Malko était étroitement ligoté sur le lit à l’aide de sangles de toile et d’une sorte de camisole de force. Un appareil étrange était posé sur son visage; une espèce de cagoule de cuir souple, tenue par des lacets, couvrait son nez et sa bouche. Des trous minuscules permettaient à l’air de passer.Il respira profondément. Le picotement glacial et âcre de la cocaïne pénétra ses narines. On était en train de le droguer à mort. De le tuer scientifiquement

Safe as Houses, the debut story collection of Marie-Helene Bertino, proves that not all homes are shelters. The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. “Has my ham done anything wrong?” she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In “The Idea of Marcel,” Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over. The stories of Safe as Houses are magical and original and help answer such universal and existential questions as: How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn’t Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies? All homes are not shelters. But then again, some are. Welcome to the home of Marie-Helene Bertino

Set against the powerful lakeshore landscape of northern Minnesota, Safe from the Sea is a heartfelt novel in which a son returns home to reconnect with his estranged and dying father thirty-five years after the tragic wreck of a Great Lakes ore boat that the father only partially survived and that has divided them emotionally ever since. When his father for the first time finally tells the story of the horrific disaster he has carried with him so long, it leads the two men to reconsider each other. Meanwhile, Noah's own struggle to make a life with an absent father has found its real reward in his relationship with his sagacious wife, Natalie, whose complications with infertility issues have marked her husband's life in ways he only fully realizes as the reconciliation with his father takes shape. Peter Geye has delivered an archetypal story of a father and son, of the tug and pull of family bonds, of Norwegian immigrant culture, of dramatic shipwrecks and the business and adventure of Great Lakes shipping in a setting that simply casts a spell over the characters as well as the reader

Clarisse seeks refuge from her abusive ex-boyfriend on the Dilly Dally, her uncle's old fishing trawler in Tarpon Springs, Florida. She doesn't expect to find Mac and Sully, the Dilly's sexy new owners, on board making love. They're at first startled by her appearance, then outraged by the injuries her ex inflicted. They insist she stay with them, and with nowhere else to go, Clarisse agrees. Both men find themselves falling for Clarisse, but she can't bring herself to completely trust Sully, a former cop, like her ex. She's shocked to discover the men aren't just lovers either, but full-time Master and slave in a BDSM relationship. As she learns more about their history and lifestyle, she uncovers her own hidden desires. When danger from her past returns, can Sully and Mac provide Clarisse a Safe Harbor?

When a mysterious young woman named Katie appears in the small North Carolina town of Southport, her sudden arrival raises questions about her past. Beautiful yet self-effacing, Katie seems determined to avoid forming personal ties until a series of events draws her into two reluctant relationships: one with Alex, a widowed store owner with a kind heart and two young children; and another with her plainspoken single neighbor, Jo. Despite her reservations, Katie slowly begins to let down her guard, putting down roots in the close-knit community and becoming increasingly attached to Alex and his family. But even as Katie begins to fall in love, she struggles with the dark secret that still haunts and terrifies her. . a past that set her on a fearful, shattering journey across the country, to the sheltered oasis of Southport. With Jo's empathic and stubborn support, Katie eventually realizes that she must choose between a life of transient safety and one of riskier rewards. . and that in the darkest hour, love is the only true safe haven

The new novel from Andrew Vachss puts Burke 'hard-core career criminal and man-for-hire' up against a new breed of predator: stalkers. Some obsessed, some deranged, all dangerous.Burke's old prison pal Hercules, hired by a shadowy network that runs a safehouse for stalking victims, botched the job, and one of the stalkers is dead. To save his partner, Burke has to penetrate the network, and he makes a deal with the boss, Crystal Beth, a woman as obsessed as the stalkers. But Crystal Beth has a stalker of her own, an extortionist who threatens to bring down her entire network unless she surrenders one of the women she's hiding.When Burke learns that the extortionist might be government-issue, and that the stalker he's protecting is a member of a neo-Nazi cell with plans to make Oklahoma City look like a pipe bomb, his survivalist instincts go on full alert ("When there's too many loose threads, somebody always weaves them into a noose"). And when it comes down to making his own house and his family-of-choice safe, Burke turns lethal.With blistering power, Safe House reminds us why Kirkus has called Burke "one of the most fascinating male characters in crime fiction."

The Editor of a monthly crime and detection magazine assigns to two of his staff writers, Sladen and Low, the investigation of the strange disappearance of an unknown showgirl. The disappearance was reported fourteen months earlier, but the trail is cold. The police, with nothing to work on, have lost interest. The assignment doesn't look hopeful. However, the investigators start asking questions and almost immediately things begin to happen. Witnesses are murdered, an attempt is made to do away with the investigators. The police once more open the case. The disappearance of the showgirl is found to be only a minor part of a ruthless murder plot. Safer Dead has the authentic James Hadley Chase touch, which has deservedly earned him the title of " Master of the Art of Deception ". It moves with the pace and power of forked lightning

The Editor of a monthly crime and detection magazine assigns to two of his staff writers, Sladen and Low, the investigation of the strange disappearance of an unknown showgirl. The disappearance was reported fourteen months earlier, but the trail is cold. The police, with nothing to work on, have lost interest. The assignment doesn’t look hopeful. However, the investigators start asking questions and almost immediately things begin to happen. Witnesses arc murdered, an attempt is made to do away with the investigators. The police once more open the case. The disappearance of the showgirl is found to be only a minor part of a ruthless murder plot. Safer Dead has the authentic James Hadley Chase touch, which has deservedly earned him the title of “Master of the Art of Deception”. It moves with the pace and power of forked lightning

The breakthrough story collection that established A. M. Homes as one of the most daring writers of her generation. Originally published in 1990 to wide critical acclaim, this extraordinary first collection of stories by A. M. Homes confronts the real and the surreal on even terms to create a disturbing and sometimes hilarious vision of the American dream. Included here are "Adults Alone," in which a couple drops their kids off at Grandma's and gives themselves over to ten days of Nintendo, porn videos, and crack; "A Real Doll," in which a girl's blond Barbie doll seduces her teenaged brother; and "Looking for Johnny," in which a kidnapped boy, having failed to meet his abductor's expectations, is returned home. These stories, by turns satirical, perverse, unsettling, and utterly believable, expose the dangers of ordinary life even as their characters stay hidden behind the disguises they have so carefully created