By the end of the twenty-second century, Earth's ravaged environment has become a time bomb ticking down to global self-destruction. Despite the fortuitous arrival of faster-than-light space travel, the search for a new home has so far located only one candidate-Quraqua, a desolate planet scheduled for terraformation within a few months. For interstellar archaeologist Richard Wald and starship pilot Priscilla Hutchins, the looming renovation threatens critical research on the enigmatic alien ruins on Quraqua and its moon, which include a bizarre false city dubbed Oz. Rousing little interest on Earth and facing an unyielding terraformation committee, Wald and his team undertake a last round of life-threatening expeditions to decipher Oz's secrets before they are swallowed forever by an emerging new world. With plenty of startling plot twists, a heavy dose of intrigue, and an unusual amount of character development for science fiction, McDevitt holds us fast right through to a thrilling finish. The yarn's less pure sf, though, than a rousing archaeological adventure transplanted to another star system

Исследуя галактику, археологи повсюду находят лишь руины городов, по которым прошел огненный смерч, разрушенные храмы, оставленные в одночасье жилища и огромные таинственные монументы. В чем причина внезапных катастроф и гибели цивилизаций? Содом и Гоморра на Земле, крушение цивилизации на Бета Пасифика, разрывы истории Куракуа… Говорят, каждую планету в назначенный час посещает загадочный Красный Дракон…

Deepsix is concerned with the motivating force that drives all scientists-the quest for truth, for expanding the limits of human knowledge. How much are we willing to risk for that moment of discovery, of knowing what no other soul yet knows? Our time? Our reputations? Our careers? Our lives? The premise is this: just weeks before the planet Deepsix will be destroyed by a collision with a gas giant, ruins are detected on its surface, suggesting the presence of civilization. The Academy diverts scientists from the nearest spaceship to go down and explore, and they are joined by their century's Ellsworth Toohey: a misogynistic, sanctimonious gadfly who has never before been off of Earth's surface. The party's landers are destroyed in an earthquake induced by the approaching gas giant, so now they must find a way to get off of Deepsix before it is destroyed by the collision. Needless to say, their excavations are placed on the back burner. The physics describing the space travel and the archeology used to reconstruct the lost culture of Deepsix are interesting and explained well. There is plenty of action and suspense-will the party survive? And the evolving characters and group dynamics are more complex than those usually found in science fiction books, making Deepsix a worthwhile read

Умирающая планета, которая вот-вот столкнется с вторгшейся в ее систем планетой-гигантом. Ее давно уже сочли не представляющей научной ценности, н теперь - слишком поздно! - на ней обнаружены следы сразу нескольких цивилизаций. Для спасения хотя бы части бесценных археологических артефактов на плане отправляются сразу несколько экспедиций. Но почти все корабли землян гибнут во время землетрясения, и единственна надежда людей на спасение - долгий и смертельно опасный переход к последнем уцелевшему шаттлу…

In this sequel to last year's well-received Deepsix, McDevitt tells a curiously old-fashioned tale of interstellar adventure. Reminiscent of Arthur C. Clarke's Rendezvous with Rama, the story sends veteran space pilot Priscilla «Hutch» Hutchins and a crew of rich, amateur SETI enthusiasts off on a star-hopping jaunt in search of the mysterious aliens who have placed a series of «stealthed» satellites around an unknown number of planets. After visiting several worlds, and losing two of her dilettantes to a murderous group of alien angels, Hutch follows the interstellar trail to a bizarre, obviously artificial planetary system. There, two spectacular gas giants orbit each other closely, partially sharing the same atmosphere, while a large moon circles them in a theoretically impossible circumpolar orbit. The explorers soon discover a number of puzzling alien artifacts, including a gigantic spaceship that fails to respond to their signals. First contact is McDevitt's favorite theme, and he's also good at creating large and rather spectacular astronomical phenomena. Where this novel falls short, however, is in the creation of characters. Hutch, beautiful and supremely competent, is an adequate hero, but virtually everyone else is a cartoon. The book abounds in foolhardy dilettantes, glory-hogging bureaucrats and capable space pilots. Oddly, in a novel set some 200 years in the future, McDevitt's cast is almost exclusively white and Anglo-Saxon. This is a serviceable enough space opera, but it operates far from the genre's cutting edge

Земляне снова и снова получают сигналы из космоса, отправная точка которых — далекая звездная система. Кто те «чужие», которые пытаются связаться с людьми? О чем они хотят рассказать? Правительство и официальные научные круги отказываются финансировать экспедицию к передатчикам сигналов — и тогда в игру вступают частные инвесторы. На поиски таинственной инопланетной расы отправляется звездолет, полный богатых туристов и эксцентричных ученых — самая неподходящая компания, которая когда-нибудь покидала Землю. Руководитель экспедиции Присцилла Хатчинсон уверена — путешествие будет опасным…

Having mastered the big, sprawling adventure stories called space opera in books like Chindi, McDevitt extends the form in this feel-good SF novel that earns its hopeful conclusion. Priscilla «Hutch» Hutchens, heroine of several of McDevitt's previous novels, has had a full career as a space pilot and is now administrator of the government agency in charge of space research. Like most people, she's only mildly concerned with the long-range threat of the omega clouds, masses of energy floating through the universe that detect and pulverize artificial structures (and the intelligent creatures that live in them). After all, the cloud headed for Earth is 900 years away. This situation changes when a charmingly innocent young alien race is discovered just a few months before a cloud will obliterate it. Hutch has to juggle resources to save the cute creatures, at the same concealing the human intervention in order not to disrupt the alien civilization's development. The cloud's implacable threat keeps the action tightly focused, though the story shifts viewpoint frequently to show crowds of people committing themselves to different aspects of the mission. Part of the rescue effort involves spaceships and gadgets, but the most serious part depends on human intelligence and passion. McDevitt is very good at imagining strange challenges-and at picturing humans coping when things don't work out as planned. His characters succeed in imposing their compassion on the void

«... Ученые сегодня подтвердили, что одно из Омега-облаков действительно на пути к Земле. Прежде всего, хочу успокоить вас – для нас это не представляет никакой опасности. Облако приблизится к нам не раньше, чем через тысячу лет. Поэтому ни нам, ни нашим детям, ни детям наших детей нечего бояться. Однако нам стало известно, что эти объекты уже посещали Землю в прошлом с интервалами примерно восемь тысяч лет. По всей видимости, они разрушают города и другие виды сооружений. Никто не знает – почему. Никто не знает, что это: природные явления или создание какой-то извращенной науки. Мы сделаем серьезную ошибку, если сочтем, что это не наши трудности, и отложим решение до будущих времен, если пожмем плечами и скажем: тысяча лет – долгий срок. Если беспечно заключим, что эта проблема разрешится сама собой. Но я говорю вам: нельзя успокаиваться только потому, что нам самим не грозит физическая опасность. Это вызов нашему миру, всему, что мы хотим передать грядущим поколениям. Отсюда ясно, что следует действовать сейчас, пока еще есть время. Поэтому я приказываю мобилизовать все ресурсы Совета Наций. Мы узнаем, как действует это облако, и остановим его. ...» Четвертый роман масштабной космической саги Джека Макдевита

Priscilla "Hutch" Hutchinson's fifth adventure opens with the former starship pilot deskbound at the Academy (the twenty-third-century equivalent of NASA), which is facing catastrophic cuts to the space program. In a media campaign led by Hutch's old friend, acerbic newspaper editor Gregory MacAllister, pundits and politicians alike argue that the program's money would be better spent on the earthbound threats of global warming and disease. Perhaps not coincidentally, humans everywhere from Earth to Ophiuchi begin witnessing repeated visitations from "moonriders" (apparently alien spherical spacecraft), and they prompt an Academy investigative mission. To humor Hutch and grab a good story, MacAllister joins a spacebound team including a celebrated pilot and a senator's daughter. When the moonriders apparently redirect a few asteroids to destroy an orbiting hotel and narrowly bypass Earth, suspicions begin to emerge that the moonriders--and certain members of the Academy--may not be what they seem to be. McDevitt's energetic, character-driven prose serves double duty by exploring Earth's future political climate and forecasting the potential dangers awaiting humanity among the stars