Jack McDevitt has been a Sherlock Holmes fan since he was a teenager, although he reports that Holmes-style mysteries, whodunits, are not his favorite style. Jack encountered Gilbert Chesterton’s Father Brown tales a few years later and they ultimately became the prime influence in his science fiction. The issue with Father Brown was never a question of who committed the murder, but rather what in heaven’s name is going on here? Why does an astronaut, in “Cathedral,” sacrifice her life to collide with an asteroid that she knows poses no threat to the Earth? Why does a scientist who’s designed an actual working AI in “The Play’s the Thing,” hide what he’s done? How is it that the lives of two people working at Moonbase in “Blinker” depend on a quasar? In “Lucy,” Jack shows us why sending automated vehicles to explore the distant outposts of the solar system may not be a good idea. And in “Searching for Oz,” an alternate history story, how things might have been if SETI had gotten what it was looking for. He describes our reaction in “Listen Up, Nitwits,” when a voice begins speaking to us, apparently from Jupiter, in Greek. And in “The Lost Equation,” a Holmes adventure, we discover who really was first to arrive at e=mc2. Jack also provides two episodes, “Maiden Voyage” and “Waiting At the Altar,” from Priscilla Hutchins’ qualification flight; and an effort by a sixteen-year-old Alex Benedict, in the title story with his uncle Gabe and Chase Kolpath’s mom, Tori, who are trying to understand why a brilliant radio entertainer, lost in the stars when his drive unit suffered a malfunction, never said goodbye. These and thirteen other rides into odd places await the reader

In this sequel to last year's well-received Deepsix, McDevitt tells a curiously old-fashioned tale of interstellar adventure. Reminiscent of Arthur C. Clarke's Rendezvous with Rama, the story sends veteran space pilot Priscilla «Hutch» Hutchins and a crew of rich, amateur SETI enthusiasts off on a star-hopping jaunt in search of the mysterious aliens who have placed a series of «stealthed» satellites around an unknown number of planets. After visiting several worlds, and losing two of her dilettantes to a murderous group of alien angels, Hutch follows the interstellar trail to a bizarre, obviously artificial planetary system. There, two spectacular gas giants orbit each other closely, partially sharing the same atmosphere, while a large moon circles them in a theoretically impossible circumpolar orbit. The explorers soon discover a number of puzzling alien artifacts, including a gigantic spaceship that fails to respond to their signals. First contact is McDevitt's favorite theme, and he's also good at creating large and rather spectacular astronomical phenomena. Where this novel falls short, however, is in the creation of characters. Hutch, beautiful and supremely competent, is an adequate hero, but virtually everyone else is a cartoon. The book abounds in foolhardy dilettantes, glory-hogging bureaucrats and capable space pilots. Oddly, in a novel set some 200 years in the future, McDevitt's cast is almost exclusively white and Anglo-Saxon. This is a serviceable enough space opera, but it operates far from the genre's cutting edge

Deepsix is concerned with the motivating force that drives all scientists-the quest for truth, for expanding the limits of human knowledge. How much are we willing to risk for that moment of discovery, of knowing what no other soul yet knows? Our time? Our reputations? Our careers? Our lives? The premise is this: just weeks before the planet Deepsix will be destroyed by a collision with a gas giant, ruins are detected on its surface, suggesting the presence of civilization. The Academy diverts scientists from the nearest spaceship to go down and explore, and they are joined by their century's Ellsworth Toohey: a misogynistic, sanctimonious gadfly who has never before been off of Earth's surface. The party's landers are destroyed in an earthquake induced by the approaching gas giant, so now they must find a way to get off of Deepsix before it is destroyed by the collision. Needless to say, their excavations are placed on the back burner. The physics describing the space travel and the archeology used to reconstruct the lost culture of Deepsix are interesting and explained well. There is plenty of action and suspense-will the party survive? And the evolving characters and group dynamics are more complex than those usually found in science fiction books, making Deepsix a worthwhile read

By the end of the twenty-second century, Earth's ravaged environment has become a time bomb ticking down to global self-destruction. Despite the fortuitous arrival of faster-than-light space travel, the search for a new home has so far located only one candidate-Quraqua, a desolate planet scheduled for terraformation within a few months. For interstellar archaeologist Richard Wald and starship pilot Priscilla Hutchins, the looming renovation threatens critical research on the enigmatic alien ruins on Quraqua and its moon, which include a bizarre false city dubbed Oz. Rousing little interest on Earth and facing an unyielding terraformation committee, Wald and his team undertake a last round of life-threatening expeditions to decipher Oz's secrets before they are swallowed forever by an emerging new world. With plenty of startling plot twists, a heavy dose of intrigue, and an unusual amount of character development for science fiction, McDevitt holds us fast right through to a thrilling finish. The yarn's less pure sf, though, than a rousing archaeological adventure transplanted to another star system

Priscilla "Hutch" Hutchinson's fifth adventure opens with the former starship pilot deskbound at the Academy (the twenty-third-century equivalent of NASA), which is facing catastrophic cuts to the space program. In a media campaign led by Hutch's old friend, acerbic newspaper editor Gregory MacAllister, pundits and politicians alike argue that the program's money would be better spent on the earthbound threats of global warming and disease. Perhaps not coincidentally, humans everywhere from Earth to Ophiuchi begin witnessing repeated visitations from "moonriders" (apparently alien spherical spacecraft), and they prompt an Academy investigative mission. To humor Hutch and grab a good story, MacAllister joins a spacebound team including a celebrated pilot and a senator's daughter. When the moonriders apparently redirect a few asteroids to destroy an orbiting hotel and narrowly bypass Earth, suspicions begin to emerge that the moonriders--and certain members of the Academy--may not be what they seem to be. McDevitt's energetic, character-driven prose serves double duty by exploring Earth's future political climate and forecasting the potential dangers awaiting humanity among the stars

Having mastered the big, sprawling adventure stories called space opera in books like Chindi, McDevitt extends the form in this feel-good SF novel that earns its hopeful conclusion. Priscilla «Hutch» Hutchens, heroine of several of McDevitt's previous novels, has had a full career as a space pilot and is now administrator of the government agency in charge of space research. Like most people, she's only mildly concerned with the long-range threat of the omega clouds, masses of energy floating through the universe that detect and pulverize artificial structures (and the intelligent creatures that live in them). After all, the cloud headed for Earth is 900 years away. This situation changes when a charmingly innocent young alien race is discovered just a few months before a cloud will obliterate it. Hutch has to juggle resources to save the cute creatures, at the same concealing the human intervention in order not to disrupt the alien civilization's development. The cloud's implacable threat keeps the action tightly focused, though the story shifts viewpoint frequently to show crowds of people committing themselves to different aspects of the mission. Part of the rescue effort involves spaceships and gadgets, but the most serious part depends on human intelligence and passion. McDevitt is very good at imagining strange challenges-and at picturing humans coping when things don't work out as planned. His characters succeed in imposing their compassion on the void

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.  But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.  Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.  Volume one of The Apocalypse Triptych, THE END IS NIGH, features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Scott Sigler, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.  Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match

Самая популярная тема последних десятилетий — апокалипсис — глазами таких прославленных мастеров, как Орсон Скотт Кард, Джордж Мартин, Паоло Бачигалупи, Джонатан Летем и многих других. Читателям предоставляется уникальная возможность увидеть мир таким, каким он может стать без доступных на сегодня знаний и технологий, прочувствовать необратимые последствия ядерной войны, биологических катаклизмов, экологических, геологических и космических катастроф. Двадцать одна захватывающая история о судьбах тех немногих, кому выпало пережить апокалипсис и оказаться на жалких обломках цивилизации, которую человек уничтожил собственными руками. Реалистичные и легко вообразимые сценарии конца света, который вполне может наступить раньше, чем мы ожидаем

"Военный талант". История войны, которую вели земные колонии с "чужими", и величайшего полководца этой войны. История бесплодных побед, сокрушительных поражений, предательства и героизма. История, написанная как детектив, потому что "правда — дочь времени" и разрешить величайшую загадку этой войны удается лишь двести лет спустя

9 000 години по-късно Марголия се е превърнала в мит, в новата Атлантида! В края на двайсет и седми век, когато междузвездната епоха тепърва започва, няколко хиляди колонисти потеглят от земята с два кораба — „Откривател“ и „Бременхевън“. Те искат да избягат от фашистката теокрация, която властва в Северна Америка. Бегълците основават колония на далечна планета, която наричат Марголия. След това и те, и колонията изчезват напълно за човечеството

Когда — то, десять тысяч лет назад, там, где теперь лежат поля, некогда шумели волны древнего внутреннего моря, плавали странные корабли таинственной, ныне бесследно сгинувшей цивилизации. И был построен на морском берегу Звездный Портал — телепортационные врата, ведущие на далекие планеты. Теперь, в наши дни, врата, тысячелетиями погребенные под слоем земли, обнаружены. И от того, в чьи руки они попадут, зависит будущее человечества

Преди 200 години човешките същества правят изненадващо откритие в далечните точки на Слънчевата система: огромна статуя на чуждопланетно същество с надпис, който не може да бъде разчетен. Сега, когато полетите са по-бързи от скоростта на светлината, хората откриват и други останки от расата на така наречените „Създатели на Монументи“ — всяка от тях различна от останалите и всяка сама по себе си невероятно красива. Но с изключение на няколко следи от стъпки по повърхността на спътника на Юпитер Япет, няма никакви други знаци за мистериозната раса, която е оставила Монументите след себе си

Джек Макдевитт — автор более десяти романов, в том числе постапокалиптического шедевра "Дорога в вечность" ("Eternity Road"), действие которого разворачивается в тех же декорациях, что и в представленном ниже произведении. Рассказы писателя публиковались в журналах "Analog", "Asimov's" и "F&SF", а также в многочисленных антологиях. Макдевитт тринадцать раз номинировался на премию "Небьюла" и в 2007 году наконец получил ее за роман "Искатель" ("Seeker"). Среди других престижных наград можно отметить премию журнала "Locus" за роман "Послание Геркулеса" ("The Hercules Text"), а также премию Джона Кэмпбелла за роман "Омега" ("Omega"). Рассказ "Никогда не теряйте мужества" повествует о женщине по имени Чака Милана, которая покидает родной город в поисках легендарного места, где можно раскрыть тайну мифических Строителей Дорог. От них остались бетонные ленты, опоясавшие всю землю, и руины городов с башнями столь высокими, что за целый день не поднимешься. На своем пути Чака встречает воплощение одного знаменитого человека, но не узнает его, однако читателю это наверняка удастся

Умирающая планета, которая вот-вот столкнется с вторгшейся в ее систем планетой-гигантом. Ее давно уже сочли не представляющей научной ценности, н теперь - слишком поздно! - на ней обнаружены следы сразу нескольких цивилизаций. Для спасения хотя бы части бесценных археологических артефактов на плане отправляются сразу несколько экспедиций. Но почти все корабли землян гибнут во время землетрясения, и единственна надежда людей на спасение - долгий и смертельно опасный переход к последнем уцелевшему шаттлу…

Джек Макдевит.Его романы не получают престижных премий, но их всегда интересно читать.Это та самая классика приключенческой фантастики, к которой снова и снова обращаются новые поколения читателей.«Послание Геркулеса» - дебютный роман Макдевита, получивший премию Филипа Дика. История послания исчезнувшей инопланетной расы, его расшифровки, его влияния на судьбы мира. Это скорее «Голос неба», чем «Андромеда»

Сборник избранных романов. Содержание: Послание Геркулеса (Перевод: М. Левин, Н. Штуцер, В. Ковалевский) Звездный Портал (Перевод: Александр Филонов) Берег бесконечности (Перевод: Михаил Левин)