The breakthrough novel from one of the greatest comic writers in the language — one of the twenty selected by Granta as the Best of Young British Writers 2003. Some people follow the stars. Some people follow the soaps. Some people follow rare birds, or obscure bands, or the form, or the football. Wesley prefers not to follow. He thinks that to follow anything too assiduously is a sign of weakness. Wesley is a prankster, a maverick, a charismatic manipulator, an accidental murderer who longs to live his life anonymously. But he can't. It is his awful destiny to be hotly pursued — secretly stalked, obsessively hunted — by a disparate group of oddballs he calls The Behindlings. Their motivations? Love, boredom, hatred, revenge

From the award-winning author of Darkmans comes a comic epistolary novel of startling originality and wit. Reading other people’s letters is always a guilty pleasure. But for two West Yorkshire policemen — contemplating a cache of 26 undelivered missives, retrieved from a back alley behind the hairdresser's in Skipton — it's also a job of work. The quaint moorside village of Burley Cross has been plunged into turmoil by the theft of the contents of its postbox, and when PC Roger Topping takes over the case, which his higher-ranking schoolmate Sergeant Laurence Everill has so far failed to crack, his expectations of success are not high.Yet Topping's investigation into the curtain-twitching lives of Jeremy Baverstock, Baxter Thorndyke, the Jonty Weiss-Quinns, Mrs Tirza Parry (widow), and a splendid array of other weird and wonderful characters, will not only uncover the dark underbelly of his scenic beat, but also the fundamental strengths of his own character.The denizens of Burley Cross inhabit a world where everyone’s secrets are worn on their sleeves, pettiness becomes epic, little is writ large. From complaints about dog shit to passive-aggressive fanmail, from biblical amateur dramatics to an Auction of Promises that goes staggeringly, horribly wrong, Nicola Barker’s epistolary novel is a work of immense comic range. It is also unlike anything she has written before. Brazenly mischievous and irresistibly readable, Burley Cross Postbox Theft is a Cranford for today, albeit with a decent dose of Tamiflu, some dodgy sex-therapy and a whiff of cheap-smelling vodka

On September 5, 2003, illusionist David Blaine entered a small Perspex box adjacent to London's Thames River and began starving himself. Forty-four days later, on October 19, he left the box, fifty pounds lighter. That much, at least, is clear. And the rest? The crowds? The chaos? The hype? The rage? The fights? The lust? The filth? The bullshit? The hypocrisy? Nicola Barker fearlessly crams all that and more into this ribald and outrageous peep show of a novel, her most irreverent, caustic, up-to-the-minute work yet, laying bare the heart of our contemporary world, a world of illusion, delusion, celebrity, and hunger

Shortlisted for the Man Booker Prize, Darkmans is an exhilarating, extraordinary examination of the ways in which history can play jokes on us all… If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV's infamous court jester, whose favorite pastime was to burn people alive — for a laugh? Or could it be Andrew Boarde, Henry VIII's physician, who kindly wrote John Scogin's biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of — uh — salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier? Darkmans is a very modern book, set in Ashford [a ridiculously modern town], about two very old-fashioned subjects: love and jealousy. It's also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark — quite unspeakable — into its ear. The third of Nicola Barker's narratives of the Thames Gateway, Darkmans is an epic novel of startling originality

Summer, 1981. Medve, sixteen years old and six foot three in her crocheted stockings, is marooned in a semi-derelict hotel on a tiny island off the coast of Devon. There’s nothing to do but paint novelty Thatcher mugs, dream of literary murderer Jack Henry Abbott, and despair of her gothically unprepossessing family — including Mo, her sex toy — inventing mother; Poodle, her shamefully flat-chested sister; and four-year-old Feely, who wants to grow up to be a bulimic (he thinks it's a vet who specialises in livestock). Until one day a ginger-headed stranger arrives, stinking of antiseptic. . One of our most enjoyably unconventional contemporary writers, Nicola Barker, roots out the darkly surreal in a forgotten corner of England, with results that are hilariously original and poignant

Heading Inland is a funny, broody, saucy collection of stories about the kind of people you sometimes meet but might prefer to ignore. Barker creates a wonderfully fantastical and unimaginable world: an unborn baby escapes an unsuitable mother through a secret belly-button zip; a wayward and yet enigmatic man attempts to rescue eels from an East End pie shop; a young woman discusses her fascination in other women’s breasts; a boy with his inside organs back to front desperately seeks attention; and a bitter old woman becomes bent on war with a tramp. This collection confirms Nicola Barker as one of the most versatile and original writers of her generation with a brilliant unconventional imagination she creates a new world that sparkles with dark humour

From the brilliantly unconventional Nicola Barker, the short stories in ‘Love Your Enemies’ present a loving depiction of the beautiful, the grotesque and the utterly bizarre in the lives of overlooked suburban Britons. Layla Carter, 16, from North London, is utterly overwhelmed by her plus-size nose. Rosemary, recently widowed and the ambivalent owner of a bipolar tomcat, meets a satyr in her kitchen and asks, ‘Can I feel your fur?’ In these ten enticingly strange short stories, a series of marginalised characters seek truth in the obsession and oppression of everyday existence, via a canine custody battle, sex in John Lewis and some strangely expressive desserts

The first novel by the acclaimed, brilliantly unconventional Nicola Barker, prize-winning author of The Yips. Reversed Forecast is a vivid snapshot of pre-gentrification London and a tale of finding love in less-than-scenic places. Chance meetings between its cast of inimitably odd individuals — Ruby, the betting-shop cashier; violently disturbed (and disturbing) Vincent; Samantha, the would-be cabaret singer; and Little Buttercup, the never-quite-made-it greyhound — result in the unlikeliest of couples. There’s always the risk that it could all be disastrous as characters try — or don’t try — to make winning combinations. But as Ruby, the story’s soft-centered heroine, observes: “Losing, that’s the whole point of the gamble.” Dazzling, gritty, and surprising, Reversed Forecast is the uniquely entertaining first novel by Nicola Barker, previously shortlisted for the Man Booker Prize and winner of the Hawthornden Prize and IMPAC Dublin Literary Award. “Beautifully rendered — well written, clear and revelatory.” —The Times (London) “A capital fairy tale.” —The Guardian “A strange and wonderful novel.” —The Sunday Times (London) “An imaginative lowlife tale, told with acuteness and verve.” —The Literary Review Nicola Barker’s eight previous novels include Darkmans (short-listed for the 2007 Man Booker and Ondaatje prizes, and winner of the Hawthornden Prize), Wide Open (winner of the 2000 International IMPAC Dublin Literary Award), and Clear (long-listed for the Man Booker Prize in 2004). She has also written two prize-winning collections of short stories, and her work has been translated into more than twenty languages. She lives in East London

Hilarious, poignant and frequently surreal, Small Holdings is a is a comedy of errors from a neglected corner of everyday life by the brilliantly unconventional Nicola Barker. An attractive park in Palmers Green plays host to Phil, a chronically shy gardener who feels truly at home only with his plants. He and his gentle colleague Ray, a man with all the sense of a Savoy cabbage, are tortured by Doug, their imposing and unpredictable supervisor, and a malevolent one-legged ex-museum curator called Saleem. In love with the truck-obsessed Nancy, Phil strives nobly to maintain his equilibrium despite being systematically mystified, brutalised, drugged, derided and seduced. But when he loses his eyebrows, he decides to fight back

From Man Booker-shortlisted, IMPAC Award-winning author Nicola Barker comes an exuberant, multi-voiced new novel mapping the extraordinary life and legacy of a 19th-century Hindu saint. He is only four years older, but still I call him Uncle, and when I am with Uncle I have complete faith in him. I would die for Uncle. I have an indescribable attraction towards Uncle. . It was ever thus. To the world, he is Sri Ramakrishna-godly avatar, esteemed spiritual master, beloved guru (who would prefer not to be called a guru), irresistible charmer. To Rani Rashmoni, she of low caste and large inheritance, he is the brahmin fated to defy tradition and preside over the temple she dares to build, six miles north of Calcutta, along the banks of the Hooghly for Ma Kali, goddess of destruction. But to Hriday, his nephew and longtime caretaker, he is just Uncle-maddening, bewildering Uncle, prone to entering ecstatic trances at the most inconvenient of times, known to sneak out to the forest at midnight to perform dangerous acts of self-effacement, who must be vigilantly safeguarded not only against jealous enemies and devotees with ulterior motives, but also against that most treasured yet insidious of sulfur-rich vegetables: the cauliflower. Rather than puzzling the shards of history and legend together, Barker shatters the mirror again and rearranges the pieces. The result is a biographical novel viewed through a kaleidoscope. Dazzlingly inventive and brilliantly comic, irreverent and mischievous, The Cauliflower delivers us into the divine playfulness of a 21st-century literary master

2006 is a foreign country; they do things differently there. Tiger Woods' reputation is entirely untarnished and the English Defence League does not exist yet. Storm-clouds of a different kind are gathering above the bar of Luton's less than exclusive Thistle Hotel

Nicola Barker, Man Booker Prize–shortlisted author of Darkmans and The Yips and winner of the IMPAC Dublin Literary Award and Hawthornden Prize, gathers her finest short fiction in this irresistible collection Audacious, original, clever, poignant—these are just a few words that describe the writing of Nicola Barker, an award-winning author who has been compared to Martin Amis, Julian Barnes, and Margaret Atwood. Now nineteen of her finest short stories have been compiled into one startling, delightfully readable volume. It takes young Carrie twenty-one years and a chance meeting with an eighty-three-year-old widow to realize she fell victim to her husband’s “three button trick.” The main character in “Wesley” must work through his troubled childhood in a series of episodes involving masses of eels, an imaginary friend named Joy, and an unmentionable incident with an emu-owl. Whether describing erotic encounters behind clothing racks or a kleptomaniac with his organs on the wrong side, these stories never fail to surprise us, entertain us, and make us think. “Nicola Barker’s is a singular world, a hectic place of uncommon characters and naughty, memorable prose . . . Her style is fast, funny, profound, and sharp.” —Newsday  “An astounding writer.” —Seattle Weekly  “Barker’s subjects are often raw and irreverently sexy, while her endings are sometimes abrupt, but she never fails to surprise and delight with incisive writing and piercing wit, to say nothing of all the vivid characters inhabiting these rambunctious and witty stories.” —Publishers Weekly  Nicola Barker’s eight previous novels include Darkmans (short-listed for the 2007 Man Booker and Ondaatje prizes, and winner of the Hawthornden Prize), Wide Open (winner of the 2000 International IMPAC Dublin Literary Award), and Clear (long-listed for the Man Booker Prize in 2004). She has also written two prize-winning collections of short stories, and her work has been translated into more than twenty languages. She lives in East London. 

Winner of IMPAC Dublin Literary Award in 2000, Wide Open is the first of Nicola Barker's Thames Gateway novels. Poking out of the River Thames estuary, the strange Isle of Sheppey is home to a nudist beach, a nature reserve, a wild boar farm and not much else. The landscape is bleak, but the people are interesting. There's Luke, who specialises in join-the-dots pornography and lippy, outraged Lily. They are joined by Jim, the 8-year-old Nathan and the mysterious, dark-eyed Ronnie. Each one floats adrift in turbulent currents, fighting the rip tide of a past that swims with secrets. Only if they see through the lies and prejudice will they gain redemption. Wide Open is about coming to terms with the past, and the fantasies people construct in order to protect their fragile inner selves