In the future we may be able to erase the past but that won’t stop it from coming…

A Mars of the imagination, like no other, in a colorful, witty SF novel; Taking place in the kaleidoscopic future of Ian McDonald’s Desolation Road, Ares Express is set on a terraformed Mars where fusion-powered locomotives run along the network of rails that is the planet’s circulatory system and artificial intelligences reconfigure reality billions of times each second. One young woman, Sweetness Octave Glorious-Honeybun Asiim 12th, becomes the person upon whom the future — or futures — of Mars depends. Big, picaresque, funny; taking the Mars of Ray Bradbury and the more recent, terraformed Marses of authors such as Kim Stanley Robinson and Greg Bear, Ares Express is a wild and woolly magic-realist SF novel, featuring lots of bizarre philosophies, strange, mind-stretching ideas and trains as big as city blocks

British author McDonald’s outstanding SF novel channels the vitality of South America’s largest country into an edgy, post-cyberpunk free-for-all. McDonald sets up three separate characters in different eras — a cynical contemporary reality-TV producer, a near-future bisexual entrepreneur and a tormented 18th-century Jesuit agent. He then slams them together with the revelation that their worlds are strands of an immense quantum multiverse, and each of them is threatened by the Order, a vast conspiracy devoted to maintaining the status quo until the end of time. As McDonald weaves together the separate narrative threads, each character must choose between isolation or cooperation, and also between accepting things as they are or taking desperate action to make changes possible. River of Gods (2004), set in near-future India, established McDonald as a leading writer of intelligent, multicultural SF, and here he captures Latin America’s mingled despair and hope. Chaotic, heartbreaking and joyous, this must-read teeters on the edge of melodrama, but somehow keeps its precarious balance. Won BSFA Award in 2008. Nominated for Nebula, Hugo, Locus and John Campbell awards in 2008

A fantasy adventure following network journalist Gaby McAslan to Africa to research the Kilimanjaro Event – a meteor which landed in Kenya causing the African landscape to give way to the “Chaga”, an alien flora able to destroy all man-made materials and mould human flesh, bone and spirit

Wir schreiben das Jahr 2047: Indien feiert hundert Jahre Unabhängigkeit. Doch in dem Land, das mit seinen pulsierenden Großstädten, hypermodernen Computern und Künstlichen Intelligenzen in der Moderne angekommen ist, werden auch zerstörerische Tendenzen sichtbar. Zehn Menschen treiben durch diesen Mahlstrom der Technologien und Kulturen, unter ihnen ein Gangster, ein Polizist, ein Wissenschaftler, ein Politiker, ein Ausgestoßener und ein Stand-up-Comedian. Sie alle werden in den Wochen um das Jahrhundertereignis in den Strudel der Ereignisse gezogen, die das Schicksal Indiens für immer verändern werden: Ein Krieg bricht aus, Künstliche Intelligenzen verselbstständigen sich — und eine Botschaft aus dem All wird entschlüsselt. Und während sich zwischen Slums und Großrechnern die digitale Zukunft der Menschheit entfaltet, fließt der große Ganges weiter durch Cyberabad … »Es gibt nur wenige Autoren, deren Romane unsere Sicht auf die Welt verändern — mit Cyberabad zählt Ian McDonald dazu.« Time Magazine

A collection of eight stories, “Cyberabad Days” is a triumphant return to the India of 2047 (the India of River of Gods); a new, muscular superpower in an age of artificial intelligences, climate-change induced drought, strange new genders, and genetically improved children

It all began thirty years ago on Mars, with a greenperson. But by the time it all finished, the town of Desolation Road had experienced every conceivable abnormality from Adam Black’s Wonderful Travelling Chautauqua and Educational ’Stravaganza (complete with its very own captive angel) to the Astounding Tatterdemalion Air Bazaar. Its inhabitants ranged from Dr. Alimantando, the town’s founder and resident genius, to the Babooshka, a barren grandmother who just wants her own child-grown in a fruit jar; from Rajendra Das, mechanical hobo who has a mystical way with machines to the Gallacelli brothers, identical triplets who fell in love with—and married—the same woman. “Ian McDonald’s Desolation Road is one of the books that has influenced me the most as a writer. Funny and sad and wildly imaginative… What a book!” “This is the kind of novel I long to find yet seldom do. Desolation Road is a rara avis… Extraordinary and more than that!” “Flavoured with a voice that blends the delightful prose of Jack Vance with the idiosyncratic stylings of Cordwainer Smith, this novel is, most of all, about the dusty town of Desolation Road in the middle of the red Martian desert. Episodic in scope, it would also work as short stories. An elderly couple get lost in the infinite space of their garden, a baby growing in a jar is stolen and replaced with a mango, a man called The Hand plays electric guitar for the clouds and starts the first rain for one hundred and fifty thousand years.”

Najnowszy almanach fantastyki Kroki w nieznane prezentuje szesnaście różnorodnych opowiadań autorów z Australii, Argentyny, Rosji, Stanów Zjednoczonych, Ukrainy i Wielkiej Brytanii. Wśród nich nowa krew, niedawne debiutantki (McCarron, Swirsky) oraz autorzy rozwijający skrzydła (Bacigalupi, Kosmatka, Ostapenko). Są też stare wygi, z niemałym dorobkiem, których tekstów nie było nam dane posmakować dotychczas (Brown, Kaługin) lub spotykaliśmy się z ich twórczością okazjonalnie (Kessel, szczególnie Waldrop). Oczywiście są także wielkie nazwiska (Egan, Kress, Silverberg, czy Willis), a oprócz tego pisarze wyjątkowi, za sprawą wyobraźni (Ballantyne), poetyckiego stylu (McDonald), czy prozy o niesamowitym klimacie (Nielsen)…

Najnowszy almanach fantastyki Kroki w nieznane prezentuje szesnaście różnorodnych opowiadań autorów z Australii, Argentyny, Rosji, Stanów Zjednoczonych, Ukrainy i Wielkiej Brytanii. Wśród nich nowa krew, niedawne debiutantki (McCarron, Swirsky) oraz autorzy rozwijający skrzydła (Bacigalupi, Kosmatka, Ostapenko). Są też stare wygi, z niemałym dorobkiem, których tekstów nie było nam dane posmakować dotychczas (Brown, Kaługin) lub spotykaliśmy się z ich twórczością okazjonalnie (Kessel, szczególnie Waldrop). Oczywiście są także wielkie nazwiska (Egan, Kress, Silverberg, czy Willis), a oprócz tego pisarze wyjątkowi, za sprawą wyobraźni (Ballantyne), poetyckiego stylu (McDonald), czy prozy o niesamowitym klimacie (Nielsen)…

Istanbul, avril 2027. Sous une chaleur écrasante, la ville tentaculaire fête le cinquième anniversaire de l’entrée de la Turquie dans la Communauté européenne. Quinze ans plus tôt, Israël a frappé les sites nucléaires iraniens avec des missiles thermobariques, provoquant indirectement le pire choc pétrolier et gazier de l’Histoire. Dans Istanbul en ébullition (l’air conditionné coûte trop cher, l’eau aussi), une bombe explose dans un tramway. Cet événement va bouleverser la vie des habitants de la maison des derviches de la place Adem-Dede : Necdet se met à voir des djinns, le jeune Can utilise son robot pour enquêter sur l’attentat non revendiqué, l’antiquaire Ayse accepte de rechercher un sarcophage légendaire, Leyla se voit chargée du marketing d’une nouvelle technologie révolutionnaire : le stockage bio-informatique. C’est dans la maison des derviches que se joueront rien de moins que l’avenir de la Turquie et celui du monde tel que nous le connaissons

Tous les Hindous vous le diront, pour se débarasser de ses péchés, il suffit de se laver dans les eaux du Gangâ, dans la cité de Vârânacî. Et, en cette année 2047, les péchés ce n’est pas ce qui manque : un corps aux ovaires prélevés glisse doucement sur les eaux du fleuve ; des intelligences artificielles se rebellent et causent de tels dégâts qu’une unité de police a été spécialement créée pour les excommunier. Gangâ, le fleuve des dieux, dont les eaux n’ont jamais été aussi basses, se rue vers un gouffre conceptuel, technologique, évolutionnaire - ou peut-être tout cela à la fois. A travers le kaléidoscope de neuf destins interconnectés, Ian McDonald dresse le portrait d’une Inde future, mais aussi d’une Terre future, où tout n’est que vertige. Souvent considéré outre-Atlantique et outre-Manche comme le roman de science-fiction le plus important des quinze dernières années, Le Fleuve des dieux a reçu le British Science Fiction Award et a été finaliste du prestigieux prix Hugo

Fifteen all-new stories by science fiction's top talents, collected by bestselling author George R. R. Martin and multiple-award winning editor Gardner Dozois Burroughs's A Princess of Mars. Bradbury's The Martian Chronicles. Heinlein's Red Planet. These and so many more inspired generations of readers with a sense that science fiction's greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own - a red planet that burned like an ember in our night sky …and in our imaginations. This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations - by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars. Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races

What if you could not only travel any location in the world, but to any possible world? We can all imagine such “other worlds”—be they worlds just slightly different than our own or worlds full of magic and wonder—but it is only in fiction that we can travel to them. From The Wizard of Oz to The Dark Tower, from Philip Pullman’s The Golden Compass to C. S. Lewis’s The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now. “Anthologist Adams presents readers with a wide variety of alternate Earths, some only slightly askew and others completely unfamiliar. […] Adams’s selections are mirrors reflecting one other with the best images of alternate realities. Readers will greatly enjoy this exploration of our world's foremost and ascendant speculative authors.” “Reminds longtime readers of fantasy and sci-fi what we love about the genre, while also and aptly demonstrating to newcomers that these stories are about so much more than dragons and multitentacled monsters. It comes highly recommended to both and all.”

NOMINATED FOR BOTH THE HUGO AND THE ARTHUR C. CLARKE AWARDS WINNER OF THE BRITISH SCIENCE FICTION ASSOCIATION AWARD FOR BEST NOVEL “…a major achievement from a writer who is becoming one of the best sf novelists of our time.” "[A] literary masterpiece… I can’t think of a better science fiction novel I’ve read in years… This novel is a masterpiece of science fiction by any meaningful standard… McDonald takes the reader to a level of immersion in the fine detail, texture, consciousness, pop culture, very being, of an extrapolated non-Western culture that is utterly awesome.” “McDonald’s latest ranks as one of the best science fiction novels published in the United States this year.” “Ian McDonald has been one of my favorite writers for some fifteen years now, and the amazing thing is, he’s getting even better.” AUGUST 15, 2047—HAPPY HUNDREDTH BIRTHDAY, INDIA As Mother India approaches her centenary, nine people are going about their business—a gangster, a cop, his wife, a politician, a stand-up comic, a set designer, a journalist, a scientist, and a dropout. And so is Aj—the waif, the mind reader, the prophet—when she one day finds a man who wants to stay hidden. In the next few weeks, they will all be swept together to decide the fate of the nation. River of Gods teems with the life of a country choked with peoples, cultures, and technologies—one and a half billion people, twelve semi-independent nations, nine million gods. Ian McDonald has written the great Indian novel of the new millennium in which a war is fought, a love betrayed, and a message from a different world decoded, as the great river Ganges flows on. RIVER OF GODS is an epic SF novel as sprawling, vibrant and colourful as the sub-continent it describes. This is an SF novel that blew apart the narrow anglo- and US-centric concerns of the genre and ushered in a new global consciousness for the genre

DISTANT WORLDS, TIME TRAVEL, EPIC ADVENTURE, UNSEEN WONDERS AND MUCH MORE! The best, most original and brightest science fiction and fantasy stories from around the globe from the past twelve months are brought together in one collection by multiple award winning editor Jonathan Strahan. This highly popular series now reaches volume nine and will include stories from both the biggest names in the field and the most exciting new talents. Previous volumes have included stories from Neil Gaiman, Stephen King, Cory Doctorow, Stephen Baxter, Elizabeth Bear, Joe Abercrombie, Paolo Bacigalupi, Holly Black, Garth Nix, Jeffrey Ford, Margo Lanagan, Bruce Sterling, Adam Robets, Ellen Klages, and many many more

In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year’s Best Science Fiction: Twenty-Ninth Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together short stories from award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre. In this collection of thirty-five science fiction stories from 2011, Gardner Dozois once again identifies the best stories of the year