Extravagant, absurd, and self-aware, The Revolutionaries Try Again plays out against the lost decade of Ecuador's austerity and the stymied idealism of three childhood friends — an expat, a bureaucrat, and a playwright — who are as sure about the evils of dictatorship as they are unsure of everything else, including each other. Everyone thinks they're the chosen ones, Masha wrote on Antonio's manuscript. See About Schmidt with Jack Nicholson. Then she quoted from Hope Against Hope by Nadezhda Mandelstam, because she was sure Antonio hadn't read her yet: Can a man really be held accountable for his own actions? His behavior, even his character, is always in the merciless grip of the age, which squeezes out of him the drop of good or evil that it needs from him. In San Francisco, besides the accumulation of wealth, what does the age ask of your so called protagonist? No wonder he never returns to Ecuador. “Exuberant, cacophonous. . Cardenas dizzyingly leaps from character to character, from street protests to swanky soirees, and from lengthy uninterrupted interior monologues to rapid-fire dialogues and freewheeling satirical radio programs, resulting in extended passages of brilliance.” —Publishers Weekly