Peter F. Hamilton returns to the future of "Mindstar Rising" with an engrossing new adventure of Greg Mandel, a freelance operative whose telepathic abilities give him a crucial edge in the high-tech world of the 21st century. Mandel must investigate the murder of professor Edward Kitchener, a double Nobel laureate who had been researching quantum cosmology for the powerful Event Horizon conglomerate

A shooting incident at a private school just north of Edinburgh. Two seventeen year olds killed by an ex Army loner who has gone off the rails. As Detective Inspector John Rebus puts it, 'there's no mystery'… except the why. But this question takes Rebus into the heart of a shattered community. Ex Army himself, Rebus becomes fascinated by the killer, and finds he is not alone. Army investigators are on the scene, and won't be shaken off. The killer had friends and enemies to spare ranging from civic leaders to the local Goths leaving behind a legacy of secrets and lies. Rebus has more than his share of personal problems, too. He's fresh out of hospital, hands heavily bandaged, and he won't say how it happened. Could there be a connection with a house fire and the unfortunate death of a petty criminal who had been harrassing Rebus's colleague Siobhan Clarke? Rebus's bosses seem to think so…

Becca Healy always believed she understood the shameful circumstances of her mother’s death — until the night her mother’s spirit whispers a simple message out of the static of a radio: “Not true.” Becca turns to the terse Dr. Joanne Call, an expert in Electronic Voice Phenomenon — ghost voices — to unravel the mystery of this decades-old tragedy. Joanne can coax messages out of the silence of the grave, but coping with this feisty, emotional Healy person might be completely beyond her. Together, Becca and Jo must tackle childhood grief, a serial killer, Xena withdrawal, and a growing attraction between the two most mismatched women in Seattle

Anthony Powell's universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published--as twelve individual novels--but with a twenty-first-century twist: they're available only as e-books. A Question of Upbringing (1951) introduces us to the young Nick Jenkins and his housemates at boarding school in the years just after World War I. Boyhood pranks and visits from relatives bring to life the amusements and longueurs of schooldays even as they reveal characters and traits that will follow Jenkins and his friends through adolescence and beyond: Peter Templer, a rich, passionate womanizer; Charles Stringham, aristocratic and louche; and Kenneth Widmerpool, awkward and unhappy, yet strikingly ambitious. By the end of the novel, Jenkins has finished university and is setting out on a life in London; old ties are fraying, new ones are forming, and the first steps of the dance are well underway

"The smartest zombie novel since Colson Whitehead's Zone One." — Ron Charles, The Washington Post "A Questionable Shape presents the yang to the yin of Whitehead’s Zone One, with chess games, a dinner invitation, and even a romantic excursion. Echoes of [Thomas] Bernhard’s hammering circularity and [David Foster] Wallace’s bright mind that can’t stop making connections are both present. The point is where the mind goes, and, in that respect, Sims has his thematic territory down cold." — The Daily Beast "A thinking fan's zombie novel… one that asks the question: Do we lose our humanity when the world starts to crumble?" — Atlanta Journal-Constitution "Yes, it's a zombie novel, but also an emotionally resonant meditation on memory and loss." — San Francisco Chronicle "Compressed, copiously footnoted and literary, Bennett Sims' A Questionable Shape focuses on a zombie outbreak's effect on a young man and his girlfriend in a single week, in which he and his best friend undertake a quixotic, zombie-strewn search for a missing father." — Los Angeles Times "Evokes the power of David Foster Wallace with a narrative that's cerebral, strangely beautiful, philosophical, and pretty, well, brilliant." — Bustle "A Questionable Shape is a novel for those who read in order to wake up to life, not escape it, for those who themselves like to explore the frontiers of the unsayable. [A Questionable Shape] is more than just a novel. It is literature. It is life." — The Millions "Brilliantly sensitive, whip-smart… Sims’ genius lies in how he builds a terrifically engrossing and utterly unique novel, not in spite, but rather because of the familiarity of the material. A book that is just as touching and funny as it is riotously smart." — The Rumpus "Bennett Sims is a writer fearsomely equipped with an intellectual and linguistic range to rival a young Nabokov's, Nicholson Baker's gift for miniaturistic intaglio, and an arsenal of virtuosities entirely his own. A Questionable Shape announces a literary talent of genre-wrecking brilliance." — Wells Tower Mazoch discovers an unreturned movie sleeve, a smashed window, and a pool of blood in his father's house; the man has gone missing. So he creates a list of his father's haunts and asks Vermaelen to help track him down. However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained, and eliminate all hope of ever finding Mazoch's father. Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss. Bennett Sims was born and raised in Baton Rouge, Louisiana. His fiction has appeared in A Public Space, Tin House, and Zoetrope: All-Story. A graduate of the Iowa Writers' Workshop, he currently teaches at the University of Iowa, where he is the Provost Postgraduate Visiting Writer in fiction

With the kids packed off on their summer road trips, it's an ideal time for Jane Jeffry to pursue other interests, so the harried suburban mom enrolls in a writing course at the community college. But when an obnoxious aged classmate keels over dead after sampling a tasty treat from a pot luck student buffet, Jane realizes there's a culinary killer among the local would-be literati. The pen may be mightier than the sword. . .but poison beats them both. And before the both. And before the demise of a very disagreeable old biddy can be written off, amateur sleuth Jane intends to find out who's responsible -- and cook the culprit's goose in his or her own creative juices

Hannah is returning from a charity luncheon in Washington, DC, when her train is involved in a horrific crash. Although her arm is broken, she remains at the side of her critically injured seatmate until help arrives – but when she is later discharged from hospital, she finds herself in possession of the man's distinctive bag, and her efforts to return it soon set in motion a chain of events that put her life in grave danger

When Catherine Ducane disappears in the heart of New Orleans, the local cops react qui ckly because she's the daughter of the Governor of Louisiana. Then her body guard is found mutilated in the trunk of a vintage car. When her kidnapper calls he doesn't want money, he wants time alone with a minor functionary f rom a Washington-based organized crime task force. Ray Hartmann puzzles ove r why he has been summoned and why the mysterious kidnapper, an elderly Cub an named Ernesto Perez, wants to tell him his life story. It's only when he realizes that Ernesto has been a brutal hitman for the Mob since the 1950s that things start to come together. But by the time the pieces fall into place, it's already too late

First on time his financial caper — NOT A PENNY MORE, NOT A PENNY LESS. Then a political thriller — SHALL WE TELL THE PRESIDENT? Then, in the autumn of 1979, KANE AND ABEL, the saga of two men from totally different backgrounds that topped the bestseller charts all round the world. Now Jeffrey Archer has taken up a new challenge with this first collection of short stories. The locations move from New York and London to Mexico and Nigeria, while the subjects are equally varied. In “One Night Stand” two friends fall under the spell of a New York beauty and decide between themselves which one will try to seduce her — with unexpected results. In “The Chinese Statue” a high-ranking British diplomat visits the workplace of a leading Chinese sculptor and finds that an off-hand remark is taken with total seriousness, and that he becomes the possessor of a priceless work of art. Different again in tone and subject, “Broken Routine” traces the journey home of an insurance claims advisor, one Septimus Horatio Cornwallace, and his encounter with a punk rocker on the 5.27 to Sevenoaks. In the final Story, “Old Love”, Jeffrey Archer gives us probably his finest piece of writing to date, with an account of two young undergraduates at Oxford in the thirties, whose biller rivalry turns to intense love, with an ending that will haunt you. Each of these tales shows Jeffrey Archer’s talents as a short story teller, and, as befits the form, Archer uses the stories to build up a small cast of characters and then shock the reader with an unexpected final twist. Few people will guess the endings to any of the tales, and everyone will have his own favourite; while one may safely prophecy that with this archer each story unerringly hits its mark