Across the Sabbat Worlds, a bitter conflict is fought, a conflict that can only end in victory or annihilation. The innumerable forces of the Arch enemy attack without mercy, and planet after planet burns with the flames of war. Yet even amidst this nightmare, the Astra Militarum stand stoic against their foes. The Phantine Air Corps battle the enemies of mankind across burning skies, while the Gereon resistance tries to break the foothold of Chaos on their beleaguered world and the legendary Gaunt's Ghosts fight in the most violent and bloody of warzones.  This anthology includes the following stories: Apostle's Creed by Graham McNeill The Headstone and the Hammerstone Kings by Matthew Farrer Regicide by Aaron Dembski-Bowden The Iron Star by Dan Abnett Cell by Nik Vincent Blueblood by Nick Kyme A Good Man by Sandy Mitchell Of Their Lives in the Ruins of Their Cities by Dan Abnett

Adam Dalgliesh tendrá que desvelar en esta ocasión el misterio que rodea el asesinato de dos hombres a los que la muerte ha unido pero que en vida raramente habrían coincidido: un barón y un vagabundo alcohólico. Antes de alcanzar su objetivo, no obstante, deberá enfrentarse a un crimen que conmueve la opinión pública e introducirse en las mansiones de la enigmática clase alta londinense

After helping Chip and Alex survive 15th century London, Jonah and Katherine are summoned to help another missing child, Andrea, face her fate. Andrea is really Virginia Dare, from the Lost Colony of Roanoke. Jonah and Katherine are confident in their ability to help Andrea fix history, but when their journey goes dangerously awry, they realize that they may be in over their head. They've landed in the wrong time period. Andrea doesn't seem that interested in leaving the past. And even worse, it appears that someone has deliberately sabotaged their mission…

Pepe Carvalho nació en Yo maté a Kennedy, en 1970. Desde entonces, Vázquez Montalbán ha escrito una decena de novelas en las que el peculiar detective es el protagonista. Destacan, por citar sólo algunos títulos, Tatuaje, Las pájaros de Bangkok, Los mares del Sur o Asesinato en el Comité Central. Todas ellas siguen una línea muy definida, con argumentos sólidos, adscritas al género negro o policiaco y que el propio Vázquez Montalbán califica acertadamente de crónica de una ciudad y una época. Pues bien, esta línea se rompe bruscamente en El laberinto griego, sobre la Barcelona preolímpica y, sobre todo, en Sabotaje olímpico, sobre los Juegos Olímpicos, Vázquez Montalbán da con ellas un giro de 180 grados en la relación fondo / forma y cuenta su historia al margen de las fórmulas habituales Sabotaje olímpico fue concebida como una anticrónica de los Juegos Olímpicos de Barcelona que se publicó en capítulos en el suplemento olímpico de EL PAÍS. Manuel Vázquez Montalbán (Barcelona, 1939) ha dejado reposar la historia y la ha reelaborado desde la visión de una Barcelona y una España del verano de 1993, cuando todos los fastos y la alegría del 92 ya han acabado y la palabra crisis está en boca de todos: `los dioses se han marchado al olimpo verdadero, pero ni siquiera, de creer a las autoridades económicas, han tenido la gentileza de dejarnos el pan y el vino

In 1942, Hitler’s Nazi regime trained eight operatives for a mission to infiltrate America and do devastating damage to its infrastructure. It was a plot that proved historically remarkable for two reasons: the surprising extent of its success and the astounding nature of its failure. Soon after two U-Boats packed with explosives arrived on America’s shores–one on Long Island, one in Florida—it became clear that the incompetence of the eight saboteurs was matched only by that of American authorities. In fact, had one of the saboteurs not tipped them off, the FBI might never have caught the plot’s perpetrators—though a dozen witnesses saw a submarine moored on Long Island. As told by Michael Dobbs, the story of the botched mission and a subsequent trial by military tribunal, resulting in the swift execution of six saboteurs, offers great insight into the tenor of the country—and the state of American intelligence—during World War II and becomes what is perhaps a cautionary tale for our times

It is winter 1943 and the once victorious armies of the Third Reich are on the retreat, burning, slaughtering and destroying everything in their path. Under the command of Captain Josef Kleiser, an SS unit massacres the villagers of Prokev. But seventeen-year-old Anatole Boniak survives, and taking refuge in the hills, he conceives a deep and brooding hatred for the SS Captain. It is an obsession that will end in a violent confrontation and colour the Russian snows with the crimson stain of blood