In this intense and exhilarating New Adult series debut, a hotshot snowboarder and a vulnerable rebel with a cause try to let go of the past—and find a future in each other. Twenty-one-year-old professional snowboarder Z Michaels is the bad boy of Park City, Utah. He’s always had his pick of any girl in town—and on the competition circuit. But underneath his cool exterior is a young man in turmoil, trying to take the edge off tragedy by overindulging in sex and shredding the slopes. In fact, Z’s reckless behavior is a thinly veiled attempt to blunt his emotional suffering with physical pain. Ophelia Richardson isn’t like any girl Z has ever met. Though she’s from New Orleans high society, she’s no Southern belle—and she’s not shy about being miserable in frozen, godforsaken Park City. But laying low is her only option after her ex, a rich boy who couldn’t take no for an answer, nearly killed her in a jealous rage. Following that terrifying encounter, the last thing Ophelia needs is a boyfriend—especially one as rich and arrogant as Z. But Ophelia soon discovers that he isn’t what he seems. If anything, Z may be even more damaged than she is. Tormented by their pasts and feeling alone in the world, Z and Ophelia find a connection unlike any they’ve ever known. But with Ophelia hiding the details of her life in Louisiana and Z’s death wish reaching terrifying new heights, their relationship seems to be going downhill before it even begins—unless they can find the strength in each other to trust, grow, and love again

Captured by his archenemy, Dr. Dismas, the remarkable young man known as Yama fights a dual battle against an internal and an external enemy in order to achieve his true destiny. Set in a far future in which humans have abandoned the known worlds, leaving behind them a plethora of created races, McAuley's conclusion to his galactic trilogy, “The Books of Confluence,” reveals the cyclic nature of the universe and the infinite variety of creation. Richly detailed and lyrically told, this volume belongs in most sf collections

One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton's Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville's masterful new novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie. Now those lies have been unraveled by a mysterious young woman whom Vander calls "Miss Nemesis." They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him-or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire, Shroud is Banville's most rapturous performance to date. Alex Vander is a fraud, big-time. An elderly professor of literature and a scholarly writer with an international reputation, he has neither the education nor the petit bourgeois family in Antwerp that he has claimed. As the splenetic narrator of this searching novel by Banville (Eclipse), he admits early on that he has lied about everything in his life, including his identity, which he stole from a friend of his youth whose mysterious death will resonate as the narrator reflects on his past. Having fled Belgium during WWII, he established himself in Arcady, Calif., with his long-suffering wife, whose recent death has unleashed new waves of guilt in the curmudgeonly old man. Guilt and fear have long since turned Vander into a monster of rudeness, violent temper, ugly excess, alcoholism and self-destructiveness. His web of falsehoods has become an anguishing burden, and his sense of displacement ("I am myself and also someone else") threatens to unhinge him altogether. Then comes a letter from a young woman, Cass Cleave, who claims to know all the secrets of his past. Determined to destroy her, an infuriated Vander meets Cass in Turin and discovers she is slightly mad. Even so, he begins to hope that Cass, his nemesis, could be the instrument of his redemption. Banville's lyrical prose, taut with intelligence, explores the issues of identity and morality with which the novel reverberates. At the end, Vander understands that some people in his life had noble motives for keeping secrets, and their sacrifices make the enormity of his deception even more shameful. This bravura performance will stand as one of Banville's best works. A scholar and born liar, the elderly but still contentious Axel Vander is about to have his cover blown when an equally contentious young woman enters his life. Banville's lucky 13th novel

Two student nurses lay dead and the great hospital nursing schol was shadowed with terror

*Shroud of Eternity* picks up where Terry Goodkind's *New York Times* bestseller *Death's Mistress* left off, promising a thrilling brew of bloodshed, sex, deception, and sorcery.* The formidable sorceress Nicci and her companions --the newly powerless Richard Rahl and the youthful Bannon--set out on another quest after driving ruthless Norukai slavers out of Renda Bay. Their mission: restore Rahl's magic and, for Nicci, save the world. Guided by the witch-woman Red's mysterious prophecy, the trio makes their way south of Kol Adair towards a wondrous city shrouded behind time, Ildakar. But the grotesque omens on their path to Rahl's salvation--severed Norukai heads on pikes, a genetically modified monster, and a petrified army of half a million--are just a taste of the unimaginable horrors that await within the Shroud of Eternity