Prywant detektyw, Lew Archer, otrzymuje typowe zlecenie: ma odnaleźć obraz skradziony z zamożnego domu Biemeyerów. Obraz jest dziełem kalifornijskiego malarza, który rozgłos i sławę zdobył dopiero po swym tajemniczym zniknięciu. W trakcie poszukiwania zaginionego arcydzieła wychodzą na jaw tajemnice bohaterów. Archer stopniowo rozwiązuje zagadkę. Reakcją na jego działania jest seria makabrycznych zbrodni

Ross Macdonald (1915–1983) was, according to The New York Times, the author of "the finest detective novels ever written by an American." His detective, Lew Archer, investigates character and place and the tensions and conflicts that form America. In Ross Macdonald's hands, Lew Archer's home turf, southern California, becomes symbolic and (perhaps more important) emblematic of the human struggle to make things right, to make sense of who we are. In an important literary discovery, Macdonald biographer, Tom Nolan, unearthed three previously unpublished private-eye stories by Ross Macdonald. "Death by Water," written in 1945, features Macdonald's first detective Joe Rogers, and two novelettes from 1950 and 1955, "Strangers in Town" and "The Angry Man," are detailed cases of Lew Archer. These 'lost' stories help the reader to understand why The New York Times also said that "classify him how you will, Ross Macdonald is one of the best American novelists now operating."

It was a long way from the million-dollar Foothill Club to Pelly Street, where grudges were settled in blood and Spanish and a stolen diamond ring landed a girl in jail. Defense lawyer Bill Gunnarson was making the trip – fast. He already knew a kidnapping at the club was tied to the girl's hot rock, and he suspected that a missing Hollywood starlet was the key to a busy crime ring. But while Gunnarson made his way through a storm of deception, money, drugs, and passions, he couldn't guess how some big shots and small-timers would all end up with murder in common…