in Peekay a fiery ambition — to be welterweight champion of the world. The book is made to movie with the same name

The modern classic. No stranger to the injustice of racial hatred, five-year-old Peekay learns the hard way the first secret of survival and self-preservation - the power of one. An encounter with amateur boxer Hoppie Groenewald inspires in Peekay a fiery ambition — to be welterweight champion of the world. The book is made to movie with the same name

The modern classic. No stranger to the injustice of racial hatred, five-year-old Peekay learns the hard way the first secret of survival and self-preservation - the power of one. An encounter with amateur boxer Hoppie Groenewald inspires in Peekay a fiery ambition — to be welterweight champion of the world. The book is made to movie with the same name