The Twenty Third Chronicle of Matthew Bartholomew In 1360 a deputation from Cambridge ventures to the Suffolk town of Clare in the hope that the wealthy Elizabeth de Burgh has left a legacy to Michaelhouse. Yet when they arrive they discover that the report of her death is false and that the college seems destined for bankruptcy. Determined to see if some of its well-heeled citizens can be persuaded to sponsor Michaelhouse, Matthew Bartholomew, Brother Michael and Master Langelee become enmeshed in the town’s politics. They quickly discover that a great many other people in Clare have recently met untimely deaths. These killings, combined with the arrogance Lady de Burgh has shown over the refurbishment of the church and the grotesque behaviour of some of her entourage, have created a dangerous restlessness in the town: an atmosphere intensified when yet more murders occur. One of the victims is a fellow traveller of the Michaelhouse contingent, and Matthew Bartholomew and Brother Michael feel honour-bound to identify his killer. It is a hunt which takes them deep into Clare’s murky foundations and which threatens their own survival as well as that of their beloved college

BRADY’S BAD FUCKED I wrote it on the bedroom wall, in yellow day-glo marker. Nice colour, blended well with the years of nicotine. I haven’t taken my medication for the past week. If I couldn’t go a few days without the lithium, I was in deep shit. I’d gotten the job ten days earlier and it entailed a whack of pub-crawling. Booze and medication Is the worst of songs. Sing that! A job of pure simplicity. Find a white girl in Brixton. Piece of cake. What I should have done is doubled my medication and lit a candle to St Jude — maybe a lot of candles. Add in a lethal ex-con, an Irish builder obsessed with Gene Hackman, the biggest funeral Brixton has ever seen, and what you get is the Blues like they’ve never been sung before

The Amazon #1 bestselling Delphi Group series is back in a shocking third installment! American archaeologist Dr. Richard Pauling disappears in Venice and is presumed dead. The United States government, anxious to learn who killed him and why, calls on the Delphi Group to investigate. Senior operative Zane Watson leads a team to Italy, where they make a startling discovery: Pauling had recently acquired a mysterious map of unknown origin and purpose. To the south, the underground vault of the Vatican Secret Archives is breached by a covert figure seeking an ancient relic shrouded in mystery. The Delphi team believes the map and the relic are somehow related, and they soon learn an ancient order is behind the intrigue. But where does the map lead? And why does the order want to get there so badly? As they follow the trail of clues, Zane and the others find themselves moving toward a dark and sinister destination. It’s a place of legend, and for some, a place of unspeakable horror. Soon, only one question remains: will they make it out alive?

John Barron was once a top detective in the Los Angeles Police Department's elite 5-2 Squad. A deadly shootout with fellow officers changed his world forever. Taking a new identity, he fled the country he loved and as Nicholas Marten became a landscape architect in the north of England determined to put a life of violence behind him forever. Then suddenly he found himself in Spain ensnared in a massive global conspiracy where he saved the life of John Henry Harris, the president of the United States. Not long afterward the president came calling again. Sent to the West African country of Equatorial Guinea to gain information on alleged collusion between a U.S. oil company and mercenaries hired to protect its workers, Marten is caught up in a bloody civil war between rebellious tribesmen and a merciless dictator. Soon he meets a priest who has clandestine photographs that show the mercenaries supplying arms to the rebels. In a blink the priest is captured by army troops and Marten flees for his life, determined to find the photographs and turn them over to the president before they are made public and ignite a global firestorm of protest and propaganda. But others are close on his heels. Among them; Conor White, a highly decorated former SAS commando turned elite killer; Sy Wirth, the arrogant president of the oil company; the alluring and dangerous oil company board member, Anne Tidrow; and, quietly, operatives of the CIA. Murder, suspense, and deceit shadow Marten every inch of the way as his harrowing journey takes him to Berlin, to the Portuguese Riviera, and finally to the always-mysterious Lisbon. At stake is the struggle for control of an ocean of oil, and with it the constantly shifting line between good and evil, love and hate, law and politics. Its cost, thousands of human lives. Its cause, a top secret agreement called The Hadrian Memorandum

In 2003, Osama al-Kharrat returns to Beirut after many years in America to stand vigil at his father's deathbed. As the family gathers, stories begin to unfold: Osama's grandfather was a hakawati, or storyteller, and his bewitching tales are interwoven with classic stories of the Middle East. Here are Abraham and Isaac; Ishmael, father of the Arab tribes; the beautiful Fatima; Baybars, the slave prince who vanquished the Crusaders; and a host of mischievous imps. Through Osama, we also enter the world of the contemporary Lebanese men and women whose stories tell a larger, heartbreaking tale of seemingly endless war, conflicted identity, and survival. With The Hakawati, Rabih Alameddine has given us an Arabian Nights for this century

Akar Kessel, a weak-willed apprentice mage sets in motion events leading to the rediscovery of the magical device, the crystal shard. But is it merely an inanimate device… or is it capable of directing the defeat of Ten-Towns? Or have the barbarians already arranged for that themselves? Their brutal attack on the villages of Ten-Towns seals their fate, and that of the youn barbarian Wulfgar. Left for dead, Wulfgar is rescued by the dwarf, Bruenor, in exchange for five years of service… and friendship. With the help of the dark elf, Drizzt, Bruenor reshapes Wulfgar into a warrior with both brawn and brains. But is Wulfgar strong enough to reunite the barbarian tribes? Can an unorthodox dwarf and renegade dark elf persuade the people of Ten-Towns to put aside their petty differences in time to stave off the forces of the crystal shard?

Never before available in English, The Halfway House is a trip to the darkest corners of the human condition. Humiliations, filth, stench, and physical abuse comprise the asphyxiating atmosphere of a halfway house for indigents in Miami where, in a shaken mental state, the writer William Figueras lives after his exile from Cuba. He claims to have gone crazy after the Cuban government judged his first novel “morose, pornographic, and also irreverent, because it dealt harshly with the Communist Party,” and prohibited its publication. By the time he arrives in Miami twenty years later, he is a “toothless, skinny, frightened guy who had to be admitted to a psychiatric ward that very day” instead of the ready-for-success exile his relatives expected to welcome and receive among them. Placed in a halfway house, with its trapped bestial inhabitants and abusive overseers, he enters a hell. Romance appears in the form of Frances, a mentally fragile woman and an angel, with whom he tries to escape in this apocalyptic classic of Cuban literature. “Behind the hardly one hundred pages,” Canarias Diario stated, “is the work of a tireless fabulist, a writer who delights in language, extracting verbs and adjectives which are powerful enough to stop the reader in his tracks.”

Simon Leys is a Renaissance man for the era of globalization: a distinguished scholar of classical Chinese art and literature, he was one of the first Westerners to expose the horrors of Mao’s Cultural Revolution. Leys’s interests and expertise are not, however, confined to China: he also writes about European art, literature, history, and politics, and is an unflinching observer of the way we live now. No matter the topic he writes with unfailing elegance and intelligence, seriousness and acerbic wit. Leys is, in short, not simply a critic or commentator but an essayist, and one of the most outstanding ones of our time. The Hall of Uselessness gathers the finest of Leys’s essays for an American audience for the first time. On subjects ranging from China to Orwell and from Quixotism to the sea, Leys feuds with Christopher Hitchens, ponders the popularity of Victor Hugo, and considers whether Vladimir Nabokov’s posthumous novel should ever have been published. He dissects Mao’s Cultural Revolution and the Khmer Rouge regime, and discusses the legacies of Waugh, Chesterton, Simenon, and Confucius. He discusses Chinese art, culture, and politics; the joys of literary translation; and the fate of the university. The Hall of Uselessness is an illuminating compendium from a brilliant and quirky writer and an exemplary global voice

Katie is on the verge of her Rumspringa, the time in Amish life when teenagers can get a taste of the real world. But the real world comes to her in this dystopian tale with a philosophical bent. Rumors of massive unrest on the “Outside” abound. Something murderous is out there. Amish elders make a rule: No one goes outside, and no outsiders come in. But when Katie finds a gravely injured young man, she can’t leave him to die. She smuggles him into her family’s barn—at what cost to her community? The suspense of this vividly told, truly horrific thriller will keep the pages turning

A tale in seven parts set within the walls of the mighty city of Selgaunt, which sits perched on the northern coast of the Sea of Fallen Stars in the realm of Sembia. It is winter in the Year of the Unstrung Harp, 1371 by Dalereckoning. Sembia, guided by the many hands of her prosperous merchant princes, thrives. Here we meet one of Sembia’s powerful merchant lords and his family, the Uskevren

865 A.D. Warring kings rule over the British Isles, but the Church rules over the kings, threatening all who oppose them with damnation. Only the dreaded Vikings of Scandinavia do not fear the priests. Shef, the bastard son of a Norse raider and a captive English lady, is torn by divided loyalties and driven by strange visions that seem to come from Odin himself. A smith and warrior, he alone dares to imagine new weapons and tactics with which to carve out a kingdom—and launch an all-out war between… The Hammer and the Cross

The FBI doesn't believe it. The Governor wants the problem to disappear. But agent Judy Maddox knows the threat is real: an extreme group of eco-terrorists has the means and the know-how to set off a massive earthquake of epic proportions. For California, time is running out. Now Maddox is scrambling to hunt down a petty criminal turned cult leader turned homicidal mastermind. Because Judy knows that the dying has already begun. And soon, the earth will violently shift, bolt, and shake down to its very core… From the Paperback edition

The news of Henry III’s death reaches his son Edward on the long road home from the Holy Land. Now he is England's king and a man fit for his destiny. Through all the years of his reign, Edward I strives to weld a nation united from England and Scotland and Wales. When the mighty Wallace raises the Scots in arms and the Welsh Llewellyn strives for power, Edward stands firm in his resolve, knowing in his heart how much could be lost when his crown is passed down to his corrupted, dissolute son …

Crime, like everything else, must adapt to changing times…

The Tenth Chronicle of Matthew Bartholomew. Cambridge, February 1355 – and as the worst snows in living memory begin to melt, a long-frozen body is revealed. As the temperature gradually rises in the Fenland town, the passions of its citizens also emerge from the winter chill. A skeletal hand has become an object of veneration, viewed by some as a holy relic and capable of curing all ills, but thought by others to have come from a local simpleton. Meanwhile, two well-born citizens, who had been convicted of murder, have received the King’s Pardon, and have now returned to Cambridge showing no remorse for their actions, but ready to confront those who helped to convict them. And there is a dispute between the local mills, regarding which should have the right to distribute the King’s corn. When Matthew Bartholomew is summoned to one of the mills where two people have been killed by nails rammed into their mouths, he and Brother Michael know exactly who to question. But as so often in the University city, nothing is as straightforward as it seems …

Returning to Shadow Earth to investigate a threat against his life, Corwin discovers that the Jewel of Judgment has been stolen by his traitorous brother, Brand, who plans to use the enigmatic gem to reshape the universe

Dirk Barnevelt, tame writer for Shtain Enterprises, is sent to Krishhna to find and bring home its company's explorer-founder, captive of the pirates of the Sargasso-like Sunqar. Zei, Princess of Qirib, is kidnapped from under Barnevelt's nose, and as this new book opens he is escaping across the floating weed beds on improvised skis, with the girl but without Shtain. The rest of the book is devoted to the process by which our hero finishes his original job

Morgan's life seems to be settled — she is completing her thesis on victim psychology and newly engaged to Bennett, a man more possessive than those she has dated in the past, but also more chivalrous and passionate. But she returns from class one day to find Bennett savagely killed, and her dogs — a Great Pyrenees, and two pit bulls she was fostering — circling the body, covered in blood. Everything she holds dear in life is taken away from her in an instant. Devastated and traumatised, Morgan tries to locate Bennett's parents to tell them about their son's death. Only then does she begin to discover layer after layer of deceit. Bennett is not the man she thought he was. And she is not the only woman now in immense danger…

First published in the anthology Free Space, edited by Brad Linaweaver and Edward E. Kramer (Tor, 1997). This is the author’s preferred text as published in the anthology Crossing the Line: Canadian Mystery Fiction With A Twist, edited by Robert J. Sawyer David Skene-Melvin (Pottersfield, 1999) Nominated for Hugo Award for Best Short Story in 1998. Nominated for Crime Writers of Canada’s Arthur Ellis Award in 1998

Reviewed by Kathleen A. Cameron, Justice Studies, Social Sciences Department, Pittsburg State University. Email: kcameron [at] pittstate.edu. Imagine a society where a sign in red paint reads, “We warn against not wearing a headscarf and wearing makeup. Those who do not abide by this will be punished. God is our witness, we have notified you.” Imagine a society where women are tortured and killed for disobeying this law – a society where religious beliefs, the political structure, and female sexual identity are so intertwined as to justify and require the control of women’s freedom, the sexual victimization of women, and the torture and murder of women who do not comply. Imagine a society where a woman is accused by religious police of being a witch and is sentenced to death by beheading. Margaret Atwood imagines this society in her futuristic, dystopian novel, THE HANDMAID’S TALE. While the excerpt above is a non-fictional description of present-day Iraq and Saudi Arabia, Atwood’s vision of a fictional theocratic regime that reduces the value of women to reproductive commodities is a disturbingly accurate account of the status of women in the Middle East and other parts of the world, and is in many ways reflected in political, legal, and cultural doctrines, ideologies, and practices in the U.S. Numerous reviews of this most profound and telling work by Atwood have been written since its publication in 1986. Written in a similar vein to Huxley’s BRAVE NEW WORLD (1932), Orwell’s 1984 (1949), and Burgess’ A CLOCKWORK ORANGE (1962), but with the mysogynistic focus of Piercy’s WOMAN ON THE EDGE OF TIME (1976), it is one of the two most popular Atwood works for use in university classrooms (along with Atwood’s SURFACING (1972)). Rich with symbolism and textured with irony, it relies on a feminist methodology of the narrative, the primary way individuals make sense of experience. As such, it provides an ideal source for generating dialogue, teaching, and learning in courses that have typically included courses in the humanities and social sciences. This review illustrates the use of this work in a course on Women, Crime and Justice, and includes a student paper excerpt in the brief summary of THE HANDMAID’S TALE that follows. The student contributor to the summary below writes, “I am finding The Handmaid’s Tale to be a heart-breaking, yet inspiring novel… I could not stop reading.” Adaptations include a film, an opera, and an unabridged audio book. The story is set in the futuristic United States of America in the fictional town of Gilead, a puritanical society in which dress codes are used as a way to subjugate women. The tale opens with the narrator, Offred (Of-Fred) remembering a time when she was held against her will in an old gymnasium, [*299] known as the Red Center. Women here are trained to become Handmaids, surrogate mothers for powerful military families, who are ordered to wear red dresses with white veils to signify their importance to the cause (having the Commanders’ children). Gilead is a theocracy run by Christian extremists in which women are not allowed to hold jobs, read, or use money. The chief function of women is to bear children since the decline in the birth rate. Women of lower status, the “econowives” wear striped dresses to signify that their husbands are not yet Commanders. Throughout the novel, Offred narrates from remembering past times to the present. She is a Handmaid who lives in a Commander’s house but she remembers a time when she was married to a man named Luke and they had a child together. Offred has no idea what happened to either her child or Luke, but she recalls that her child was taken from her because she was deemed “unfit.” In the new world of Gilead (once the United States), the Constitution has been suspended and a Christian theocracy has replaced a democratic government. To address the declining birth rate caused by pollution and chemical poisoning, the government has created Handmaids who are placed in the households of Commanders whose wives can no longer bear children. Handmaids are under constant surveillance, subject to strict rules and regulations, and suffer extreme punishment or death if they defy the Gileadean regime. While words such as “engaging,” “well-structured,” and “suspenseful” have been used to describe the work, THE HANDMAID’S TALE offers a myriad of themes for pedagogy much more profound than its value as a compelling read and its use in discussions of literature and creative writing. More specifically, the work lends itself to an examination of the politics of female sexuality as inextricably linked to female criminality. As the tale unravels, the boundaries between Atwood’s fictional characters of Gilead and the historical oppression and subjugation of women in the U.S. and the world become increasingly blurred. Students are given the opportunity to uncover ways in which political ideologies have given rise to structures of power that connect the personal to the political. The practices and beliefs in the fictional Republic of Gilead can be used to expose the roots of a non-fictional political campaign to control women that can be seen as early as the 15th century in Europe, when control of women’s reproductive issues and control over women’s bodies fueled a theocratic movement against women as the Roman Catholic church defined their healing practices as the crime of “witchcraft” and led to beliefs that female sexuality was the downfall of man. This theme of woman as the “sexual temptress” is brought to light once again in the current political regime in Saudi Arabia. In today’s news, where a Saudi woman has been sentenced to death for the crime of witchcraft, the color red has been banned as testament that, in the words of one Atwood reviewer, “dehumanization of women is not just a custom but actually the law.” In THE HANDMAID’S TALE, we see the symbolism of the color red. As one student explains, “Red is a scandalous, racy color, defining the Handmaids as such. Everything associated with the [*300] Handmaids is red.” The novel’s protagonist, Offred, states, “Everything except the wings around my face is red: the color of blood, which defines us.” (Atwood, p. 8) Atwood uses the symbology of color to represent social status (Commanders dress in black and drive black cars) for characters as well as the political structure of the society (“ Red Center ”). The seamless blend of political power, ideological structures, and criminal justice practices is artistically woven into the tapestry of Atwood’s social commentary on the oppression of women. Throughout the novel’s fabric, we find threads of the objectification of women in the control of female sexuality; the value of women defined by reproduction; the victim/criminal continuum and the politics of female victimization and female criminality; the female criminality link to structural dislocation; and the feminist methodology of personal voice, experience, and the power of the narrative. Any crime can result in an execution and a public hanging on “The Wall,” but just being female is suspect enough. Atwood resists painting a picture of Offred as a victim; on the contrary, Offred is intelligent, courageous, and defiant in the face of her life under siege. Ironically, when it is more common for survivors of sexual crimes and political torture to remain silent, it is Offred’s narrative that empowers the reader to champion her eventual uprising against the family and government that hold her captive. While rape survivors and other women who are victims of crimes of power often find it difficult to talk about their experiences and resist naming them, it is precisely her narrative and the naming of her world that carries Offred to rise above the Giladean regime. The political identity that has been inflicted upon her is ultimately unable to destroy her personal identity and she emerges as a heroine rather than a Handmaid. As a pedagogical palette, THE HANDMAID’S TALE is rich in possibilities for analyzing the intersection between crimes against women, crimes by women, and the politics of female sexuality. In this tenth anniversary year of “The Vagina Monologues” and the V-Day movement to end violence against women, we read news accounts daily such as those described in the opening statements of this review -- Iraqi women being tortured and killed for contradicting the requirements of Islam demanding that women cover their heads and Saudi women being executed by political regimes in the name of religion. As a feminist pedagogy and methodology, the power of giving voice to women and naming personal experience is the power of THE HANDMAID’S TALE

Painting, foreign climes, girls who were fresh, tweet and young... all could be his; now to get rid of Myra!

Even the arrival of her baby can't hold Mma Makutsi back from success in the workplace, and so no sooner than she becomes a full partner in the No. 1 Ladies' Detective Agency - in spite of Mma Ramotswe's belated claims that she is only 'an assistant full partner' - she also launches a new enterprise of her own: the Handsome Man's De Luxe Café. Grace Makutsi is a lady with a business plan, but who could predict temperamental chefs, drunken waiters and more? Luckily, help is at hand, from the only person in Gaborone more gently determined than Mma Makutsi . . . Mma Ramotswe, of course

Roger the Chapman Mystery #3 Sometimes dead men tell the most interesting tales… New Year's, 1474, finds Roger the Chapman collapsed with fever after wandering the frozen roads of Western England. Taken in by widow Margaret Walker and her daughter, Lillis, in the ancient trading port of Bristol, he awakens to find himself in the middle of another mystery. The two women seem mistrusted by villagers and uneasy even at home. He learns that Margaret's father vanished last year, presumed dead. A man was hanged for his murder, but not two months later the old man wandered back into town, unable to account for his disappearance. Vowing to root out the evil at work in the Walker home, Roger puts his God-given talent for solving mysteries to good use, once more unravelling the complex web before him: a town plagued by secret allegiances, rivalries and deceit… The third book in the completely gripping Roger the Chapman mysteries, full of suspense and intrigue, perfect for fans of D. V. Bishop, Graham Brack and S. G. MacLean

This series of techno-suspense novels featuring artist, computer wizard and professional criminal Kidd (The Fool’s Run; The Empress File; The Devil’s Code) and his sometime girlfriend, cat-burglar LuEllen, are far fewer in number and less well-known than Sandford’s bestselling Prey books. In this entry, Bobby, Kidd’s genius hacker friend (“Bobby is the deus ex machina for the hacking community, the fount of all knowledge, the keeper of secrets, the source of critical phone numbers, a guide through the darkness of IBM mainframes”), goes offline for good when he is hammered to death by an intruder. Bobby’s laptop is stolen, which is bad news for Kidd as several of his more illegal transactions may be catalogued on the hard drive. Kidd needs to find the computer, break the encryption and revenge Bobby’s death. The trail leads from Kidd’s St. Paul, Minn., art studio to heat-stricken rural Mississippi and on to Washington, D.C., where Kidd uncovers a government conspiracy that threatens the reputations and livelihood of most of the nation’s elected representatives. One of the joys of the series is learning the tricks of computer hacking and basic burglary as Kidd and LuEllen take us to Radio Shack, Target, Home Depot and an all-night supermarket to buy ordinary gear, including a can of Dinty Moore Beef Stew, to use in clever, illegal ways. The action is as hot and twisted as a Mississippi back road, but the indefatigable Kidd eventually straightens it all out and exacts a sort of rough justice that matches his flexible moral code. The early entries in this series have aged badly because of the advances in technology, but this latest intelligent and exciting thriller proves a worthy addition to Sandford’s overall body of work

When her television series is abruptly canceled, investigative filmmaker Maggie MacGowen accepts a short-term contract to teach film production at a local community college-an interesting diversion, she thinks, until the next TV gig comes along. But if Maggie expects her sojourn in the ivory tower to be peaceful, she is dead wrong. Instead, she finds herself in the middle of an explosive power struggle. In the current era of budget cuts and fee increases, community college president Park Holloway arouses faculty and student animosity with his expensive building program, especially an admin building derisively nicknamed the Taj Ma'Holloway. When Maggie finds the college president hanging in the building's stairwell, suspicion falls not on her, but on her young friend Sly Miller. A world-class artist, his sculpture was supposed to be hanging in place of the body. That's only the beginning of a twisty plot dealing with the aesthetics and business of art, a billion-dollar art-for-arms deal; political corruption and cronyism; and issues of art forgery and journalistic ethics, all capped off by a stunning denouement

A previously unpublished novel from the winner of the 1973 Nobel Prize for Literature. Two children are brought to a wild garden on the shores of Sydney Harbour to shelter from the Second World War. The boy's mother has died in the Blitz. The girl is the daughter of a Sydney woman and a Communist executed in a Greek prison. In wartime Australia, these two children form an extraordinary bond as they negotiate the dangers of life as strangers abandoned on the far side of the world. With the tenderness and rigour of an old, wise novelist, Patrick White explores the world of these children, the city of his childhood and the experience of war. The Hanging Garden ends as the news reaches Sydney of victory in Europe, and the children face their inevitable separation. White put the novel aside at this point and how he planned to finish the work remains a mystery. But at his death in 1990 he left behind a masterpiece in the making, which is published here for the first time

A tense and complicated thriller featuring inspector John Rebus from the acclaimed author of BLACK AND BLUE. Rebus is buried under a pile of paperwork generated by his investigations into a possible war criminal resident in Edinburgh. His immediate superiors are more than happy to have him tucked away in a quiet backwater for several months looking into ancient history. But the Crime Squad are forced to bring him back to the present day when a young upstart gangster, Tommy Telford, muscles in on Big Ger Cafferty's turf and Rebus's local knowledge becomes essential to the efforts to shut down Telford's business as a drug dealer, pimp and extortionist. Before he can act the waters are muddied further when the war criminal is found hanging in Warriston Cemetery

 Suspicious deaths are not usually the concern of PC Peter Grant or the Folly, even when they happen at an exclusive party in one of the most expensive apartment blocks in London. But Lady Ty's daughter was there, and Peter owes Lady Ty a favour. Plunged into the alien world of the super-rich, where the basements are bigger than the house and dangerous, arcane items are bought and sold on the open market, a sensible young copper would keep his head down and his nose clean. But this is Peter Grant we're talking about. He's been given an unparalleled opportunity to alienate old friends and create new enemies at the point where the world of magic and that of privilege intersect. Assuming he survives the week

In the peaceful wooded valley outside Swainshead, a body lies rotting. It is the second mysterious death here in recent years — and it won't be the last… Inspector Banks knows that once a body is uncovered, other things surface as well. Family rivalries. Secret passions. Private shames. And now he must walk into the valley of death and bring a killer out of hiding…

A new series and a new sleuth from Ann Purser-author of the Lois Meade mysteries! Ivy Beasley, the beloved cantankerous spinster from the Lois Meade mysteries, has found a silver lining in her golden years as an amateur sleuth. She teams up with Gus, a mysterious newcomer to the small English village of Barrington who can't resist a little excitement even as he strives to keep his past a secret, and her own cousin, a widow with time on her hands and money in her purse. Together they're determined to solve the murder of Gus's elderly neighbor

If your father read science fiction, he very likely counted Jack Williamson high among his favorite writers—as you very likely do today. Young enough to have served with the Air Force in the South Pacific in World War II, Williamson is old enough, and has been writing excellent science fiction stories often enough, to have attained an almost unique status as combination revered old master and bright new star. For more than thirty years his stories have been the delight of hundreds of thousands of readers. Such consistent loyalty demonstrates the existence of talent; such talent implies the ability to create so bright a bit as—

Take the format of a spy thriller, shape it around real-life incidents involving international terrorism, leaven it with dark, dry humor, toss in a love rectangle, give everybody a gun, and let everything play out in the outer reaches of upstate New York — there you have an idea of Brock Clarke’s new novel, The Happiest People in the World. Who are “the happiest people in the world”? Theoretically, it’s all the people who live in Denmark, the country that gave the world Hans Christian Andersen fairy tales and the open-face sandwich. But Denmark is also where some political cartoonists got into very unhappy trouble when they attempted to depict Muhammad in their drawings, which prompted protests, arson, and even assassination attempts. Imagine, then, that one of those cartoonists, given protection through the CIA, is relocated to a small town in upstate New York where he is given a job as a high school guidance counselor. Once there, he manages to fall in love with the wife of the high school principal, who himself is trying to get over the effects of a misguided love affair with the very CIA agent who sent the cartoonist to him. Imagine also that virtually every other person in this tiny town is a CIA operative. The result is a darkly funny tale of paranoia and the all-American obsession with security and the conspiracies that threaten it, written in a tone that is simultaneously filled with wonder and anger in almost equal parts

In this collection of nine short stories the Saint encounters a clever detective who isn't, a well-meaning mayor, a man who likes ants and a producer who turns out, much to the Saint's surprise, to be actually quite smart. American version