“You know how it is: go on a date, get killed, wake up the next morning. No? Just me?” Fifteen-year-old Lucy Day falls between the gears in the machinery of the afterlife. She is murdered while on her first date, but awakens a day later, completely solid and completely whole. She has no hunger for brains, blood, or haunting, so she crosses “zombie,” “vampire,” and “ghost” off her list of re-life possibilities. But figuring out what she is becomes the least of her worries when Abraham, Lucy’s personal Grim Reaper, begins dogging her, dead-set on righting the error that dropped her back into the spongy flesh of a living girl. Lucy must put her mangled life back together, escape re-death, and learn to control her burgeoning psychic powers while staying one step ahead of Abraham. But when she learns the devastating price of coming back from the dead, Lucy is forced to make the hardest decision of her re-life—a decision that could save her loved ones… or kill them

House Mother Normal, subtitled “A Geriatric Comedy,” is the English writer B. S. Johnson’s fifth novel. Unusual in both its subject and structure, this novel is a remarkable study of old age, stripped of sentimentality and spiked with bizarre language and perceptions. Made up of eight monologues describing a single day at a nursing home, House Mother Normal explores the failing minds of the elderly with precision, humor, and unflagging compassion, and Johnson achieves, with inventiveness and escalating absurdity, a vivid multidimensional effect