The extraordinary new Western from the New York Times- bestselling author, featuring itinerant lawmen Virgil Cole and Everett Hitch. Law enforcement in Appaloosa had once been Virgil Cole and me. Now there was a chief of police and twelve policemen. Our third day back in town, the chief invited us to the office for a talk. The new chief is Amos Callico: a tall, fat man in a derby hat, wearing a star on his vest and a big pearl-handled Colt inside his coat. An ambitious man with his eye on the governorship-and perhaps the presidency-he wants Cole and Hitch on his side. But they can't be bought, which upsets him mightily. When Callico begins shaking down local merchants for protection money, those who don't want to play along seek the help of Cole and Hitch. But the guns for hire are thorns in the side of the power-hungry chief. When they are forced to fire on the trigger-happy son of a politically connected landowner, Callico sees his dream begin to crumble. There will be a showdown-but who'll be left standing?

New York Times-bestselling author Robert B. Parker takes aim at the Old West with this brilliantly crafted follow-up to Resolution and Appaloosa, again featuring guns-for-hire Virgil Cole and Everett Hitch. When we last saw Virgil Cole and Everett Hitch, they had just put things to right in the rough-and-tumble Old West town of Resolution. It's now a year later, and Virgil has only one thing on his mind: Allie French, the woman who stole his heart from their days in Appaloosa. Even though Allie ran off with another man, Virgil is determined to find her, his deputy and partner Everett Hitch at his side. Making their way across New Mexico and Texas, the pair finally discover Allie in a small-town brothel. Her spirit crushed, Allie joins Everett and Virgil as they head north to start over in Brimstone. But things are not the same between Virgil and Allie; too much has happened, and Virgil can't face what Allie did to survive the year they were apart. Vowing to change, Allie thinks she has found redemption through the local church and its sanctimonious leader, Brother Percival. Given their reputations as guns for hire, Everett and Virgil are able to secure positions as the town's deputies. But Brother Percival stirs up trouble at the local saloons, and as the violence escalates into murder, the two struggle to keep the peace. As sharp and clear as the air over the high desert, Brimstone proves once again that Robert B. Parker is 'a force of nature' (The Boston Globe)

Chief of Police Jesse Stone returns to investigate the murder of a troubled teenager in a seemingly bucolic New England town. The Paradise Men's Softball League has wrapped up another game, and Jesse Stone is lingering in the parking lot with his team-mates, drinking beer, swapping stories of double plays and beautiful women in the late summer twilight. But then a voice, scared, calls out to him from the edge of a nearby lake. He walks to the sound, where two men squat at the water's edge. In front of them, face down, is something that used to be a girl. The local cops haven't seen anything like this, but Jesse's LA past has made him all too familiar with floaters. This floating girl hadn't committed suicide, she hadn't been drowned: she'd been shot, and dumped, discarded like trash. Before long it becomes clear that the dead girl had a reputation and a taste for the wild life; and her own parents can't even be bothered to report her missing, or admit that she once was a child of theirs. All Jesse has to go on is a young man's school ring on a gold chain, and a hunch or two. At the same time, Jesse must battle two demons from his past: a renewed struggle with the bottle, and a continuing relationship with his ex-wife. Neither one will help him solve the case, and either one could jeopardize his career – and his life. Filled with magnetic characters and the muscular writing that are Parker's trademarks, Death in Paradise is a storytelling masterpiece

Spenser has gone to London – and not to see the Queen. He's gone to track down a bunch of bombers who've blown away his client's wife and kids. His job is to catch them. Or kill them. His client isn't choosy. But there are nine killers to one Spenser – long odds. Hawk helps balance the equation. The rest depends on a wild plan. Spenser will get one of the terrorists to play Judas Goat – to lead him to others. Trouble is, he hasn't counted on her being very blond, very beautiful and very dangerous

A blazingly original new novel from the undisputed dean of American crime fiction, featuring a sharp, tough, sexy new P.I., Sunny Randall. Sunny Randall is a Boston P.I. and former cop, a college graduate, an aspiring painter, a divorcee, and the owner of a miniature bullterrier named Rosie. Hired by a wealthy family to locate their teenage daughter, Sunny is tested by the parents’ preconceived notion of what a detective should be. With the help of underworld contacts she tracks down the runaway Millicent, who has turned to prostitution, rescues her from her pimp, and finds herself, at thirty-four, the unlikely custodian of a difficult teenager when the girl refuses to return to her family. But Millicent’s problems are rooted in much larger crimes than running away, and Sunny, now playing the role of bodyguard, is caught in a shooting war with some very serious mobsters. She turns for help to her ex-husband, Richie, himself the son of a mob family, and to her dearest friend, Spike, a flamboyant and dangerous gay man. Heading this unlikely alliance, Sunny must solve at least one murder, resolve a criminal conspiracy that reaches to the top of state government, and bring Millicent back into functional young womanhood

Spenser is back again — as tough and resilient as he was in pursuit of the Godwulf Manuscript. This time the stakes are higher; he is searching for more than a manuscript. Fifteen-year-old Kevin Bartlett has disappeared from his home in the pleasant, affluent Boston suburb of Smithfield. His parents are convinced that he has been kidnaped. Spenser is not so sure. Pressed between the frantic parents demanding action and the irate police chief warning him to keep off the grass, Spenser goes his independent way. The note demanding ransom and the telephone message that follows it confirm his conviction that all is not what it seems. By biding his time and tracking down some rather eerie clues, he solves the mystery, but not before there has been death and a fight with Goliath. Through all these complications, Spenser must battle the Smithfield police as well as the criminals and fend off the amorous advances of the alcoholic Mrs. Bartlett. But the case offers certain compensations — notably, Susan, beautiful, intelligent, and as discriminating a gourmet as Spenser himself

The Barnes Noble Review Much of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp. Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday. A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath. Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)

The murder of a notorious public figure places Paradise, Massachusetts, police chief Jesse Stone in the harsh glare of the media spotlight. When the body of controversial talk-show host Walton Weeks is discovered hanging from a tree on the outskirts of Paradise, police chief Jesse Stone finds himself at the center of a highly public case, forcing him to deal with small-minded local officials and national media scrutiny. When another dead body — that of a young woman — is discovered just a few days later, the pressure becomes almost unbearable. Two victims in less than a week should provide a host of clues, but all Jesse runs into are dead ends. Yet what may be the most disturbing aspect of these murders is the fact that no one seems to care — not a single one of Weeks’s ex-wives, not the family of the girl. And when the medical examiner reveals a heartbreaking link between the two departed souls, the mystery only deepens. Despite Weeks’s reputation and the girl’s tender age, Jesse is hard-pressed to find legitimate suspects. Though the crimes are perhaps the most gruesome Jesse has ever witnessed, it is the malevolence behind them that makes them all the more frightening. Forced to delve into a world of stormy relationships, Jesse soon comes to realize that knowing whom he can trust is indeed a matter of life and death

April Kyle, the damsel in distress that Spenser rescued in two earlier books, Ceremony (1982) and Taming a Sea Horse (1986), again turns to the iconic Boston PI for help in the 34th entry in Parker's popular series. Cynical yet romantic, Spenser easily handles the immediate threat of some men trying to muscle in on the high-class Boston whorehouse April is running. Unfortunately, that isn't the real problem, and Spenser without much surprise finds that April, the thugs and everyone else involved is lying to him. Instead of walking away, Spenser continues to probe, following trails that lead to New York, a con artist, mob connections and other complications. This is vintage Parker, with Spenser exchanging witty dialogue with the faithful Hawk, sexy dialogue with his beloved Susan and smart-alecky dialogue with cops and villains. The old pros can make it look easy, and that goes for both the author and his hero as they deliver the goods smoothly and with inimitable style

For years, Virgil Cole and Everett Hitch have ridden roughshod over rabble-rousers and gun hands in troubled towns like Appaloosa, Resolution, and Brimstone. Now, newly appointed as Territorial Marshalls, they find themselves traveling by train through the Indian Territories. Their first marshaling duty starts out as a simple mission to escort Mexican prisoners to the border, but when the Governor of Texas, his wife and daughters climb aboard with their bodyguards and $500,000 in tow, their journey suddenly becomes a lot more complicated. The problem is Bloody Bob Brandice. He and Virgil have had it out before, an encounter that left Brandice face-down in the street with two .44 slugs lodged in him. Now, twelve years later on a night train struggling uphill in a thunderstorm, Brandice is back — and he’s not alone. Cole and Hitch find themselves in the midst of a heist with a horde of very bad men, two beautiful young hostages, and a man with a vendetta he’s determined to carry out

Boston P.I. Sunny Randall — as conflicted as she is beautiful — helps a troubled young woman locate her birth parents, only to uncover some dark truths of her own. My ex-husband was getting married to a woman I wanted to kill. I didn’t actually know her, and killing her would only make matters worse. But I got as much pleasure out of the idea as I could before I had to let go of it. And so begins Melancholy Baby, the fourth novel in the bestselling series featuring Sunny Randall, who now faces the unthinkable: the marriage of her ex-husband, Richie, to someone else. Despite the formality of divorce, Sunny and Richie’s relationship continued, in its own headstrong way, until his desire for marriage overtook her need for freedom. Now Sunny must try to pull herself together and move on — or around — these emotional roadblocks. When college student Sarah Markham comes asking for help in finding her birth parents, Sunny realizes she must take the case, if only to distract herself from her personal life. Sarah has long felt something was not quite right about her family, and though her father was loving, her relationship with her mother has been chilly at best. Sunny’s initial inquiries have some alarming consequences. The P.I.’s life and work have a curious — and dangerous — way of intersecting: before the investigation has a chance to really take off, two key players are dead, and Sunny is back on a psychiatrist’s couch, probing her own past for clues. What she discovers has the potential to shatter Sarah Markham’s family and destroy her sense of self, while Sunny’s own beliefs are put to the ultimate test. Emotionally complex and rich with insight, Melancholy Baby is the Grand Master at his storytelling best

You’ve seen the headlines. On the court they brawl with opponents, fight with fans, and attack their own coach. Off the court they get drunk, grope women, and, sometimes, get tried for murder. Now these all-star bad boys from the ranks of today’s pro basketball provide easy layup material for the fictional imaginations of our finest contemporary mystery writers. Refereed by prizewinning editor Otto Penzler, this anthology collects fourteen dazzling, original tales of buzzer-beating suspense and postgame mayhem. In “Keller’s Double Dribble,” Lawrence Block tails a clueless hitman with courtside tickets to unplanned bloodshed… Jeffery Deaver’s power guard summons his formidable game instincts to thwart a pack of scammers in “Nothing but Net”… a flagrant foul and a cruel betrayal send a star player crashing in Mike Lupica’s “Mrs. Cash”… George Pelecanos’s “String Music” traces the dangerous escalation of a playground beef… and in “Galahad, Inc.,” by Joan H. Parker and Robert B. Parker, a college prodigy seeks unlikely defensive help against a sorority party sex rap. Other literary slam-dunk tales ask just how hard a former Olympic medalist will fight to get back his old glory… what hustle will win you the dunk-or-die prison matchup… and why the pride of the Knicks will never live to see the playoffs. You’ll find all the answers inside these pages from acclaimed storytellers Sue DeNymme, Brendan DuBois, Parnell Hall, Laurie R. King, Michael Malone, R. D. Rosen, S. J. Rozan, Justin Scott, and Stephen Solomita. There’s the whistle. Here’s the tip-off. Let these great clutch shot-makers put you in the zone

A former L.A. homicide cop with a drinking problem, a broken marriage, and some lost dreams, Stone has just been hired to be police chief of the small Massachusetts town of Paradise. The Paradise power brokers are sure surprised when Stone not only doesn’t look the other way at various goings-on but also starts looking into such matters as money laundering, militia activities, and murder

A reporter who was prying into the cocaine trade in the central Massachusetts town of Wheaton has been murdered, and Spenser is called in to investigate. When he’s rebuffed by the police and threatened by a Colombian produce dealer who may be the cocaine kingpin, it’s apparent that Wheaton isn’t just another small town, but a major center for the cocaine trade in the Northeast. As Spenser digs deeper for evidence, he meets three women on whom the case seems to turn: Emmy Esteva, the wife of the reputed cocaine kingpin; Juanita Olmos, a young woman who’d been involved with the murdered reporter; and Caroline Rogers, the wife of the Wheaton Police Chief. After another murder is committed and an attempt is made on Spenser’s life, he turns for help to Hawk, whose special skills keep them all alive, and to Susan, whose psychological insights are more and more necessary as the chase moves away from cocaine and appears to hinge more on older and more basic problems — jealousy, passion, and hate. Pale Kings and Princes, the fourteenth Spenser novel, takes us into the cutthroat, multibillion-dollar cocaine business, where drugs are valued above all and human life is frighteningly dispensable

MARLOWE IS BACK – IN A CLASSIC THRILLER NO CHANDLER AFICIONADO WILL BE ABLE TO RESIST… When Raymond Chandler died in 1959, he left behind an unfinished Philip Marlowe novel. Now, thirty years later,has become a complete work, thanks to the inspired writing of Robert B Parker, the foremost contemporary exponent of the Chandler style. As the novel opens, Marlowe is married and bored. Naturally enough, he starts up a detective agency, and within hours he has alienated solid citizens, tangled with the cops and been hired by a local gangster to find a gambler who's skipped out on a debt. And this is only the beginning. Before Marlowe brings in his man, he discovers another side of- a dark and dangerous place, where desperation makes men and women lead secret lives – and, if that fails, the only alternative is murder…

The New York Times'"bestselling author's richly imagined work of historical fiction: a powerful tale of the Old West from the acknowledged master of crime fiction. I had an eight-gauge shotgun that I'd taken with me when I left Wells Fargo. It didn't take too long for things to develop. I sat in the tall lookout chair in the back of the saloon with the shotgun in my lap for two peaceful nights. On my third night it was different. I could almost smell trouble beginning to cook . . . .' After the bloody confrontation in Appaloosa, Everett Hitch heads into the afternoon sun and ends up in Resolution, an Old West town so new the dust has yet to settle. It's the kind of town that doesn't have much in the way of commerce, except for a handful of saloons and some houses of ill repute. Hitch takes a job as lookout at Amos Wolfson's Blackfoot Saloon and quickly establishes his position as protector of the ladies who work the backrooms - as well as a man unafraid to stand up to the enforcer sent down from the O'Malley copper mine. Though Hitch makes short work of hired gun Koy Wickman, tensions continue to mount, so that even the self-assured Hitch is relieved by the arrival in town of his friend Virgil Cole. When greedy mine owner Eamon O'Malley threatens the loose coalition of local ranchers and starts buying up Resolution's few businesses, Hitch and Cole find themselves in the middle of a makeshift war between O'Malley's men and the ranchers. In a place where law and order don't exist, Hitch and Cole must make their own, guided by their sense of duty, honor, and friendship

Jesse Stone, still reeling from the murder of his fiancée by crazed assassin, must keep his emotions in check long enough to get through the wedding day of his loyal protégé, Luther “Suitcase” Simpson. The morning of the wedding, Jesse learns that a gala seventy-fifth birthday party is to be held for folk singer Terry Jester, has spent the last forty years in seclusion after the mysterious disappearance of his magnum opus, The Hangman’s Sonnet. That same morning, an elderly Paradise woman dies while her house is being ransacked. What are the thieves looking for? And what’s the connection to Terry Jester and the missing tape? Jesse’s investigation is hampered by hostile politicians and a growing trail of blood and bodies, forcing him to solicit the help of mobster Vinnie Morris and a certain Boston area PI named Spenser. While the town fathers pressure him to avoid a PR nightmare, Jesse must connect the cases before the bodies pile up further

A hurricane hinders a kidnapping and Spenser goes on a search for the man responsible – the infamous Gray Man, who has both helped and hunted Spenser in the past. Heidi Bradshaw is wealthy, beautiful, and well connected – and she needs Spenser's help. In a most unlikely request, Heidi, a notorious gold digger recently separated from her latest husband, recruits the Boston P.I. to accompany her to her private island, Tashtego. The reason? To attend her daughter's wedding as a sort of stand-in husband and protector. Spenser consents, but only after it is established that his beloved Susan Silverman will also be in attendance. It should be a straightforward job for Spenser: show up for appearances, have some drinks, and spend some quality time with Susan. But when Spenser's old nemesis Rugar – the Gray Man – arrives, Spenser realizes that something is amiss. A storm, a kidnapping, and murder tear apart what should be a joyous occasion, and Rugar is seemingly at the center of it all. The only thing is that the sloppy kidnapping is not Rugar's style – as Spenser knows from past encounters. With six dead bodies and more questions than he can process, Spenser begins a search for answers – and the Gray Man. With its razor-sharp dialogue, crisply etched characters, and high-wire narrative tension, Rough Weather once again proves that 'Robert B. Parker is a force of nature

Jim Burke is under pressure. About to hit the half-way point in his three score years and ten and about to be someone’s dad, he’s struggling to balance life with work and a worsening red bull and e-cigarette habit. He’s got a lot more going on than anyone really knows, including himself. It doesn’t help when there seems to be a sudden drug war with a mounting body count and you’re the Detective Inspector on the case. Victor wants to be a one stop sin shop. He’ll sell you everything you ever wanted, and a whole lot more you didn’t. The Russian Mafia isn’t what it was though. You just can’t get the staff these days. A small Scottish town has received a big investment from an offshore holding company. But what are the new owners of the old military base up to? Andy and his mates thought they’d have a laugh finding out. They might have bitten off a little more than they can chew. Snow Storm is a crime novel with a dark comic edge, set across the backdrops of Edinburgh and Galloway

Family ties prove deadly in the brilliant new Jesse Stone novel from New York Times-bestselling author Robert B. Parker. The body in the trunk was just the beginning. Turns out the stiff was a foot soldier for local tough guy Reggie Galen, now enjoying a comfortable "retirement" with his beautiful wife, Rebecca, in the nicest part of Paradise. Living next door are Knocko Moynihan and his wife, Robbie, who also happens to be Rebecca's twin. But what initially appears to be a low-level mob hit takes on new meaning when a high-ranking crime figure is found dead on Paradise Beach. Stressed by the case, his failed relationship with his ex-wife, and his ongoing battle with the bottle, Jesse needs something to keep him from spinning out of control. When private investigator Sunny Randall comes into town on a case, she asks for Jesse's help. As their professional and personal relationships become intertwined, both Jesse and Sunny realize that they have much in common with both their victims and their suspects-and with each other

For many years, some of the most vital, creative, and exciting fiction published in America has been in the field of mystery, crime, and suspense. Now Robert B. Parker and Otto Penzler — both Edgar winners — have assembled the best that 1997 had to offer: twenty terrific, titillating tales from such masters of the genre as Elmore Leonard, Elizabeth George, James Crumley, Jonathan Kellerman, and Andrew Klavan, from newcomers like Brad Watson, and from well-known literary writers such as Joyce Carol Oates and Michael Malone

"Robert B. Parker has taken his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald".-The Boston Globe. *** This is the first Spenser book. Spenser is hired by a local university to recover a rare stolen manuscript and along the way gets embroiled with campus politics and murder

A knock on Spenser's office door can only mean one thing: a new case. This time the visitor is a local lawyer with an interesting story. Elizabeth Shaw specializes in wills and trusts at the Boston law firm of Shaw Cartwright, and over the years she's developed a friendship with wives of very wealthy men. However, these rich wives have a mutual secret: they've all had an affair with a man named Gary Eisenhower – and now he's blackmailing them for money. Shaw hires Spenser to make Eisenhower 'cease and desist,' so to speak, but when women start turning up dead, Spenser's assignment goes from blackmail to murder. As matters become more complicated, Spenser's longtime love, Susan, begins offering some input by analyzing Eisenhower's behavior patterns in hopes of opening up a new avenue of investigation. It seems that not all of Gary's women are rich. So if he's not using them for blackmail, then what is his purpose? Spenser switches tactics to focus on the husbands, only to find that innocence and guilt may be two sides of the same coin. With its eloquently spare prose and some of the best supporting characters to grace the printed page, The Professional is further proof that '[t]here's hardly an author in the crime novel business like Parker' (Pittsburgh Post-Gazette)

Hired as security man for Alexander's election campaign, Spenser checks out blackmail concerning the politician's wife. Aided by sidekick Hawk, and surrogate son Paul Giacomin, he is sucked into political ambition, corruption, violence, and the truth about his relationship with Susan Silverman

At 46, Aaron Newman was enjoying the good things in life – a good marriage, a good job – and he was in good shape himself. Then he saw the murder. A petty vicious killing that was to plunge him into an insane jungle of raw violence and fear, threatening and defiling the things he cared about