The story of an immigrant named Mohammed who has spent forty years in France and is about to retire. Taking stock of his life- his devotion to Islam and to his assimilated children-he decides to return to Morocco, where he spends his life's savings building the biggest house in the village and waits for his children and grandchildren to come be with him. A heartbreaking novel about parents and children, A Palace in the Old Village captures the sometimes stark contrasts between old- and new-world values, and an immigrant's abiding pursuit of home

"Morocco's greatest living author." — The Guardian UK "A writer of social and moral acuteness." — Los Angeles Times "A writer of much originality." — The Chicago Tribune Lalla Fatma believes she is in Fez in 1944—where she grew up — not in Tangier in 2000, where the story begins. Guided by her fragmented memories, Ben Jelloun reimagines his mother's life in Fez at the end of the war, in the heavily ritualised world of custom and tradition that saw her married, pregnant, and widowed by sixteen. He gains privileged, painful access to her lives as daughter, sister, thrice-widowed wife — lives in which she had little say, mostly spent working in kitchens, marked by a deep religious faith and love for her family — as Alzheimer's rips them all away. A delicate portrait of a woman's slow and unwinding descent into dementia, About My Mother maps out the beautiful, fragile, and complex nature of human experience in prose equally tender and compelling. Tahar Ben Jelloun is an award-winning and internationally bestselling Moroccan novelist, essayist, critic, and poet. Regularly shortlisted for the Nobel Prize, he has won the Prix Goncourt and the International IMPAC Dublin Literary Award. Ben Jelloun received the rank of Officier de la Légion d'honneur in 2008. A frequent contributor to Le Monde, Panorama, the New Yorker, and the Paris Review, his other works include The Blinding Lights of Absence, Leaving Tangier, Sand Child, and Racism Explained to My Daughter

Tahar Ben Jelloun’s By Fire, the first fictional account published on the Arab Spring, reimagines the true-life self-immolation of Mohamed Bouazizi in Tunisia, an event that has been credited with setting off the Tunisian revolt. The novella depicts the days leading up to Bouazizi’s self-immolation. Ben Jelloun’s deliberate ambiguity about the location of the story, set in an unnamed Islamic country, allows the reader to imagine the experiences and frustrations of other young men who have endured physical violence and persecution in places beyond Tunisia. The tale begins and ends in fire, and the imagery of burning frames the political accounts in The Spark, Ben Jelloun’s nonfiction writings on the Tunisian events that provide insight into the despotic regimes that drove Bouazizi to such despair. Rita S. Nezami’s elegant translations and critical introduction provide the reader with multiple strategies for approaching these potent texts

Young Moroccans gather regularly in a seafront cafe to gaze at the lights on the Spanish coast glimmering in the distance. A young man called Azel is intent upon leaving one way or another. At the brink of despair he meets Miguel, a wealthy Spanish gallery-owner, who promises to take him to Barcelona if Azel will become his lover

“Ben Jelloun is arguably Morocco’s greatest living author, whose impressive body of work combines intellect and imagination in magical fusion.” —The Guardian In The Happy Marriage, the internationally acclaimed Moroccan author Tahar Ben Jelloun tells the story of one couple — first from the husband’s point of view, then from the wife’s — just as legal reforms are about to change women’s rights forever. The husband, a painter in Casablanca, has been paralyzed by a stroke at the very height of his career and becomes convinced that his marriage is the sole reason for his decline. Walled up within his illness and desperate to break free of a deeply destructive relationship, he finds escape in writing a secret book about his hellish marriage. When his wife finds it, she responds point by point with her own version of the facts, offering her own striking and incisive reinterpretation of their story. Who is right and who is wrong? A thorny issue in a society where marriage remains a sacrosanct institution, but where there’s also a growing awareness of women’s rights. And in their absorbing struggle, both sides of this modern marriage find out they may not be so enlightened after all

The Last Friend, the novel from internationally acclaimed author Tahar Ben Jelloun, winner of the 2004 International Dublin/IMPAC award, is a Rashamon-like tale of friendship and betrayal set in twentieth century Tangier. Written in Ben Jelloun's inimitable and powerfully direct style, the novel explores the twists and turns of an intense thirty-year friendship between two young men struggling to find their identities and sexual fulfillment in Morocco in the late 1950s, a complex and contradictory society both modern and archaic. From their carefree university days through their brutal imprisonment and ultimate release, the two rely on each other for physical and psychological survival, forging bonds not easily broken. Each narrator tells his version of the story, painting a vivid portrait of life lived within and in opposition to the moral strictures of North Africa. Set against a backdrop of repression and disillusionment, The Last Friend is a tale of loss of innocence and a nation's coming of age. "In his affecting new novel, Moroccan-French novelist Ben Jalloun (This Blinding Absence of Light) eloquently portrays postcolonial political unrest in Morocco through the long, ultimately ruptured friendship between two men. The novel is set over 40 years of Moroccan history, beginning in 1960 (a few years after Moroccan independence from France), when the two friends, Ali and Mamed, attend a French school in Tangier. The story tracks their joint political activism and imprisonment in the mid-'60s, professional and romantic successes, and marital disappointment. The two voices share the narrative evenly: first, Ali, an academic, tells his side of their falling-out. Mamed, a doctor who in later years moves with his family to Sweden, ails from a 'strange, neurotic relationship with [his] homeland' and, eventually, from lung cancer. Mamed precipitates a self-protective rift with Ali before dying. A long posthumous letter to Ali explains that Mamed had hoped to spare their friendship from the ravages of death – and yet, has Mamed acted finally from jealousy and spite? Their friendship becomes a journey through their Moroccan heritage, skillfully navigated by Ben Jalloun." Publishers Weekly