The time is 1964. The place is the Cabinet Room of the Where House. An unexpected accident and the law of succession have just made Douglass Dilman the first black President of the United States. This is the theme of what was surely one of the most provocative novels of the 1960s. It takes the reader into the storm center of the presidency, where Dilman, until now an almost unknown senator, must bear the weight of three burdens: his office, his race, and his private life. From beginning to end, The Man is a novel of swift and tremendous drama, as President Dilman attempts to uphold his oath in the face of international crises, domestic dissension, violence, scandal, and ferocious hostility. Push comes to shove in a breathtaking climax, played out in the full glare of publicity, when the Senate of the United States meets for the first time in one hundred years to impeach the President

One cold January day the police are called to a sleepy little hamlet in the north of Sweden where they discover a savagely murdered man lying in the snow. As they begin their investigation they notice that the village seems eerily quiet and deserted. Going from house to house, looking for witnesses, they uncover a crime unprecedented in Swedish history. When Judge Birgitta Roslin reads about the massacre, she realises that she has a family connection to one of the couples involved and decides to investigate. A nineteenth-century diary and a red silk ribbon found in the forest nearby are the only clues. What Birgitta eventually uncovers leads her into an international web of corruption and a story of vengeance that stretches back over a hundred years, linking China and the USA of the 1860s with modern-day Beijing, Zimbabwe and Mozambique, and coming to a shocking climax in London’s Chinatown

Every 10 years or so, John Oldman has to move on. No matter what he’s doing. No matter who he’s with. He has to pack up and leave, or there will be talk of him not aging. John was born 14,000 years ago. He has not aged a day since he was 35. On this instance, he decides, on a whim, to tell his friends why he is leaving, turning an impromptu farewell-party into a mysterious and intense interrogation. The only setting is in and around Oldman’s house, with the plot advancing through intellectual arguments between Oldman and his fellow faculty members

When the Apache surrounded the settlement of Alma, New Mexico, the 'respectable' townsfolk began hanging those who weren't. Town drunk Eddie Oates was lucky to be banished from the town, left for the Apaches to kill. Oates never thought he was a survivor. But now, he's discovered a reason to go on--and he's about to unleash a raging fury upon those who would prey on the helpless, the hopeless, and those who others think aren't worth fighting for

The man from Shanghai was caught in a murderous web involving millions of dollars that only The Shadow could untangle

Feliks came to London to commit a murder that would change history. He had many weapons at his command, but his most dangerous were the love of a innocent woman, and the passion of a lady demanding satisfaction. Against him were ranged the English police, a lord, and Winston Churchill himself

When Peter forged travel documents during Stalin’s formidable reign to see his parents in a Siberian labour camp before they perished, he knew he was facing the life-or-death challenge of his life. What followed in the years after that journey could not have been foreseen by Peter or his countrymen. In 1941, the Ukraine was invaded by Hitler’s army and remained under its control until its retreat two years later, taking Peter and his young family with them, as workers in Germany’s labour camps where he has to draw on every ounce of his being to keep his family alive. After years of hardship and suffering, a hand of hope is offered in the form of a ship that would take Peter and his family, now displaced persons, with no country they could claim as their own, as far away from Stalin’s Soviet Union as possible: to Australia, a land of opportunity and fairness before the law. Based on a true story, The Man from Talalaivka, is both a political and personal story. But above all, it is a story about survival and endurance, and love: love for one’s family, love for one’s country, love for humanity

Bianca Rivers has an overpowering love and passion for sexuality, and the ability to fulfill her most outrageous desires without fear or regret. She makes no excuses for her highly charged libido as she shares her fantasies and indulges in explosive sexual encounters with any man willing to feed her insatiable appetite. But what happens when one of the men decides that he wants to love her and be in a true relationship? Will Bianca be able to resist a man who fits her perfectly and is determined to take things to the next level? Boldly challenging our attitudes about men and women, love, sex, and infidelity, The Man Handler thrills and entertains on every page, while forcing readers to take an honest look at their own actions and choices

This book is the second in a series of science fiction short story collections. All three stories in this collection were written following guidelines for various contests, the details of which are included before each story. Encounter. Two crew members must deal with a hull breach on a hauling vessel bound for a distant earth colony. Alone and desperate, they make a choice that might alter their lives forever. Lucinda. A TV star in a dystopian America reveals her downfall from highly paid news anchor to a low-life host of a television reality show featuring everyday people being evicted from their homes during the worst financial crisis in U.S. history. The Man in 14C. A cancer patient on a flight back from Tokyo passes through a wormhole and experiences time travel that transports him 20 years into the future. His life destroyed, he must reconnect with family and discover how he fits into an unfamiliar world

A feverish classic from one of the modern masters of French prose. No one can keep up with Pierre Niox, the speediest antiques dealer in Paris, although not necessarily the most competent. As he dashes about at a dizzying pace, his impatience becomes too much to bear for those around him; his manservant, his only friend and even his cat abandon him. He begins to find that while he is racing through life, it is passing him by. However, when he falls in love with the languid, unpunctual Hedwige, the man in a hurry has to learn how to slow down…

The Hugo Award Winner-1963 It’s America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco the I Ching is as common as the Yellow Pages. All because some 20 years earlier the United States lost a war—and is now occupied jointly by Nazi Germany and Japan. This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to awake

Deep inside the dreaded Bastille, a twenty-three-year-old prisoner called merely “Philippe” has languished for eight long, dark years. He does not know his real name or what crime he is supposed to have committed. But Aramis, one of the original Three Musketeers, has bribed his way into the cell to reveal the shocking secret that has kept Philippe locked away from the world. That carefully concealed truth could topple Louis XIV, king of France, which is exactly what Aramis is plotting to do!A daring jailbreak, a brilliant masquerade, and a terrifying fight for the throne may make Aramis betray his sacred vow, “All for one, and one for all!” In this concluding episode of the Three Musketeers saga, the actions of Aramis and the other Musketeers - Athos, Porthos, and the most dashing of them all, D’Artagnan - bring either honor or disgrace…and a horrifying punishment for the final loser in the battle royal

During his heroic first encounter with an alien race, Dick Muller was permanently altered, hideously transformed in a way that left him repulsive to the entire human race. Alone and embittered, he exiled himself to Lemnos, an abandoned planet famed for its labyrinthine horrors, both real and imagined. But now, Earth trembles on the brink of extinction, threatened by another alien species, and only Muller can rescue the planet. Men must enter the murderous maze of Lemnos, find Muller, and convince him to come back. But will the homeless alien, alone in the universe, risk his life to save his race, the race that has utterly rejected him?

When a man is murdered while standing in line at a popular London theatre, Scotland Yard Inspector Alan Grant is assigned the case. With little to go on, Grant must apply all of his investigating prowess to bring the killer to justice. The Man in the Queue is the first of author Josephine Tey's novels featuring Inspector Alan Grant of Scotland Yard. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library

The first of Tey's Inspector Grant mysteries concerns the murder of an unknown man, apparently struck down as he stands in a ticket queue for a London musical comedy. Grant tenaciously pursues his suspects throughout the length of Britain and the labyrinth of London

The New York Times called Sir Edward Feathers one of the most memorable characters in modern literature. A lyrical novel that recalls his fully lived life, Old Filth has been acclaimed as Jane Gardam's masterpiece, a book where life and art merge. And now that beautiful, haunting novel has been joined by a companion that also bursts with humor and wisdom: The Man in the Wooden Hat. Old Filth was Eddie's story. The Man in the Wooden Hat is the history of his marriage told from the perspective of his wife, Betty, a character as vivid and enchanting as Filth himself. They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need of a wife but unaccustomed to romance. A perfect English couple of the late 1940s. As a portrait of a marriage, with all the bittersweet secrets and surprising fulfillment of the 50-year union of two remarkable people, the novel is a triumph. The Man in the Wooden Hat is fiction of a very high order from a great novelist working at the pinnacle of her considerable power. It will be read and loved and recommended by all the many thousands of readers who found its predecessor, Old Filth, so compelling and so thoroughly satisfying

Clark Savage, Jr. the inspiration for Superman and James Bond, along with Renny, Johnny, Ham, Monk and Long Tom, as they journey to Central America to reclaim Doc's legacy

Glinting like a moonstone with layers of emotion, The Man of Feeling is a sleek and strange tale of cosmopolitan love. An affair between a married woman and a young man just becoming an opera star (curiously helped along by the husband's factotum) meets with adamant resistance from the implacable husband. Narrated by the young opera singer, the novel opens as he recalls traveling on a train from Milan to Venice, silently absorbed for hours by the woman asleep opposite his seat. In the measured tones of memory, The Man of Feeling revolves on the poles of anticipation and recollection. The peculiar rarified life lived in the world's luxury hotels, a life of rehearsal and performance, the constant travel and ghost-like detachment of our protagonist adds a deeper tone to the novel's weave of desire and detachment, of consideration and reconsideration: its epigraph cites William Hazlitt: "I think myself into love,/And I dream myself out of it." As Marías remarks in a brief afterword, this is a love story "in which love is neither seen nor experienced, but announced and remembered." Can love be recalled truly when it no longer exists? That twist will continue to revolve in the reader's mind, conjuring up in its disembodied way Henry James' The Turn of the Screw. Beautifully translated into English for the first time by Margaret Jull Costa, this fascinating and eerie early novel by Javier Marías bears out his reputation for the "dazzling" (TLS) and "startling" (The New York Times)

«Сага о Форсайтах» известного английского писателя Дж. Голсуорси (1867–1933) – эпопея о судьбах английской буржуазной семьи, представляющей собой реалистическую картину нравов викторианской эпохи. «Собственник», первый роман цикла, рассказывает о веке, когда родовой инстинкт был главной движущей силой. Но никакие семейные устои, домашний очаг и собственность не могут противостоять хаосу, который вносит в жизнь человека Красота и Страсть. Англо-русские параллельные тексты

Anything can happen — and usually does — when a lying murderer tells the truth!

Рассказ вошёл в сборники: Dark Carnival (Тёмный карнавал) The October Country (Октябрьская страна) The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Michael Hudson spends the long days in prison devouring books given to him by the prison’s librarian, a young woman named Anna who develops a soft spot for her best student. Anna keeps passing Michael books until one day he disappears, suddenly released after a private detective manipulated a witness in Michael’s trial. Outside, Michael encounters a Washington, D.C. that has changed a lot during his time locked up. Once shady storefronts are now trendy beer gardens and flower shops. But what hasn’t changed is the hard choice between the temptation of crime and doing what’s right. Trying to balance his new job, his love of reading, and the debt he owes to the man who got him released, Michael struggles to figure out his place in this new world before he loses control

Can someone really predict the future? Magician Vincent Hardare does just that during a TV appearance. It’s all a trick, only the killer whose next murder he’s predicted doesn’t know that. Hardare soon becomes the killer’s target, and must pull every trick out of his bag to save himself, and his family from becoming the killer’s next victims. Filled with amazing magic and hair-raising scenes, author James Swain draws on his expertise as one of the world’s greatest magicians to deliver up a novel filled with hair-raising surprises

In the chaos of early-1990s Russia, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from him in order to keep him—and his pension—alive until it turns out the tough old man has other plans. Olga Slavnikova’s The Man Who Couldn’t Die tells the story of how two women try to prolong a life—and the means and meaning of their own lives—by creating a world that doesn’t change, a Soviet Union that never crumbled. After her stepfather’s stroke, Marina hangs Brezhnev’s portrait on the wall, edits the Pravda articles read to him, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile, her mother, Nina Alexandrovna, can barely navigate the bewildering new world outside, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand, Nina discovers that her husband is conspiring as well—to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions. Olga Slavnikova was born in 1957 in Sverdlovsk (now Ekaterinburg). She is the author of several award-winning novels, including 2017, which won the 2006 Russian Booker prize and was translated into English by Marian Schwartz (2010), and Long Jump, which won the 2018 Yasnaya Polyana Award. Marian Schwartz translates Russian contemporary and classic fiction, including Tolstoy’s Anna Karenina, and is the principal translator of Nina Berberova

When three Terrans — a space pilot, a planetary queen and an obese tycoon — crash-landed on Diomedes, they realized that the chances for survival were quite slim. The native food was totally poisonous to humans, and the survivors had only six weeks’ worth of supplies to get them across thousands of miles of unmapped territory to the one Terran outpost. Their only hope was to enlist the aid of the winged inhabitants of Diomedes, and these barbarian tribes cared only for battle and glory. There was little that could induce them to worry about the lives of three humans

The death of the pilot was as indisputable as the loss of the plane. The status of the passengers was more difficult to define… Four men had arranged to fly to Dublin. When their aeroplane descended as a fireball into the Irish Sea, only three of them were on board. With the identities of the passengers lost beneath the waves, a tense and perplexing investigation begins to determine the living from the dead, with scarce evidence to follow beyond a few snippets of overheard conversation and one family’s patchy account of the three days prior to the flight. Who was the man who didn’t fly? What did he have to gain? And would he commit such an explosive murder to get it? First published in 1955, Bennett’s ingenious mystery remains an innovative and thoroughly entertaining inversion of the classic whodunit. This edition also includes the rare short story “No Bath for the Browns” and an introduction by CWA Diamond Dagger Award winning author Martin Edwards

T. J. Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy. “Beautiful science fiction . . . The story of an extraterrestrial visitor from another planet is deigned mainly to say something about life on this one.” —The New York Times “Those who know The Man Who Fell to Earth only from the film version are missing something. This is one of the finest science fiction novels of its period.” —J.R. Dunn, author of Full Tide of Night

This classic work of science fiction is widely considered to be the ultimate time-travel novel. When Daniel Eakins inherits a time machine, he soon realizes that he has enormous power to shape the course of history. He can foil terrorists, prevent assassinations, or just make some fast money at the racetrack. And if he doesn’t like the results of the change, he can simply go back in time and talk himself out of making it! But Dan soon finds that there are limits to his powers and forces beyond his control

A youth is lying dead in Gray Square, Bloomsbury. Constable Wiseman is at the scene, as is the handsome Frank Merril, nephew of rich John Martin. Also there is May Nuttall, whose father was the best friend Martin ever had. A small, shabby man in an ill-fitting frock coat and large gold-rimmed spectacles pulls a newspaper advertisement from the deceased's waistcoat pocket. “At the Yard,” whispers the constable to Frank, “we call him The Man Who Knows.”

‘Mallory’s progress is enthralling…beautifully observed in fine, controlled prose’ – MAIL ON SUNDAY Fifteen years after Inspector Louis Markowitz adopted the wild child, no one in New York’s Special Crimes section knew much about Kathy Mallory’s origins. They only knew that the young cop with the soul of a thief could bewitch the most complex computer systems, could slip into the minds of killers with disturbing ease. In Central Park, a woman dies, while a witness watches, believing the brutal murder to be a prelude to a kiss. Mallory goes hunting the killer, armed with under-the-skin knowledge of the man’s mind and the bare clue of a lie. Mallory holds on to one truth: everybody lies, and some lies can get you killed. And she knows that, to trap the killer, she must put her own life at risk, for this killer has taken a personal interest in her… ‘Carol O’Connell is a gifted writer with a style as quick and arresting as Kathy Mallory herself’ – RICHARD NORTH PATTERSON

In the tradition of The Orchid Thief, a compelling narrative set within the strange and genteel world of rare-book collecting: the true story of an infamous book thief, his victims, and the man determined to catch him. Rare-book theft is even more widespread than fine-art theft. Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be. Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars? worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed ?bibliodick? (book dealer with a penchant for detective work) driven to catch him. Bartlett befriended both outlandish characters and found herself caught in the middle of efforts to recover hidden treasure. With a mixture of suspense, insight, and humor, she has woven this entertaining cat-and-mouse chase into a narrative that not only reveals exactly how Gilkey pulled off his dirtiest crimes, where he stashed the loot, and how Sanders ultimately caught him but also explores the romance of books, the lure to collect them, and the temptation to steal them. Immersing the reader in a rich, wide world of literary obsession, Bartlett looks at the history of book passion, collection, and theft through the ages, to examine the craving that makes some people willing to stop at nothing to possess the books they love. From Publishers Weekly Bartlett delves into the world of rare books and those who collect—and steal—them with mixed results. On one end of the spectrum is Salt Lake City book dealer Ken Sanders, whose friends refer to him as a book detective, or Bibliodick. On the other end is John Gilkey, who has stolen over $100,000 worth of rare volumes, mostly in California. A lifelong book lover, Gilkey's passion for rare texts always exceeded his income, and he began using stolen credit card numbers to purchase, among others, first editions of Beatrix Potter and Mark Twain from reputable dealers. Sanders, the Antiquarian Booksellers' Association's security chair, began compiling complaints from ripped-off dealers and became obsessed with bringing Gilkey to justice. Bartlett's journalistic position is enviable: both men provided her almost unfettered access to their respective worlds. Gilkey recounted his past triumphs in great detail, while Bartlett's interactions with the unrepentant, selfish but oddly charming Gilkey are revealing (her original article about himself appeared in The Best Crime Reporting 2007). Here, however, she struggles to weave it all into a cohesive narrative.(Sept. 17) From Bookmarks Magazine Bibliophiles themselves, reviewers clearly wanted to like The Man Who Loved Books Too Much. The degree to which they actually did depended on how they viewed Bartlett's authorial choices. Several critics were drawn in by Bartlett's own involvement in the story, as in the scene where she follows Gilkey through a bookstore he once robbed. But others found this style lazy, boring, or overly "literary," and wished Bartlett would just get out of the way. A few also thought that Bartlett ascribed unbelievable motives to Gilkey. But reviewers' critiques reveal that even those unimpressed with Bartlett's style found the book an entertaining true-crime story

A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940. In The Man Who Loved Dogs, Leonardo Padura brings a noir sensibility to one of the most fascinating and complex political narratives of the past hundred years: the assassination of Leon Trotsky by Ramón Mercader. The story revolves around Iván Cárdenas Maturell, who in his youth was the great hope of modern Cuban literature-until he dared to write a story that was deemed counterrevolutionary. When we meet him years later in Havana, Iván is a loser: a humbled and defeated man with a quiet, unremarkable life who earns his modest living as a proofreader at a veterinary magazine. One afternoon, he meets a mysterious foreigner in the company of two Russian wolfhounds. This is "the man who loved dogs," and as the pair grow closer, Iván begins to understand that his new friend is hiding a terrible secret. Moving seamlessly between Iván's life in Cuba, Ramón's early years in Spain and France, and Trotsky's long years of exile, The Man Who Loved Dogs is Padura's most ambitious and brilliantly executed novel yet. This is a story about political ideals tested and characters broken, a multilayered epic that effortlessly weaves together three different plot threads- Trotsky in exile, Ramón in pursuit, Iván in frustrated stasis-to bring emotional truth to historical fact. A novel whose reach is matched only by its astonishing successes on the page, The Man Who Loved Dogs lays bare the human cost of abstract ideals and the insidious, corrosive effects of life under a repressive political regime

New York artist Eliza Knight certainly did not realize it at the time, but her life changed when she bought the old, beat-up vanity table one lazy Sunday afternoon. Tucked away behind the mirror she found two letters, one sealed, but one already opened: "May 12th, 1810. Dearest Jane, the Captain has found me out. I am being forced to go into hiding immediately. But if I am able, I shall still be waiting at the same spot tonight. Then you will know everything you wish to know. F. Darcy." F. Darcy? Fitzwilliam Darcy, the fictional hero of Jane Austen's "Pride and Prejudice"? Even more mysterious was the other letter, sealed and never read - from Jane to Darcy. Could this man, possibly the most romantic character ever written and the hero of Eliza's favourite novel, have been a real person? Eliza's initial guarded curiosity turns to astonishment as scientific testing confirms the sealed letter was indeed addressed by Jane Austen. But she is completely baffled by the revelation that the other letter, though proven to be from the same time period - was written by an American. Caught between the routine of her present life and the intrigue of these incredible discoveries from the past, Eliza decides to look deeper. Her research leads to a majestic, 200-year-old estate in Virginia's breathtaking Shenandoah Valley where she meets the one man who may hold the answer. But he also has a secret, one he has kept hidden for years. Now, as the real story of Fitzwilliam Darcy unfolds, Eliza finds her life has become a modern-day romance, one that perhaps only Jane Austen herself could have so eloquently written

Lysander Hawkley combined breathtaking good looks with the kindest of hearts. He couldn't pass a stray dog, an ill-treated horse or a neglected wife without rushing to the rescue. And with neglected wives the rescue invariably led to ecstatic bonking, which didn't please their erring husbands one bit. Lysander's mid-life crisis had begun at twenty-two. Reeling from the death of his beautiful mother, he was out of work, drinking too much and desperately in debt. The solution came from Ferdie, his fat friend: if Lysander was so good at making husbands jealous, why shouldn't he get paid for it? Let loose among the neglected wives of the ritzy county of Rutshire, Lysander causes absolute havoc. But it is only when he meets Rannaldini, Rutshire's King Rat and a temperamental, fiendishly promiscuous international conductor, that the trouble really starts. The only unglamorous woman around Rannaldini was Kitty, his plump young wife who ran his life like clockwork. Soon Lysander was convinced that Kitty must be rescued from Rannaldini at all costs, even if it means enlisting the help of the old blue-eyed havoc-maker: Rupert Campbell-Black

When Tom Nile’s genetic structure was determined, it varied from the human norm only in one respect. Most of us have minds like sieves, through which our recollections of the past constantly leak away; but Tom came into the world incapable of forgetting anything. Such a miraculous memory is surely a blessed gift… or is it?

Staying alive becomes a precarious task for Inspector Kurt Wallander as he plays both hunter and hunted in a terrifying game of money and power. Crestfallen, dejected and spiralling into an alcohol fuelled depression after killing a man in the line of duty, Wallander has made up his mind to quit the force for good. When an old acquaintance, a solicitor, seeks his help to investigate the suspicious circumstances surrounding his fathers death, Wallander doesn't want to know. But when the solicitor also turns up dead, shot three times, Wallander realises that he was wrong not to listen. Against his better judgment, he returns to work to head what may now have become a double murder case. A rookie female detective has joined the force in his absence and he adopts the role of her mentor as they fight to unravel the mystery. An enigmatic business tycoon who hides behind an entourage of brusque secretaries and tight security seems to be the link between the two deaths. But while Wallander is on the trail of the killer, someone is on the trail of Wallander, and closing in fast

Winner of the 2001 French Human Rights Prize, French-Iranian author Fariba Hachtroudi's English-language debut explores themes as old as time: the crushing effects of totalitarianism and the infinite power of love. She was known as "Lure 455," the most famous prisoner in a ruthless theological republic. He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced

A bestseller in the author’s native country of Estonia, where the book is so well known that a popular board game has been created based on it, The Man Who Spoke Snakish is the imaginative and moving story of a boy who is tasked with preserving ancient traditions in the face of modernity. Set in a fantastical version of medieval Estonia, The Man Who Spoke Snakish follows a young boy, Leemet, who lives with his hunter-gatherer family in the forest and is the last speaker of the ancient tongue of snakish, a language that allows its speakers to command all animals. But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett

In a trance-like state, Albert walks — from Bordeaux to Poitiers, from Chaumont to Macon, and farther afield to Turkey, Austria, Russia — all over Europe. When he walks, he is called a vagrant, a mad man. He is chased out of towns and villages, ridiculed and imprisoned. When the reverie of his walking ends, he’s left wondering where he is, with no memory of how he got there. His past exists only in fleeting images. Loosely based on the case history of Albert Dadas, a psychiatric patient in the hospital of St. André in Bordeaux in the nineteenth century, The Man Who Walked Away imagines Albert’s wanderings and the anguish that caused him to seek treatment with a doctor who would create a diagnosis for him, a narrative for his pain. In a time when mental health diagnosis is still as much art as science, Maud Casey takes us back to its tentative beginnings and offers us an intimate relationship between one doctor and his patient as, together, they attempt to reassemble a lost life. Through Albert she gives us a portrait of a man untethered from place and time who, in spite of himself, kept setting out, again and again, in search of wonder and astonishment