Virginia Barkeley spoiled child of a wealthy family, sat it a Michigan jail cell and refused to answer even her lawyer’s questions. Her husband knew that she had been intimate with Claude Margolis. Her mother knew that Virginia was capable of killing a man with a knife. Even Meecham, her lawyer, believed that she was guilty, so far as he believed anything at all. Then Meecham was approached by a young man with a weirdly distorted body and death in his face. His name was Earl Duane Loftus. and he brought with him a signed confession which the police were unable to pick to pieces. If Loftus was lying, his lie seemed as unshakable as truth itself. But if Loftus was telling the truth, he had killed on impulse a man he had never seen before. Meecham, a doubter by nature, doubted this. He resolved to probe the lives beneath the obvious police case: the ingrown hatreds which flourished subtly behind the social facade which Virginia Barkeley’s family tried to maintain; the side streets and dark alleys of frustration where Earl Loftus had developed his twisted idealism. Somewhere, he suspected. he would find a link between these two lives and the death of Margolis. But the truth he found was unexpected and shocking. In the climax of his search, Meecham caught a flashing glimpse of a tragic reality, redeemed by a love which was literally stronger than death. Here is a mystery novel in the great tradition. Its author, Margaret Millar, has forged two reputations in the past ten years, one as a brilliant writer of mystery stories, one as a serious novelist. In this book her diverse talents have merged completely to produce a baffling mystery which is also a first-rate novel