The aeroscouts of the 1st Infantry Division had three words emblazoned on their unit patch: Low Level Hell. It was then and continues today as the perfect, concise definition of what these intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow, aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots (19-22 years-old) literally “invented” the book as they went along

When Simon Johnson is attacked in his crummy LA apartment, he knows he must defend himself or die. Turning on the lights after the scuffle, Simon realises two things: one, he has killed his attacker; two, the resemblance of the man to himself is uncanny. Over the coming days, Simon’s lonely life will spiral out of control. With his pet goldfish Francine in tow, he embarks on a gripping existential investigation, into his own murky past, and that of Jeremy Shackleford, the (apparently) happily married math teacher whose body is now lying in Simon’s bathtub under forty gallons of ice. But Simon has a plan. Gradually, he begins to assume the dead man’s identity, fooling Shackleford’s colleagues, and even his beautiful wife. However, when mysterious messages appear on the walls around Simon’s apartment, he realises that losing his old self will be more difficult than he’d imagined. Everything points to a long forgotten date the previous spring, when his life and Shackleford’s first collided. As the contradictions mount, and the ice begins to melt, the events of the past year will resolve themselves in the most catastrophic way. Combining gritty noir, psychological drama and dazzling plotting, Low Life is a shocking novel that announces Jahn as a brilliant new voice of modern America. “Armed with a seat-of-the-pants plot that takes some audacious risks and prose that proves gritty and gruelling, Jahn has produced a thriller with a steely death-grip. I walked into a tree reading it; no greater recommendation needed.” “Well-written, fast-paced … along the order of Quentin Tarantino and with a long and bloody trail to the end.”

Bellamy Lyston was only 12 years old when her older sister Susan was killed on a stormy Memorial Day. Bellamy’s fear of storms is a legacy of the tornado that destroyed the crime scene along with her memory of what really happened during the day’s most devastating moments. Now, 18 years later, Bellamy has written a sensational, bestselling novel based on Susan’s murder. Because the book was inspired by the tragic event that still pains her family, she published it under a pseudonym to protect them from unwanted publicity. But when an opportunistic reporter for a tabloid newspaper discovers that the book is based on fact, Bellamy’s identity is exposed along with the family scandal. Moreover, Bellamy becomes the target of an unnamed assailant who either wants the truth about Susan’s murder to remain unknown or, even more threatening, is determined to get vengeance for a man wrongfully accused and punished. In order to identify her stalker, Bellamy must confront the ghosts of her past, including Dent Carter, Susan’s wayward and reckless boyfriend — and an original suspect in the murder case. Dent, with this and other stains on his past, is intent on clearing his name, and he needs Bellamy’s sealed memory to do it. But her safeguarded recollections -once unlocked-pose dangers that neither could foresee and puts both their lives in peril. As Bellamy delves deeper into the mystery surrounding Susan’s slaying, she discovers disturbing elements of the crime which call into question the people she holds most dear. Haunted by partial memories, conflicted over her feelings for Dent, but determined to learn the truth, she won’t stop until she reveals Susan’s killer. That is, unless Susan’s killer strikes her first… ‘Sexual tension fueled by mistrust between brash Denton and shy Bellamy smolders and sparks in teasing fashion throughout.’ ‘A relentless pace and clever plot twists keep the pages turning.’ ‘It’s a great, entertaining read, with lots of surprising twists and turns, credibly flawed characters and a love affair that’s as steamy as a Savannah summer.’ ‘A masterful storyteller, carefully crafting tales that keep readers on the edge of their seats.’ ‘Millions of readers clamour for the compelling novels of Sandra Brown. And no wonder! She fires your imagination with irresistible characters, unexpected plot twists, scandalous secrets… so electric you feel the zing.’ ‘Brown’s novels define the term page turner.’

From Robert Silverberg’s “Earthmen and Strangers” anthology, 1966: When we meet the aliens, how will we communicate with them? A standard piece of s-f equipment is generally offered as the answer: the “thought-converter.” Most writers are content to haul the thought-converter from the closet, put it on their characters’ heads, and let the conversation commence. One of the special features of this story is the care with which its author has depicted the communication problems that will be cropping up even when the handy thought-converter is available. He examines a deeper problem, too: how, when we drop down from the heavens to visit the inhabitants of other worlds, can we keep them from thinking of us as gods? Algis Budrys, who has the general dimensions of an outstanding fullback and the story-telling ability of a master, was born in Lithuania in the decade before the outbreak of the Second World War and has spent most of his life in the United States. Since 1952 s-f readers have relished scores of his short stories and such thoughtful, searching novels as Rogue Moon and Who?