A few years back, in Ireland, Ray Bradbury spent some very productive months. Not only did he write the script of one of the best motion pictures of recent years—Moby Dick was its name—but on a side trip he met a young writer who had just turned his hand to science fiction, and persuaded him to let American editors see the results. Star was delighted to acquire two of them; the first was "Nor the Moon by Night," and the second is—