She is a shimmering, tattooed, and acerbic angel, flown from Paradise to save him from the suburbs of hell. He, an accountant worn down by the day-to-day struggles of the nine to five, is dreaming of a white Christmas, a little garden and someone to love. She attempts, with scornful wit, to shock him out of his commuter's habits and into an experience of ecstasy. Man Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this passionate work of dramatic poetry. ever since i arrived on your blue planet most of it ocean i hear the breath of an octopus bigger than a car eggs in her arms calling for you Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company. Her most recent novel, Swimming Home (2011 And Other Stories UK publication and 2012 Bloomsbury US publication), was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards (UK Author of the Year), and 2013 Jewish Quarterly Wingate Prize, while her most recent collection of short stories, Black Vodka: ten stories, was shortlisted for the Frank O'Connor International Short Story Award and its title story "Black Vodka" shortlisted for the 2012 BBC International Short Story Award. An Amorous Discourse in the Suburbs of Hell was first published in 1990 in the United Kingdom and appears now in a new edition, its first US edition

Darkly comic and more than a little disturbing, Billy and Girl introduces a version of childhood trauma that is completely original and utterly unnerving. Abandoned years ago by their parents, Billy and Girl live alone somewhere in England. Girl looks for their mother by going door-to-door and addressing every woman who answers as "Mom," and Billy fantasizes about a future in which he will be famous — preferably in the United States — as a movie star, a psychiatrist, a doctor to blondes with breast enlargements, or the author of Billy England's Book of Pain. The siblings support and torture each other, forgetting what they need to forget, inventing worlds they hope will be better, but managing to prolong nightmares as they create alternate personalities in order to survive and conquer and punish

The stories in Black Vodka, by acclaimed author Deborah Levy, are perfectly formed worlds unto themselves, written in elegant yet economical prose. She is a master of the short story, exploring loneliness and belonging; violence and tenderness; the ephemeral and the solid; the grotesque and the beautiful; love and infidelity; and fluid identities national, cultural, and personal. In "Shining a Light," a woman's lost luggage is juxtaposed with far more serious losses. An icy woman seduces a broken man in "Vienna," and a man's empathy threatens to destroy him in "Stardust Nation." "Cave Girl" features a girl who wants to be a different kind of woman — she succeeds in a shocking way. A deformed man seeks beauty amid his angst in the title story. These are twenty-first century lives dissected with razor-sharp humor and curiosity. Published simultaneously with Things I Don't Want to Know: On Writing, Levy's stories will send you tumbling into a rabbit hole, and you won't be able to scramble out until long after you've turned the last page. "Deborah Levy showed she is a top-hitting novelist with a Man Booker Prize shortlist place for Swimming Home. Can she conquer the genre which demands she fashion perfect jewels?. . Yes, Levy can do macro- and microcosm. These tales of unconventional love reinforce her reputation as a major contemporary writer who never pulls her punches." — The Independent

I have been sleuthing my mother's symptoms for as long as I can remember. If I see myself as an unwilling detective with a desire for justice, is her illness an unsolved crime? If so, who is the villain and who is the victim? Sofia, a young anthropologist, has spent much of her life trying to solve the mystery of her mother's unexplainable illness. She is frustrated with Rose and her constant complaints, but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and her mother travel to the searing, arid coast of southern Spain to see a famous consultant-their very last chance-in the hope that he might cure her unpredictable limb paralysis. But Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Sofia's mother's illness becomes increasingly baffling. Sofia's role as detective-tracking her mother's symptoms in an attempt to find the secret motivation for her pain-deepens as she discovers her own desires in this transient desert community. Hot Milk is a profound exploration of the sting of sexuality, of unspoken female rage, of myth and modernity, the lure of hypochondria and big pharma, and, above all, the value of experimenting with life; of being curious, bewildered, and vitally alive to the world

Swimming Home is a subversive page-turner, a merciless gaze at the insidious harm that depression can have on apparently stable, well-turned-out people. Set in a summer villa, the story is tautly structured, taking place over a single week in which a group of beautiful, flawed tourists in the French Riviera come loose at the seams. Deborah Levy's writing combines linguistic virtuosity, technical brilliance and a strong sense of what it means to be alive. Swimming Home represents a new direction for a major writer. In this book, the wildness and the danger are all the more powerful for resting just beneath the surface. With its deep psychology, biting humour and deceptively light surface, it wears its darkness lightly