DESCRIPTION: From some of the greatest literary minds of our time comes a collection of stories about dangerous women. With an unprecedented lineup of authors, Mysterious Press proudly presents an extraordinary collection of short stories. Lorenzo Carcaterra, Michael Connelly, John Connolly, Jeffery Deaver, Nelson DeMille, J.A. Jance, Andrew Klavan, Elmore Leonard, Laura Lippman, Ed McBain, Jay McInerney, Walter Mosley, Joyce Carol Oates, Anne Perry, Ian Rankin, S.J. Rozan, and Thomas H. Cook combine their talents in a collection which is certain to find a large audience eager to read stories by some of the most distinguished names in the genre

Las mujeres más peligrosas son aquellas que resultan irresistibles. ¿Qué hace peligrosa a una mujer? Su gran belleza, su encanto, su inteligencia, la manera en que se aparta el cabello de los ojos, o el modo de reírse. Puede tener conciencia absoluta de su poder, o desconocerlo por completo. Utilizarlo comoa rma o protegerse detrás de él. La intención y el propósito no aumentan ni disminuyen el poder, y ése es mayor peligro de todos los que son seducidos y sometidos por él

A book with a punch equal to its publicity hype! Journalist Carcaterra tells with gripping force of his days growing up in the tough New York City neighborhood of Hell's Kitchen in the 1960s (the names have been changed to protect the innocent and the guilty). He and his three closest buddies engaged in petty crime until the day their tricks got out of hand and escalated into a major offense, for which they were sent to a juvenile home in upstate New York. They were tormented during their months there, not by other young inmates but by their adult guards, who brutalized them relentlessly in a program of horror and torture that included rape. Once out, once grown up, one of the boys became a lawyer, and through a bizarre twist of events worthy of being turned into a movie (in fact, the movie rights have been sold, with Barry Levinson lined up as director), he, Carcaterra, and the other two friends expose the horrible wrongs they suffered in that detention home. Both difficult to read and difficult to put down, this book will garner lots of attention, and as a result, readership demand will be high

In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction. James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade