In Leda, Aldous Huxley is back in the old smooth, mythological world, consecrated by a thousand poets. He pays occasional tribute to ugly fact in the course of this poem, but he is at home while describing Leda with her maids bathing in Eurotas, her shining body, and the clear deep pools! The modern terror of the too-perfect world makes him dwell longer, and more humorously, than his predecessors would have done, upon Jove tossing on his Olympian couch, tortured by his continence, and sending the searchlight of his glowing eye traveling over the earth below to find some object worthy of his god-like lust…