Elric and Smiorgan return to the Isle of Purple Towns. The Pale Prince resolves to return to Melniboné and regain the Ruby Throne from Yyrkoon, he hires a Filkharian ship to take him home, but it blows off course and deposits him on the Sorcerer's Isle. He is forced to fight the inhabitants at a great cost

Elric of Melniboné is a requisite title in the hard fantasy canon, a book no fantasy fan should leave unread. Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre. The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yyrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné followsYrkoon's scheming, reaching its climax in a battle between Elric and Yyrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga

Fifteen all-new stories by science fiction's top talents, collected by bestselling author George R. R. Martin and multiple-award winning editor Gardner Dozois Burroughs's A Princess of Mars. Bradbury's The Martian Chronicles. Heinlein's Red Planet. These and so many more inspired generations of readers with a sense that science fiction's greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own - a red planet that burned like an ember in our night sky …and in our imaginations. This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations - by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars. Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races

Paris Noir is a collection of new stories about the dark side of Paris, with contributions by leading French, British and American authors who have all either lived or spent a significant amount of time in Paris. Edited by Maxim Jakubowski, the stories range from quietly menacing to spectacularly violent, and include contributions from some of the most famous crime writers from both sides of the Atlantic, as well as the other side of the Channel

Moorcock is off at full throttle. Every scene has ironic meaning. A couple of minor stories, and we're into the lush, manic rush to Armageddon that is STORMBRINGER! Still the greatest plot on the planet, build and build until the final, cataclysmic - and said to be the best in all fantasy fiction - ending, which is completely stunning. Long before Pullman won the Whitbread Moorcock was offering this mad, bad and thoroughly humane fantasy to the world. He remains a giant

A truly breathtaking new anthology edited by Jonathan Strahan and Lou Anders, Swords & Dark Magic offers stunning new tales of sword and sorcery action, romance, and dark adventure written by some of the most respected, bestselling fantasy writers working today—from Joe Abercrombie to Gene Wolfe. An all-new Elric novella from the legendary Michael Moorcock and a new visit to Majipoor courtesy of the inimitable Robert Silverberg are just two of the treasures offered in Swords & Dark Magic—a fantasy lover’s dream. Elric…the Black Company…Majipoor. For years, these have been some of the names that have captured the hearts of generations of readers and embodied the sword and sorcery genre. And now some of the most beloved and bestselling fantasy writers working today deliver stunning all-new sword and sorcery stories in an anthology of small stakes but high action, grim humor mixed with gritty violence, fierce monsters and fabulous treasures, and, of course, swordplay. Don’t miss the adventure of the decade! Swords & Dark Magic is the most important new fantasy anthology to be published this decade. Featuring new stories from the bestselling and brightest writers working in the genre, including: New York Times bestselling authors Scott Lynch and Garth Nix; genre greats Michael Moorcock (with an all-new Elric novella), Michael Shea (with a fully authorized new Cugel the Clever adventure), Robert Silverberg (with an all-new Majipoor tale), Glen Cook (with an all-new Black Company story), Gene Wolfe, and C. J. Cherryh; and hot new writers who’ve been re-inventing swords and sorcery like Steven Erikson, Joe Abercrombie, Tim Lebbon, and many more. Cover illustration © by Benjamin Carré

 The fifth of the six classic Elric novels picks up, as is usual with these books, where the fourth leaves off. Moorcock sets the last pieces of the puzzle into place, introducing us to Zarozinia, the love of Elric's life. Once again, Moorcock takes his already intriguing concepts that he's built up throughout the series and adds a few more twists and turns, to make them even more intriguing than they already were. The book is good, it's readable, and the payoff, in Stormbringer, is astounding

And when Elric had told his tree lies to Cymoril, and when he had taken leave of Rackhir the Red Archer, he set off into lands unknown, to seek knowledge which he believed would help him rule Melniboné as she had never been ruled before… But it was in the desert city of Quarzhasaat that he began the adventure which was to help set the course for his weird for years to come. The Chronicle of the Black Sword Lost in the immensities of the Sighing Desert, Quarzhasaat is a city of elaborate intrigue, ruled over by a council of seven known whimsically as the Six and One Other. When Elric, albino prince of Melniboné, arrives there he is weak and close to death, and is easily forced into agreeing to a mysterious quest: to find the Pearl at the Heart of the World, which will convey much power to its owner, but which lies concealed in the hidden Fortress of the Pearl. It is a quest which has defeated many before him, but Elric, armed with his soul-eating sword Stormbringer, is no ordinary adventurer

An anthology of stories Sherlock Holmes is back! Sherlock Holmes, the world’s first-and most famous-consulting detective, came to the world’s attention more than 120 years ago through Sir Arthur Conan Doyle’s novels and stories. But Conan Doyle didn’t reveal all of the Great Detective’s adventures… Here are some of the best Holmes pastiches of the last 30 years, twenty-eight tales of mystery and the imagination detailing Holmes’s further exploits, as told by many of today’s greatest storytellers, including Stephen King, Anne Perry, Anthony Burgess, Neil Gaiman, Naomi Novik, Stephen Baxter, Tanith Lee, Michael Moorcock, and many more. These are the improbable adventures of Sherlock Holmes, where nothing is impossible, and nothing can be ruled out. In these cases, Holmes investigates ghosts, curses, aliens, dinosaurs, shapeshifters, and evil gods. But is it the supernatural, or is there a perfectly rational explanation? You won’t be sure, and neither will Holmes and Watson as they match wits with pirates, assassins, con artists, and criminal masterminds of all stripes, including some familiar foes, such as their old nemesis, Professor Moriarty. In these pages you’ll also find our heroes crossing paths with H. G. Wells, Lewis Carroll, and even Arthur Conan Doyle himself, and you’ll be astounded to learn the truth behind cases previously alluded to by Watson but never before documented until now. These are tales that take us from the familiar quarters at 221B Baker Street to alternate realities, from the gaslit streets of London to the far future and beyond. Whether it’s mystery, fantasy, horror, or science fiction, no puzzle is too challenging for the Great Detective. The game is afoot!

An anthology of stories edited by Mike Ashley Marianne is an important fictional formulation of Sand's thinking on the role of women and the nature of democracy. This edition includes a long biographical preface which quotes extensively from her correspondences

 Forced to flee his city of Melnibone, Elric and his sorcerous blade Stormbringer journey through barren hills to the edge of a black sea. Elric finds a dark ship and begins a voyage that will bring him face-to-face with all the champions Time can summon--and more

 The Vanishing Tower is where the divergent pieces of Elric's saga are weaved into a single tale; the saga of Elric's dealings with Melniboné, his homeland, related in books one and three, and the saga of his journeys through the Young Kingdoms (as Melnibonéans call the rest of the world), related in book two, come together in book four. Elric and his surviving countrymen are stateless wanderers, mercenaries hated and feared by those in the Young Kingdoms whom they dominated for ten thousand years. Elric is apart from the others (a rogue mercenary band led by Elric's childhood friend, Dyvim Tvar); he and his companion Moonglum are occupied by their own problems, most of the time. One of those problems is the desire if the rest of the surviving Melnibonлans to see Elric's head on a spear. But aside from that, Elric's patron deity, Arioch, is becoming more and more loath to help Elric, his actorios ring, his last link to the ancient dynasty of Melniboné, has been stolen by the king of Nadsokor, city of beggars, and Elric, unused to life as a regular wanderer, has no concept of fiduciary responsibility. (That one tends to be a minor worry, as Moonglum is quite an accomplished thief, and there are no lack of people willing to employ the most powerful sorceror on the planet as a mercenary.) All of these factors weave in and out of the fourth book in the novel, coupled with all the usual strengths and weaknesses of Moorcock's writing in this series, culminating in Elric finally getting to the tower of the title and discovering yet another piece of his fate. It is here that Moorcock throws the series' most intriguing twist into play, but to mention the nature of that twist would be quite the spoiler; you'll just have to read the series for yourself

 The third book in the Elric series introduces the reader to Moonglum, Elric's longtime companion. Much of the second novel moved away from the events of the first, and concentrated Elric's character on other adventures. The Weird of the White Wolf brings Elric back to Melniboné along with Moonglum, their friend Smiorgan Baldhead, and an army of raiders bent on overthrowing Yyrkoon, who stole the throne when Elric left Melnibonл for a year to travel the world. For those wondering, whether you've read the book or not: the “weird” of the title is an archaic definition of the term, given by Merriam Webster as “One's assigned lot or fortune, especially when evil.” And when he finds it, he's not all that happy about it. But that's to be expected when one's antihero has a crisis of conscience. Certainly not a slow book by any means, nor a weak one in the context of the series. And it's definitely a necessity as a prelude to what comes after it