Before there was Indiana Jones there was Allan Quartermain: the original explorer, treasure hunter, and adventurer. The Quartermain books have captivated readers for more than a century, spawning more than a dozen movies and a host of imitators. Here is the story of Allan’s first true love, Marie Marais. Famed explorer Allan Quatermain finds himself facing down the most formidable adversary he has ever encountered: an irresistible woman for whom he is willing to fight to the death. The Marie of the title eventually wins the upper hand, and Quatermain makes her his wife. Will the pair beat the odds and live happily ever after?

It may be remembered that in the last pages of his diary, written just before his death, Allan Quatermain makes allusion to his long dead wife, stating that he has written of her fully elsewhere. When his death was known, his papers were handed to myself as his literary executor. Among them I found two manuscripts, of which the following is one. The other is simply a record of events wherein Mr. Quatermain was not personally concerned - a Zulu novel, the story of which was told to him by the hero many years after the tragedy had occurred. But with this we have nothing to do at present

Allan Quatermain, continues to indulge his penchant for globe-trotting adventure in a tumultuous journey across Africa. Upon his arrival, he discovers that one of his closest friends has fallen head over heels in love with one of the most beautiful – and dangerous – women in the world, and he will stop at nothing to win this accused witch’s affection. Will Quatermain be able to intervene before it’s too late – or will he succumb to the vixen’s charms, as well?

In this thrilling tale of danger and adventure, young Harry joins his father, the famous Alan Quatermain, on a hunt for lions deep in Africa. This publication from Boomer Books is specially designed and typeset for comfortable reading

Allan Quatermain has determined to go farther afield than he had ever traveled before, into the depths of the African jungle – on a march inland to the hills between lands controlled by the chiefs Wambe and Nala. Quatermain has heard of the elephants dwelling in the dense forests at the foot of the mountains edging Wambe’s lands – and also stories of Wambe himself, so ruthless a ruler he murdered in cold blood an entire party of English party who, seven years before, entered his country to hunt elephants. Quatermain determines to go elephant-hunting all the same. Before he has gone far, however, he faces rebellion among his own men, unexpected dangers from massive beasts of the jungle – and then receives from an old friend a strange message, hidden within a bowl of bartered food

Quartermain (the main character from the many adventures found in the Alan Quartermain series) was a progressive Victorian big game hunter in Africa who championed the cause of the natives. Although Haggard often portrays Quatermain as being racist (at least in the light of our modern thinking), this short story gives us the full strengths, weaknesses, vision and prejudices of our adventurer, showing that his outlook to the locals is perhaps not quite what you’d expect

The story which is narrated in the following pages came to me from the lips of my old friend Allan Quatermain, or Hunter Quatermain, as we used to call him in South Africa. He told it to me one evening when I was stopping with him at the place he bought in Yorkshire. Shortly after that, the death of his only son so unsettled him that he immediately left England, accompanied by two companions, his old fellow-voyagers, Sir Henry Curtis and Captain Good, and has now utterly vanished into the dark heart of Africa. He is persuaded that a white people, of which he has heard rumours all his life, exists somewhere on the highlands in the vast, still unexplored interior, and his great ambition is to find them before he dies. This is the wild quest upon which he and his companions have departed, and from which I shrewdly suspect they never will return. One letter only have I received from the old gentleman, dated from a mission station high up the Tana, a river on the east coast, about three hundred miles north of Zanzibar. In it he says they have gone through many hardships and adventures, but are alive and well, and have found traces which go far towards making him hope that the results of their wild quest may be a “magnificent and unexampled discovery.” I greatly fear, however, that all he has discovered is death; for this letter came a long while ago, and nobody has heard a single word of the party since. They have totally vanished

Allan and the Holy Flower is a 1915 novel by H. Rider Haggard featuring Allan Quatermain. It first appeared serialised in The Windsor Magazine. Brother John, who has been wandering in Africa for years, confides to Allan a huge and rare orchid, the largest ever found. Allan arrives to England with the flower and there he meets Mr. Somers, an orchid collector who is willing to finance an expedition to find the plant

Allan Quatermain is confronted with the legend of the Heu-Heu, a monster who eats humans, while sheltering from a thunderstorm in the Drakensberg mountains. The legend appears to be reality as Quatermain is to find out after arriving in Zululand and being summond by Zikali, a Zulu Sangoma of indeterminate age. Together with his trusted companion, Hans, Quatermain is sent on a mission by Zikali. This mission is, firstly to procure a potent herb which Zikali needs and which happens to originate from a tree in the Heu-Heu’s garden. Secondly, it is to overthrow the Heu-Heu at the behest of Issicore, a noble from the tribe Walloo, the worshipers of Heu-Heu, who has travelled to Zikali to ask for assistance

Allan Quartermain – our hero – and Ayesha (that is, She Who Must Be Obeyed) share the limelight in this great adventure, but oddly enough considering the stars on stage, it’s Umslopogaas the Zulu who steals the show. A supernatural fantasy thriller featuring a magic token, telepathy, powers of the occult, and a people lost to time in the depths of ancient Africa

Treasure and the occult are vividly blended in this stirring tale of Africa. Allan Quatermain finds a village in the middle of the Dark Continent ruled by a huge, pale man with a strange knowledge of future events. This is the last Quatermain book

Get set for adventure with this rip-roaring tale from action-fantasy master H. Rider Haggard. The Ivory Child sees intrepid explorer Allan Quatermain venturing into unknown territory to rescue a kidnapping victim. Along the way, he inadvertently stumbles into an array of thorny situations, including a tribal civil war. Will Quatermain triumph and make it back alive?

This book, although it can be read as a separate story, is the third of the trilogy of which Marie and Child of Storm are the first two parts. It narrates, through the mouth of Allan Quatermain, the consummation of the vengeance of the wizard Zikali, alias The Opener of Roads, or “The–Thing–that–should–never–have–been–born,” upon the royal Zulu House of which Senzangacona was the founder and Cetewayo, our enemy in the war of 1879, the last representative who ruled as a king. Although, of course, much is added for the purposes of romance, the main facts of history have been adhered to with some faithfulness

Sitting beside entrancing Lady Ragnall while the smoke of an ancient Egyptian herb grows thick around them, Allan Quatermain finds himself departing the world he know and entering into his strangest adventure. In a mystic transformation, he comes to his senses in an earlier incarnation . . . as Shabaka, hunter of lions – scion of the rulers of ancient Egypt, and lover of the Lady Amada, the Priestess of Isis

Once more Quatermain takes the hallucinogenic drug and gets to see a previous incarnation of himself–a life he lived thousands of years ago, when he was Wi, a tribal leader during the last great ice age

Before there was Indiana Jones there was Allan Quartermain: the original explorer, treasure hunter, and adventurer. In this sequel to King Solomon’s Mines, Allan Quatermain and his companions once more set out for Africa, this time in search of a white race reputed to live north of Mount Kenya. They survive fierce encounters with Masai warriors, undergo a terrifying subterranean journey, and discover a lost civilization before being caught up in a passionate love-triangle that engulfs the country in a ferocious civil war. Haggard not only narrates his story with wonderfully dramatic and poetic touches, but also reveals many Victorian preoccupations with evolution and race, sexuality, and the New Woman