EDITORIAL REVIEW: Dr. Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men. Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room. Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ... Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper. Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down

*New York Times* bestselling author and former Special Forces officer Brad Taylor’s thrilling new short story sets Pike Logan and Jennifer Cahill on Italy’s beautiful Amalfi Coast for their long-delayed honeymoon with their daughter, Amena—where they encounter art thieves with ties to the underworld . . . Between the delectable meals, the gorgeous Mediterranean seaside, and historical sites, Pike and Jennifer are enjoying their time with Amena in the Italian village of Positano, grateful for the reprieve from their day jobs—protecting U.S. interests from terrorist threats. But their relaxing vacation runs into trouble when Amena and Pike uncover what appears to be a priceless Renaissance painting hidden in a grotto and soon find themselves in the center of a black market art scheme. A powerful Italian businessman and suspected crime lord had arranged to take possession of the rare, deeply significant Caravaggio artwork in the cave through less-than-legal means, and hadn’t counted on the trio of Americans interrupting his plot. He is determined to leave no witnesses . . . but when he dares to threaten Pike and his family, he learns how dangerous they truly are