Fue uno de los incidentes menos gloriosos de una antigua guerra. Provocó la destrucción de dos soles y de los miles de millones de vidas que sustentaban. Ahora, ochocientos años después, la luz del primero de estos antiguos errores ha llegado al orbital de la Cultura Masaq. La luz del segundo podría no llegar a hacerlo

The war is ending, but for the occupants of the castle, their troubles are just beginning. Armed gangs roam a lawless land, and the castle becomes the focus of a dangerous game of desire, deceit and death to one particular outlawed captain. From the author of WHIT, THE CROW ROAD and COMPLICITY

She came from one of the more disreputable aristocratic families. Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilization based around the planet Golter. On an island with a glass shore – relic of some even more ancient conflict – she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything

Ken McNutt es un locutor de radio londinense que se fragua enemistades por doquier, debido a la insaciable sátira social y política que despliega a través de las ondas. En una de las muchas fiestas de la alta sociedad a las que asiste conoce a Celia, una mujer misteriosa y atractiva que le relata, entre otras cosas, un accidente que la convirtió para siempre en dos personas distintas. Poco después, se entera de que ella es una mujer casada con un mafioso, y a partir de ese momento su vida entera en una vorágine de aventuras y peligros

Hisako Onoda, world famous cellist, refuses to fly. And so she travels through the Panama Canal as a passenger on a tanker bound for Europe. But Panama is a country whose politics are as volatile as the local freedom fighters. When Hisako's ship is captured, it is not long before the atmosphere is as flammable as an oxy-acetylene torch, and the tension as sharp as the spike on her cello… 'Apocalyptic is the first word that springs to mind to describe this violent and powerful novel in which Banks once again demonstrates his extraordinary dark powers of imagination… impressive' The Times 'Brilliantly crafted' Scotsman 'Currents of dark wit swirl through Banks' writing, enriching its buoyancy… and, like Graham Greene, he can readily open the reader's senses to the «foreignness» of places' Scotland on Sunday 'Extraordinary, brilliant, bloody' Fay Weldon

In un mondo senza tempo e senza nome, devastato da una guerra che ha rivelato il fondo barbarico della natura umana, tra cumuli di macerie e colonne di profughi in fuga, si erge un antico castello di pietra. Tra le sue austere mura vive, assieme alla sorella-amante Morgan, Abel, l’ultimo discendente di una famiglia aristocratica. Per i due giovani, quel castello sarebbe un rifugio ideale, se un giorno, a turbare la loro idilliaca «intimità», non sopraggiungesse una banda di soldati irregolari, guidati da un oscuro personaggio femminile. Stregati dal fascino magnetico e perverso di quella donna senza volto e senza anima, Abel e Morgan si trasformano ben presto nelle pedine di un sordido gioco a tre, mentre l’antica dimora diviene teatro di inaudite violenze, eccessi e distruzioni, che porteranno in un crescendo di tensione e di suspense alla catastrofe finale

n. 1. the fact of being an accomplice, esp. in a criminal act A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source — could be big, could be very big — in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully-paid-up Gonzo hack on an Edinburgh newspaper. The source is pretty thin, but Cameron senses a scoop and checks out a series of bizarre deaths from a few years ago — only to find that the police are checking out a series of bizarre deaths that are happening right now. And Cameron just might know more about it than he'd care to admit… Involvement; connection; liability — Complicity is a stunning exploration of the morality of greed, corruption and violence, venturing fearlessly into the darker recesses of human purpose. 'A remarkable novel… superbly Grafted, funny and intelligent" Times 'A stylishly executed and well produced study in fear, loathing and victimisation which moves towards doom in measured steps" Observer 'Compelling and sinister… a very good thriller" Glasgow Herald 'Fast moving… tightly plotted" Sunday Times

Cameron, reporter del Caledonian e maniaco di computer game, si mette sulle tracce di un nemico crudele, un uomo solo che si erge a giudice, giuria e boia di tutti coloro che hanno commesso un errore troppo grave per essere perdonato. Quale oscura complicità lega Cameron all’inafferrabile serial-killer?

The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction; coldblooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principals were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction. Consider Phlebas — a space opera of stunning power and awesome imagination from one of the most talented writers of his generation

Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian vaguely left wing radio shock-jock living in LondonAfter a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture…Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre. At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel, displays his trademark dark wit, buoyancy and momentum. It will be one of the most important novels of 2002

Die Dweller sind die älteste Rasse des Universums. Schon während der ersten Galaxienbildung vor zwölf Milliarden Jahren haben sie eine Hochkultur entwickelt, und inzwischen bewohnen sie fast alle Gasriesen im Kosmos. Sie sind eigenwillige Individualisten mit kauzigem Humor, werden viele Millionen Jahre alt und scheren sich wenig um andere Rassen und deren Interessen und Konflikte. Konflikte, bei denen sich vor allem die Menschen hervortun: Sie bekriegen sich gegenseitig aus wirtschaftlichen, weltanschaulichen, religiösen und politischen Gründen, zerstören dabei ganze Planeten und unterbrechen die für die interstellare Raumfahrt notwendigen Wurmlochverbindungen, um komplette Siedlungsräume für Jahrzehnte zu isolieren. Fassin Taak aus dem umkämpften Ulubis-System ist ein erfahrener Seher, der es gelernt hat, mit Dwellern zusammenzuleben und mit ihnen Informationen auszutauschen – eine interessante, aber wenig ergiebige Beschäftigung, denn das Wissen der Dweller, das sich in Milliarden Jahren angesammelt hat, ist unsystematisch und chaotisch. Eine Legende jedoch besagt, dass eine sogenannte Dweller-Liste existiert, in der geheime Wurmloch-Koordinaten verzeichnet sind. Hinter dieser Liste sind nun alle Interessengruppen her. Sie scheuen keine Mittel, um in den Besitz der Daten zu gelangen. Aber bald wird klar, dass sich hinter der sagenumwobenen Liste weit mehr verbirgt: Sie führt tief in die Geheimnisse unseres Universums…

Segundo Libro de la “Serie de la Cultura”. Gurgeh era uno de los mejores jugadores que había habido nunca en la Cultura, maestro reconocido de todos los tableros, ordenadores y estrategias. Aburrido de su éxito y forzado por las circunstancias, Gurgeh se encontrará a sí mismo, en el Imperio de Azad, enfrentado al juego supremo, un juego tan complejo y modelado con tanta exactitud, de acuerdo con las reglas de la existencia, que el ganador es proclamado Emperador. Víctima de una chantaje y sin verdaderas alternativas, Gurgeh se ve obligado a participar en él, enfrentándose al mayor de los desafíos y poniendo en juego su propia vida

El hombre que se despierta en el mundo extraordinario del puente sufre amnesia, y su médico parece no querer curarlo. Pero ¿eso importa? Explorar el puente ocupa la mayor parte de sus días. Pero por la noche están sus sueños. Sueños en los que los hombres desesperados conducen carruajes sellados a través de montañas yermas rumbo a un extraño encuentro; un bárbaro analfabeto asalta una torre encantada mediante una tormenta verbal; y hombres destrozados caminan eternamente sobre puentes sin fin, atormentados por visiones de una sexualidad que los lleva a la perdición. Yacer en cama inconsciente después de sufrir un accidente no parece muy divertido a simple vista. ¿Y si lo es? Depende de quién seas y de lo que hayas dejado atrás. Iain Banks está considerado como uno de los escritores más innovadores de la narrativa británica actual. El puente es una novela de contrastes perturbadores, donde se funden el sueño y la fantasía, el pasado y el futuro

Cheradenine Zakalwe es un agente de Circunstancias Especiales, la sección de élite para la que ningún medio resulta reprobable: la guerra, el espionaje y el asesinato son lícitos cuando lo que está en juego son los intereses de la Cultura. Zakalwe ha sido empujado a tomar parte en innumerables conflictos, habiéndole tocado pertenecer al bando perdedor en demasiadas ocasiones. Por ello, ha decidido retirarse. Pero Ciscunstancias Especiales necesita sus servicios en un planeta donde Zakalwe había servido anteriormente y donde está a punto de desencadenarse una guerra a gran escala, y la agencia sabe a qué puede recurrir para presionarle… Una nueva novela ambientada en el deslumbrante universo de “Pensad en Flebas” y “El jugador”

Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. Silent, motionless, and resisting all efforts to make contact, the artifact waits. The Culture ships, however, cannot. For the artifact is something they need to understand first, before it falls into less understanding hands — and triggers a political and military crisis which will threaten everything the Culture has achieved. One person who saw the artifact when it first appeared may have information concerning its purpose, but she is living out her death in the immense Eccentric ship, the Sleeper Service. The Culture ships formulate a plan to retrieve her. The Sleeper Service has other things on its mind. A novel of extraordinary imagination, richness and energy, Excession is Iain M. Banks at his magnificent best

Znudzony nieustannymi sukcesami, zniechęcony brakiem poważnych wyzwań i stymulujących przeżyć, niezwyciężony Gurgel — najlepszy gracz galaktyki — przybywa do Imperium Azadu, by wziąć udział w najbardziej skomplikowanej i najtrudniejszej grze, jaką wymyślono we wszechświecie. Stawką w tej grze jest nie tylko życie, lecz również samo Imperium. A także coś jeszcze… Miłośnicy literackiego talentu Iaina M. Banksa wiedzą już, czego spodziewać się po tym autorze: nieskrępowanej, zrywającej ze wszelkimi schematami wyobraźni, pasjonującej akcji, niezwykłych bohaterów i przewrotnego poczucia humoru. Tym razem również się nie zawiodą

En el palacio de invierno, la nueva doctora del Rey tiene más enemigos de los que cree. Pero, por otra parte, también dispone de remedios insólitos que ellos desconocen. En otro palacio tras las montañas, el guardaespaldas jefe del Protector General se enfrenta a sus propios adversarios, aunque no lo tiene tan fácil: son más rápidos y eficaces y él solo dispone de métodos tradicionales para hacerles frente…

Some years ago, rocks and fire fell from the sky and the old Empire fell with them. In the lands released from that crushing hegemony, a new world order is about to emerge. Two people in particular can see all this in a wider context. In the winter palace, the King's new physician has more enemies than she at first realises. But then she also has more remedies to hand than those who wish her ill can know about. In another palace across the mountains, in the service of the regicidal Protector General, the chief bodyguard too has his enemies. But his enemies strike more swiftly, and his means of combating them are more traditional. Both the doctor and the bodyguard have at least one person they care for deeply and who cares for them. None of them, however, can risk saying so. This is the story of two stories. Spiralling round a central core of secrecy, deceit, love and betrayal — and linked more closely than even those involved can know — each climbs to its own devastating climax. Inversions is a dazzling work of science fiction from an author writing at the height of his remarkable powers

Pour les humains, et les autres races à la vie brève, la galaxie est un endroit dangereux où règne une paix précaire. Un réseau de trous de ver artificiels sert à voyager entre les étoiles. Il est maintenu sous la férule de la Mercatoria, qui s’efforce de gérer les équilibres entre espèces. Par contre, pour les Habitants, ces formes de vie quasi-immortelles apparues peu après le Big bang, la seule chose qui importe, ce sont les géantes gazeuses où ils vaquent à leurs affaires. Le reste n’est que débris épars... Afin de sauver son système solaire menacé par la flotte de l’Archimandrite Luseferous, le jeune Fassin Taak doit plonger dans l’atmosphère de la géante Nasqueron, à la recherche d’une très ancienne formule, d’une clé détenue par les Habitants depuis des millions d’années. Mais ceux-ci, joyeux anarchistes avides d’informations en tous genres, ont un sens de l’humour très particulier, des habitudes déplorables comme celle de chasser à mort leur propre progéniture, et il se pourrait bien qu’ils dissimulent plus d’un secret. La quête désespérée de Taak le conduit d’un bout à l’autre de la galaxie. Pendant ce temps, la flotte monstrueuse de Luseferous se rapproche de Nasqueron. Mais la guerre cesse d’être une activité prévisible dès que les Habitants y sont mêlés

Gurgeh est l’un des plus célèbres joueurs de jeux que la Culture ait jamais connu. Il joue, gagne, enseigne, théorise. La Culture est une immense société galactique, pacifiste, multiforme, anarchiste, tolérante, éthique et cynique. Elle est composée d’humains, d’Intelligences Artificielles et d’espèces étrangères qui ont accepté ses valeurs. Elle cultive les loisirs et les jeux qui ont le statut d’un art majeur. Le Contact, service de la Culture spécialisé dans l’évaluation et l’infiltration de civilisations étrangères nouvellement découvertes, considère l’Empire d’Azad, terrifiant de puissance et de cruauté, comme un danger potentiel. L’Empire repose, historiquement, sur un jeu infiniment complexe dont le gagnant devient Empereur. Si bien que Gurgeh, contre son gré, manipulé mais fasciné par le défi, se retrouve à cent mille années-lumière de sa confortable demeure, devenu un pion des IA qui régissent la Culture et lancé dans le formidable jeu d’Azad. Avec la série de la Culture, Iain Banks renouvelle avec panache et humour l’aventure spatiale. Comme dans L’usage des armes, il construit une société d’envergure galactique, bigarrée, baroque et attachante qui deviendra une référence dans l’histoire des futurs

Cheradenine Zakalwe — ou du moins l’homme qui se fait appeler ainsi — est l’un des agents les plus efficaces de la Culture. Et Diziet Sma éminente figure de la Culture, l’utilise à des fins mystérieuses, quelquefois paradoxales. Dans le cadre de Circonstances spéciales, une branche de Contact. Qu’est-ce que la Culture ? Une immense société galactique, pacifiste en son principe mais redoutable si on l’attaque, multiforme, anarchiste, tolérante, éthique et cynique. Elle est composée d’humains, d’Intelligences artificielles et d’espèces étrangères qui ont accepté ses valeurs. La Culture a la prétention de faire évoluer lentement mais sûrement les civilisations étrangères qu’elle rencontre au fur et à mesure de son expansion. C’est le rôle du Contact d’évaluer et d’infiltrer les sociétés nouvellement découvertes. Et dans les cas extrêmes, c’est à Circonstances spéciales d’intervenir, au besoin par la violence. Cheradenine Zakalwe est l’une des armes de Circonstances spéciales. C’est le héros de L’usage des armes, qui est à la fois un roman d’aventures et une œuvre littéraire éblouissante, d’une perversité toute britannique

Frank Cauldhame, il diciassettenne protagonista della Fabbrica degli orrori, è uno dei personaggi più cattivi della letteratura, non solo contemporanea. Frank uccide: a sangue freddo, minuscoli insetti e innocenti bambini. Frank odia: il padre, ex hippy con manie da scienziato pazzo; la madre, che lo ha abbandonato subito dopo averlo messo al mondo; tutte le donne, quasi tutti gli uomini e la maggior parte degli animali. Ha un fratello, maniaco incendiario appena uscito dal manicomio (le cui vittime preferite sono i cani). E ha un amico, Jamie il nano, con cui beve birra al pub. Frank non piace a nessuno e nessuno piace a lui, in realtà non piace nemmeno a se stesso, e sull’isolotto scozzese sul quale vive da recluso vive una vita scandita da complessi rituali, plasmati sulla base di una personalissima religione… Una favola inquietante di «educazione alla violenza», un romanzo micidiale che mescola l’universo giovanile a un immaginario allucinato al limite dell’incubo

«Hace años que no mato a nadie, y no pienso volver a hacerlo nunca más. Fue solo una mala racha que estaba pasando.» Esta es la voz de Frank, un adolescente que vive solo con su padre en la costa escocesa. Ha crecido inmerso en un mundo de creación propia como la fábrica de avispas, un artefacto oracular en el cual lee el futuro mediante el sufrimiento y muerte de estos insectos. También ha creado sus propias reglas morales, reglas con las que el asesinato se vuelve lícito, y para el que emplea métodos de lo más sorprendentes: una cometa; una serpiente; un martillo; la ingenuidad de un hermano… Frank sabe que vive en un universo personal que el resto de la humanidad no comparte. Y a él le gusta así

It was one of the less glorious incidents of the Idiran wars that led to the destruction of two suns and the billions of lives they supported. Now, 800 years later, the light from the first of those deaths has reached the Culture’s Masaq’ Orbital. A Chelgrian emissary is dispatched to the Culture

The Culture is a far-future society of seemingly limitless resources and infinite technological possibilities. Yet the Culture is far from perfect, and it is still subject to brutal wars, political upheaval and intrusions from beyond the edges of known space. With extraordinary imaginative scope and storytelling prowess, Iain M. Banks’ new Culture novel will be one of the most highly anticipated SF novels of the year

Most nie ma końca, na jego wielu poziomach żyją ludzie, a jednym z nich jest wyłowiony z rzeki John Orr. Bohater cierpi na amnezję i opowiada lekarzowi swoje dziwne sny. Jednak autor przenosi nas nagle i stajemy się świadkami życia pewnego dość przeciętnego Szkota. Cóż jest dalej? Wszystko zaczyna się mieszać i nie jesteśmy pewni o czyim śmie właśnie czytamy i co tak naprawdę jest snem a co rzeczywistością. Powieść Banks’a jest hybrydą łączącą w sobie obyczajową historię, fantastykę oraz jednocześnie jej parodię. To literacki eksperyment zabawa stylem, językiem i wyobraźnią

Dopóki Cheradenine Zakalwe był tajnym agentem Kultury, jego życie toczyło się w miarę spokojnym rytmem: ot, zwykłe intrygi, podstępne plany, od czasu do czasu wojskowa operacja na jakiejś odległej planecie. Wszystko to uległo radykalnej zmianie w chwili, kiedy Diziet Sma wzięła jego los w swoje ręce… Kolejny tom cyklu o Kulturze potwierdza, że Iain M. Banks słusznie cieszy się opinią jednego z najoryginalniejszych i najbardziej nieobliczalnych współczesnych twórców science fiction

La historia de Pasos sobre cristal, son tres historias en realidad. En la primera tenemos a Graham, un joven artista que se dirige a casa de su amiga Sarah, acompañado de una carpeta con varios dibujos de ella. En segundo lugar está Steven Grout, un tipo verdaderamente extraño, que acaba de renunciar a su puesto de trabajo y que siempre va con casco, huyendo de sus Atormentadores. Y por último tenemos a Quiss y Ajayi, un hombre y una mujer, respectivamente, ya mayores, que están encerrados en un extraño castillo, algunas de cuyas paredes son de cristal, detrás de las cuáles hay peces luminiscentes, y donde pasan los días jugando a estrambóticos juegos de mesa con el fin de poder obtener la opción de responder a un acertijo, y así poder salir libres

La guerra se recrudece a lo largo de la galaxia. Las lunas, los planetas y las mismas estrellas se enfrentaron a una destrucción a sangre fría, brutal y, lo que es peor, aleatoria. Los Iridanos luchan por su fe; la Cultura, por su derecho moral a existir. No hay lugar para la rendición. En medio del conflicto cósmico, en las profundidades de un Planeta de los Muertos, yace una Mente fugitiva. Los rumores dicen que Horza el Cambiante, y su horda de mercenarios impredecibles, humanos y máquinas, se embarcaron en su propia cruzada por encontrarla… solo para hallar su propia destrucción

It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful — and arguably deranged — warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war — brutal, far-reaching — is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether. SURFACE DETAIL is Iain M. Banks' new Culture novel, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction

It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilisation. In the meantime, they are dismissed as decadents living in a state of highly developed barbarism, hoarding data without order, hunting their own young and fighting pointless formal wars. Seconded to a military-religious order he’s barely heard of — part of the baroque hierarchy of the Mercatoria, the latest galactic hegemony — Fassin Taak has to travel again amongst the Dwellers. He is in search of a secret hidden for half a billion years. But with each day that passes a war draws closer — a war that threatens to overwhelm everything and everyone he’s ever known. As complex, turbulent, flamboyant and spectacular as the gas giant on which it is set, the new science fiction novel from Iain M. Banks is space opera on a truly epic scale. Nominated for Hugo Award for Best Novel in 2005

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before? 'Iain Banks of THE WASP FACTORY eclipses that sensational debut...a real dazzler' Daily Mail 'Great artistry, great virtuosity ... great exuberance' New Statesman 'This one's his best yet' New Musical Express 'THE BRIDGE is serious, but playful; it is full of throwaway jokes, minor tangles for the reader to sort out, political/cultural references to the kind of reality that rarely gets into British literature, and nuggets of surprising truth juxtaposed with outrageous lies... convincing in a way too little fantasy or mainstream literature is' City Limits

Who Do You Work For? The Business, a nearly omnipotent enterprise, is so infinitely discreet that even its top executives are vague about its actual business. It predates the Christian church and counts among its vast riches dozens of Michelangelo's pornographic paintings and several sets of Crown jewels. The only thing it lacks is political clout, a problem the Business plans to solve by buying a nation and joining the United Nations. Kate Telman, the Business's foremost expert on emerging technologies, is chosen to lead the effort. As this beautiful, ambitious American woman pursues the ultimate prize for her highly secretive transglobal employer, Iain Banks -- whom The Times of London calls "the most imaginative British novelist of his generation" -- offers a portrait of today's ubiquitous multinational corporations. Already a bestseller in England, The Business paints a picture that is at once wickedly satirical and frighteningly familiar

A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars

The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilization. An ancient people, organized on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier and were very nearly one of its founding societies, deciding not to join only at the last moment. Now they've made the collective decision to follow the well-trodden path of millions of other civilizations; they are going to Sublime, elevating themselves to a new and almost infinitely more rich and complex existence. Amid preparations though, the Regimental High Command is destroyed. Lieutenant Commander (reserve) Vyr Cossont appears to have been involved, and she is now wanted—dead, not alive. Aided only by an ancient, reconditioned android and a suspicious Culture avatar, Cossont must complete her last mission given to her by the High Command. She must find the oldest person in the Culture, a man over nine thousand years old, who might have some idea what really happened all that time ago. It seems that the final days of the Gzilt civilization are likely to prove its most perilous

The Culture — a human/machine symbiotic society — has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game … a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life — and very possibly his death

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent

Enter — if you can bear it — the extraordinary private world of Frank, just sixteen, and unconventional, to say the least. "Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. "That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. "It was just a stage I was going through."

A world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse, such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organisation with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers? On the Concern's books are Temudjin Oh, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice; and a nameless, faceless torturer known only as the Philosopher. And then there's the renegade Mrs Mulverhill, who recruits rebels to her side; and Patient 8262, hiding out from a dirty past in a forgotten hospital ward. As these vivid, strange and sensuous worlds circle and collide, the implications of turning traitor to the Concern become horribly apparent, and an unstable universe is set on a dizzying course

Horza est un Métamorphe, un des derniers sur­vivants de cette variété de l’espèce humaine qui peut modifier sa forme à sa guise. Et il est engagé dans une croisade personnelle contre la Culture. Son combat, comme celui de Balveda, l’envoyée de la section Circonstances Spéciales de la Culture, n’est qu’une escarmouche insignifiante sur la toile de fond de la guerre qui oppose la Culture et les ldirans. Une guerre qui embrase la Galaxie. Une guerre inexpiable comme toute guerre de religion. Une guerre où aucun compromis n’est pos­sible, qui se soldera par la victoire d’un seul camp. Celui des Idirans qui veulent soumettre à leur divinité tous les peuples de la Galaxie. Ou bien celui de la Culture qui est parfaitement tolérant et qui, à ce titre, ne peut accepter aucune intolérance. Comme dans L’usage des armes et L’homme des jeux, lain Banks décrit ici une immense société galactique, complexe, rusée, bigarrée, baroque et attachante, qui prendra place dans les annales de l’Histoire du Futur aux côtés de Dune et d’Hypérion

Cheradenine is an ex-“special circumstance” agent who had been raised to eminence by a woman named Diziet. Skaffen-Amtskaw, the drone, had saved her life and it believes Cheradenine to be a burnt-out case. But not even its machine intelligence can see the horrors in his past

Graham Park is in love.  But Sara Ffitch is an enigma to him, a creature of almost perverse mystery.  Steven Grout is paranoid - and with justice.  He knows that They are out to get him.  They are.  Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games.  The solution to the oldest of all paradoxical riddles will release him.  But he must find an answer before he knows the question. Park, Grout, Quiss - no trio could be further apart.  But their separate courses are set for collision... "A feast of horrors, variously spiced with incest, conspiracy, and cheerful descriptions of torture... fine writing" The Times "The author's powerful imagination is displayed again here every bit as vividly as in his debut" Financial Times "Establishes beyond doubt that lain Banks is a novelist of remarkable talents" Daily Telegraph

A little knowledge can be a very dangerous thing… Innocent in the ways of the world, an ingénue when it comes to pop and fashion, the Elect of God of a small but committed Stirlingshire religious cult: Isis Whit is no ordinary teenager. When her cousin Morag - Guest of Honour at the Luskentyrian's four-yearly Festival of Love - disappears after renouncing her faith, Isis is marked out to venture among the Unsaved and bring the apostate back into the fold. But the road to Babylondon (as Sister Angela puts it) is a treacherous one, particularly when Isis discovers the Morag appears to have embraced the ways of the Unsaved with spectacular abandon … Truth and falsehood; kinship and betrayal; 'herbal' cigarettes and compact discs - Whit is an exploration of the techno-ridden barrenness of modern Britain from a unique perspective. 'Fierce contemporaneity, an acrobatic imagination, social comment, sardonic wit ... the peculiar sub-culture of cult religion is a natural for Banks, and Luskentyrianism is a fine creation' The Times 'One of the most relentlessly voyaging imaginations around' Scotsman 'Banks is a phenomenon ...I suspect we have actual laws against this sort of thing, in the United States, but Iain Banks, whether you take him with the "M" or without, is currently a legal import' William Gibson 'Entertaining ... comically inspired' Guardian

W galaktyce szaleje straszliwa wojna. Zagłada dosięga księżyce, planety, orbitale, a nawet gwiazdy. Giną miliardy rozumnych istot. Idrianie walczą za wiarę. Kultura o moralne prawo do istnienia. Tam, gdzie stawką są zasady, nie ma miejsca na litość. Losy konfliktu spoczywają w rękach jednego z ostatnich metamorfów; od wyniku jego straceńczej misji zależy przyszłość wszechświata