Alex Cross's niece is found brutally murdered. Overcome with grief, Alex vows to take down her killer before he strikes again. But shortly after he begins the investigation, Alex discovers that his niece had gotten mixed up with some very important, very dangerous people. And she's not the only one who has disappeared. The hunt for the murderer leads Alex and his girlfriend, Detective Brianna Stone, to Washington 's most infamous club-a place where every fantasy is possible, if you have the credentials to get in. The killer could be one of their patrons, one of Washington 's elite who will do anything to keep their secrets buried. With astonishing plot twists and electrifying revelations that will keep readers on the edge of their seat, I, ALEX CROSS is James Patterson's most suspenseful Alex Cross novel yet

An all-original collection of twenty-seven stories by some of today’s most inventive authors about alien encounters with humans-from the aliens’ perspective

In these quirkily imaginative short stories about writing and writers, the scrivener Quartermain (our “Bartleby”) goes her stubborn way haunted by Pauline Johnson, Malcolm Lowry, Robin Blaser, Daphne Marlatt, and a host of other literary forebears. Who is writing whom, these stories ask in their musing reflections — the writer or the written? The thinker or the alphabet? The calligrapher or the pictograms hidden in her Chinese written characters? Intimate jealousies between writers, wagers of courage and ambition, and histories of the colours violet and yellow are some of the subjects in the first section, “Caravan.” Struggles of mothers, fathers, and sisters (and the figures drawn in the Chinese written characters that represent them) unfold as tales of love, death, and revenge in the group of stories in the second section, “Orientalisme.” In “Scriptorium,” the third section, we find out how Bartleby’s father, a Caucasian cook specializing in Chinese cuisine, got Bartleby into writing in the first place. In the fourth series of stories, “How to Write,” we learn how Bartleby loses her I while meeting Allen Ginsberg, Alice Toklas, and a real Chinese cook who works in a fictional house of Ethel Wilson, and how Malcolm Lowry’s life came to an end. The fifth and last section, “Moccasin Box,” investigates how a Sebaldesque Bartleby is silenced by Pauline Johnson. Taking its cue from genre-bending writers like Robert Walser and Enrique Vila-Matas, I, Bartleby cunningly challenges boundaries between fiction and reality

I, City is a novel about the city of Most in north Bohemia, an ancient city founded on a primeval wetland that was literally "relocated" to get to the brown coal beneath it. The city is the narrator, telling its own story through its inhabitants, who make their "appearances" in fleeting, ghost-like vignettes, Joycean epiphanies straight out of a Bohemian Dubliners. The "I" that purports to be Most seems to be an entire consciousness, at enough of a remove from the town itself that he, she or it can see and can know seemingly everything, past and present. As Most's inhabitants emerge from the pollution, or from the swamp of the town's founding, we find not individuals but representatives. Theirs are historical lives that mistrust history, or that live it at least with typical Czech irony. This abstraction, Brycz's making of archetypes, isn't accomplished in a spirit of abuse. Brycz obviously loves his "small" people, and has more than sympathy — he is one of them. As Brycz makes fictional people say factual things and factual people (Kafka, the Pope, the last president of Communist Czechoslovakia, Gustav Husak) say fictional things, post-modernity via Marquez and other so-called Magical Realists makes its almost requisite — though noiseless — appearance. I, City is many things: a novel-in-stories, a series of lyrical prose sketches in the best easterly European tradition of Danilo Kiš, or Isaac Babel

Sixty-thousand light-years from Earth, the corrupt Terran Confederacy holds the Koprulu sector tightly in its tyrannical grip, controlling every aspect of its citizens' lives. One man dares to stand up to this faceless empire and vows to bring it to its knees: Arcturus Mengsk -- genius propagandist, tactician, and freedom fighter. A monstrous act of bloody violence sows the seeds of rebellion in Arcturus, but he is not the first Mengsk to rail against such oppression. Before Arcturus grew to manhood, his father, Angus Mengsk, also defied the Confederacy and sought to end its brutal reign. The destiny of the Mengsk family has long been tied to that of the Confederacy and the Koprulu sector, but as a new empire rises from the ashes of the past and alien invaders threaten the very existence of humanity, what will the future hold for the next generation...?

A collection of stories This volume contains three revised versions of Elizabeth George's short stories which were originally published under the title 'The Evidence Exposed'. Here there are also two new stories and an introduction by the author to all five stories of human weakness

First in an all-new trilogy inspired by Isaac Asimov's legendary science fiction collection I, Robot. 2035: Susan Calvin is beginning her residency at a Manhattan teaching hospital, where a select group of patients is receiving the latest in diagnostic advancements: tiny nanobots, injected into the spinal fluid, that can unlock and map the human mind. Soon, Susan begins to notice an ominous chain of events surrounding the patients. When she tries to alert her superiors, she is ignored by those who want to keep the project far from any scrutiny for the sake of their own agenda. But what no one knows is that the very technology to which they have given life is now under the control of those who seek to spread only death

Published for the first time in digital, a classic spy story from the bestselling thriller writer Derek Lambert. Each year a nucleus of the wealthiest and most influential members of the Western world meet to discuss the future of the world’s superpowers at a secret conference called Bilderberg. A glamorous millionaires just sighting loneliness from the foothills of middle age… a French industrialist whose wealth matches his masochism and meanness… a whizz-kid of the seventies conducting a life-long affair with diamonds, these are just three of the Bilderbergers who have grown to confuse position with invulnerability. A mistake which could prove lethal when a crazed assassin is on the loose…

Bob Lee Swagger is back! Hunter's signature blend of "cinematic language, action-packed suspense, and multifaceted characters" (The Baltimore Sun) is here in full complement as this true American hero fights to clear the name of a fellow soldier-in-arms and faces off against one of his most ruthless adversaries yet-a sniper whose keen intellect and pinpoint accuracy rivals his own

Named after the "divine" Sarah Bernhardt, red-haired Sarah Nour El-Din is "wonderful, irresistibly unique, funny, and amazing," raves Amy Tan. Determined to make of her life a work of art, she tries to tell her story, sometimes casting it as a memoir, sometimes a novel, always fascinatingly incomplete. "Alameddine's new novel unfolds like a secret… creating a tale…humorous and heartbreaking and always real" (Los Angeles Times). "[W]ith each new approach, [Sarah] sheds another layer of her pretension, revealing another truth about her humanity" (San Francisco Weekly). Raised in a hybrid family shaped by divorce and remarriage, and by Beirut in wartime, Sarah finds a fragile peace in self-imposed exile in the United States. Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story. "Like her narrative, [Sarah's] life is broken and fragmented. [But] the bright, strange, often startling pieces…are moving and memorable" (Boston Globe). Reading group guide included

Here's Mickey Spillane and Mike Hammer in their roughest and readiest--a double-strength shot of sex, violence, and action that is vintage Spillane all the way. It's a tough-guy mystery to please even the most bloodthirsty of fans!

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can’t stop obsessing about these creatures, in whom we see all too much of ourselves