Частички мудрости собраны по разным книгам современного гения, — и, закономерно, афоризмы разные. Многие из них — взаимоисключающи по смысловой нагрузке. Как и книги Ангелова — афоризмы самобытны, ряд из них заставляют думать, а не априори восхищаться! Сегодня — время метамодернизма, век пересмотра культурных истин, а великий писатель — оказался одним из первых создателей живого метамодерна, причём, сам об этом не ведая… «Мало объявить себя избранным — это надо ещё и доказать» (с)

Никто из современных авторов НЕ может похвастаться коллекцией личных афоризмов. Кроме Андрея Ангелова. Ведь здесь 55 афоризмов, которые уже растащили на пословицы и поговорки. «Своя тупость отличается от чужой тем, что ты её не замечаешь» (с)

Автор сам по себе писатель/афорист и в книге лишь малая толика его высказываний. «Своя тупость отличается от чужой тем, что ты её не замечаешь» (с)

Showing that truth is stranger than fiction, Sylvain Neuvel’s A History of What Comes Next weaves a sci-fi thriller that blends a fast moving, darkly satirical look at 1930s rocketry with the amorality of progress, and the nature of violence. Always run, never fight. Preserve the knowledge. Survive at all cost. Take them to the stars. Over 99 identical generations, Mia’s family has shaped human history to push them to the stars, making brutal, wrenching choices and sacrificing countless lives. Her turn comes at the dawn of the age of rocketry. Her mission: to lure Wernher Von Braun away from the Nazi party and into the American rocket program, and secure the future of the space race. But Mia’s family is not the only group pushing the levers of history: an even more ruthless enemy lurks behind the scenes. A darkly satirical first contact thriller, as seen through the eyes of the women who make progress possible and the men who are determined to stop them… [Contains table.]

An ingenious novel about art and revenge, insisting on your dreams and hitting on your doctor, told in the form of 80 movie reviews In near-future America, film critic Noah Body uploads his reviews to an underread content aggregator. His job is dreary routine: watch, seethe, pan. He dreams of making his own film, free of the hackery of commercial cinema. Faced with writing on lousy movies for a website that no one reads, Noah smuggles into his reviews depictions of his troubled life on the margins. Amid his movie reviews, we learn that his apartment in the vintage slum of Miniature Aleppo has been stripped of furniture after his wife ran off with his best friend—who Noah believes has possessed his body. He’s in the middle of an escalating grudge match against a vending machine tycoon with a penchant for violence. And he’s infatuated with a doctor who has diagnosed him with a “disease of thought.” Exhausted by days spent watching flicks featuring monks with a passion for rock and roll and slashers featuring rampaging hairdressers, Noah is determined to create his own masterpiece: a filmed meditation on art-with-a-capital-A, written by, directed by, and starring himself. Set in a wildly imaginative and uncannily familiar world of nanny states and extreme rationing, Safe Zones and New Koreas, A Short Film About Disappointment is an uproarious story of trying to keep it together in turbulent times. Joshua Mattson is a debut novelist with a rotten wit and the creative vision of a hyperactive child

A parody of Atlas Shrugged (by, of course, Ayn Rand) in the form of a supposed “sequel.”

Branson, Missouri, is the home of Country Music, USA. Its main drag is lined with theaters housing such luminaries as Roy Clark, Loretta Lynn, and Merle Haggard — but you’d better get there early because the late show’s at eight. Branson is one big long traffic jam of R.V.’s, station wagons, pick-up trucks, NRA decals, tour buses and blue-haired grandmothers. Now Branson just got a little bit more crowded Because the murder trial of country and western star Ray Jones is about to begin, and the media has come loaded for bear. The press presence ranges from the Weekly Galaxy, the most unethical news rag in the universe, to New York City’s Trend: The Magazine for the Way We Live This Instant. In the middle of the melee stands Ray Jones himself, an inscrutable good ol’ boy who croons like an angel but just may be as guilty as sin — of the rape and murder of a 31-year-old theater cashier. Sara Jaslyn, of Trend, isn’t sure about Ray. The sardonic Jack Ingersoll, her editor and lover, is sure of this much: this time he’s going to do an- exposé that will nail the Weekly Galaxy to the wall. A phalanx of reporters and editors from the Galaxy are breaking every rule, and a few laws, to get the inside story on Ray Jones’s trial. Meanwhile, the IRS is there, too. They want all of Ray Jones’s money, no matter what the jury decides. Set to the beat of America’s down-home music, as raucous as a smoke-filled hanky-tonk, as funny as grown men in snakeskin boots, BABY, WOULD I LIE? is a murder mystery, a courtroom thriller, a caper novel, and a classic Westlake gem

The landmark comic satire that asks, “What would happen if all black people in America turned white?” It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black. Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators

From the award-winning Serbian author David Albahari comes a devastating and Kafkaesque war fable about an army unit sent to guard a military checkpoint with no idea where they are or who the enemy might be. Atop a hill, deep in the forest, an army unit is dropped off to guard a checkpoint. The commander doesn’t know where they are, what border they’re protecting, or why. Their map is useless. The radio crackles with a language no one can recognize. A soldier is found dead in a latrine and the unit vows vengeance—but the killer, like the enemy, is unknown. Amid orgies and massacres, the commander struggles to maintain order and keep his soldiers alive, but he can’t be sure whether they’re fighting a war or caught in some bizarre military experiment. Equal parts Waiting for Godot and Catch-22, David Albahari’s Checkpoint is a haunting and hysterical confrontation with the absurdity of war

Thus begins what may be the most popular of Ross Thomas’s unique stories. The combination of Wu, pretender to the Imperial throne of China, and Quincy Durant, who has his own colorful past, makes for a heady experience. After starting with the deceased pelican on a California beach, the plot mixes in the disappearance of a large sum of money that should have been buried in Vietnam, and the search for the missing member of a trio of singing sisters from the Ozarks. Only Thomas could have stirred this concoction with the style, humor, and suspense that captures the reader at the very beginning and doesn’t let go until the last word

Conservative Insurgency is a rallying cry and a battle plan for constitutional conservatives that takes the form of an oral history looking back from the year 2041 at constitutional conservatives’ successful struggle against progressive dominance. Conservative Insurgency also shows what the country will look like when conservatism is firmly in control and have restored the Founder’s vision

Er ist wieder da – aber was könnte Adolf Hitler denn heute noch anrichten? Diese bitterböse Satire probiert es einfach aus, indem sie ihn im heutigen Berlin wiedererweckt. Und sie trifft deshalb von der ersten Seite an so schmerzhaft, weil ihr Protagonist der echte Hitler ist. Nicht der TV-Ulkhitler, nicht Hollywoods Haudraufhitler, sondern der Mann, der seine Umwelt eigenwillig analysiert. Der messerscharf und blitzartig die Schwächen der Menschen erkennt. Der sturheil seiner bizarren Logik folgt, verbohrt, aber eben nicht bescheuert. Dieses Buch über Adolf Hitlers Weg von einem leeren Grundstück in Berlin-Mitte über einen Kiosk und eine türkische Reinigung bis hinein ins deutsche Fernsehen ist ein atemberaubendes Lesevergnügen, so boshaft wie perfide: Weil der Leser sich zunehmend ertappt, wie er nicht mehr über Hitler lacht. Sondern mit ihm. Lachen mit Hitler – geht das? Darf man das überhaupt? Finden Sie’s selbst raus. Dies ist schließlich ein freies Land. Noch

The forces of science, human error, and power run amok all collide in a wildly inventive, funny, and razor-sharp political satire about Putin’s Russia, from one of the country’s most fearless journalists. When a scientist experimenting on a humans in a sanatorium near Moscow gives growth serum to a dwarf oil mogul, the newly heightened businessman runs off with the experimenter’s wife, and a series of mysterious deaths and crimes begins. Fantastical and wonderfully strange, this political parable has an uncanny resonance with today’s Russia under Putin. Oleg Kashin is a famous Russian journalist and activist who, in 2010, was beaten to within an inch of his life by unknown assailants in an attack most likely politically motivated by his reporting. The events of Fardwor, Russia! (the title is taken from a flag with a slogan—“Forward, Russia!”—gone wrong) could seem grotesque, if they did not so eerily echo the absurd state of affairs in modern Russia. Under Putin’s regime, an author dares to criticize the state of affairs and affairs of the state only through veiled satire—and even then, as Kashin’s experience shows, the threat of repercussions is real. A witty, playful, brave, and incisive work that blends science fiction with political satire, Fardwor, Russia! is a must-read for anyone interested in contemporary Russia—or the hilarious and frightening follies of power

A brilliant and bitingly funny collection of stories united around a single, crumbling apartment building in Ukraine that heralds the arrival of a major new talent

When artist Simon Dykes wakes after a late night of routine debauchery, he discovers that his world has changed beyond recognition. His girlfriend, Sarah, has turned into a chimpanzee. And, to Simon’s appalled surprise, so has the rest of humanity. Simon, under the bizarre delusion that he is ‘human’, is confined to an emergency psychiatric ward. There he becomes of considerable interest to eminent psychologist and chimp, Dr Zack Busner. For with this fascinating case, Busner thinks may finally make his reputation as a truly great ape

This hilarious, brilliantly inventive novel by the author of The Master and Margarita tells the story of a scroungy Moscow mongrel named Sharik. Thanks to the skills of a renowned Soviet scientist and the transplanted pituitary gland and testes of a petty criminal, Sharik is transformed into a lecherous, vulgar man who spouts Engels and inevitably finds his niche in the bureaucracy as the government official in charge of purging the city of cats. Bulgakov’s (The Master and Margarita) 1925 satire of the Russian Revolution and the utopian socialist vision of the ‘New Soviet Man’ tells of a surgeon who transplants human body parts into a dog, which results in the dog turning into an uncouth, narcissistic, and ill-mannered lout of a human being. British actor Roy McMillan (Bulldog Drummond) gives a spirited reading of this new translation of Bulgakov’s comic gem. After opening the book with a howl, he narrates the novel in an appropriately dispassionate manner, voicing the doctor as confidently arrogant, giving the dog a working-class (Cockney) accent, and also adeptly rendering the other characters. While likely to do best among those having some knowledge of Russian literature and the Soviet era, this title will appeal to any listener enjoying satirical fantasies, especially as read by McMillan. —Library Journal, Michael T. Fein, Central Virginia Comm. Coll. Lib., Lynchburg

The new novel from one of American literature’s brightest stars, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain, Robert Olen Butler’s uproarious new novel is set in the underworld. Its main character, Hatcher McCord, is an evening news presenter who has found himself in Hell and is struggling to explain his bad fortune. He’s not the only one to suffer this fate—in fact, he’s surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the U.S. presidents. The question may be not who is in Hell but who isn’t. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). Butler’s Hell isn’t as much a boiling lake of fire—although there is that—as it is a Sisyphean trial tailored to each inhabitant, whether it’s the average Joes who die and are reconstituted many times a day to do it all again, or the legendary newspaperman William Randolph Hearst, doomed to obscurity as a blogger mocked by his fellows because he can’t figure out Caps Lock. One day McCord meets Dante’s Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan’s omniscience, which he has always credited for the perfection of Hell’s torments, may be a mirage—and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler’s depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated

Funny and sad, satirical and humane, this novel tells the interlinked stories of three unforgettable men whose trajectories cross in Denmark: the flamboyant Ravi, the fundamentalist Karim, and the unnamed and pragmatic Pakistani narrator. As the unnamed narrator copes with his divorce, and Ravi—despite his exterior of skeptical flamboyance—falls deeply in love with a beautiful woman who is incapable of responding in kind, Karim, their landlord, goes on with his job as a taxi driver and his regular Friday Qur’an sessions. But is he going on with something else? Who is Karim? And why does he disappear suddenly at times or receive mysterious phone calls? When a “terrorist attack” takes place in town, all three men find themselves embroiled in doubt, suspicion, and, perhaps, danger. An acerbic commentary on the times, How to Fight Islamist Terror from the Missionary Position is also a bitter-sweet, spell-binding novel about love and life today

Diabolically funny and subversively philosophical, Italian novelist Giacomo Sartori’s I Am God is the diary of the Almighty’s existential crisis that erupts when he falls in love with a human. I am God. Have been forever, will be forever. Forever, mind you, with the razor-sharp glint of a diamond, and without any counterpart in the languages of men. So begins God’s diary of the existential crisis that ensues when, inexplicably, he falls in love with a human. And not just any human, but a geneticist and fanatical atheist who’s certain she can improve upon the magnificent creation she doesn’t even give him the credit for. It’s frustrating, for a god. God has infinitely bigger things to occupy his celestial attentions. Yet he can’t tear his eyes (so to speak) from the geneticist who’s unsettlingly avid when it comes to science, sex, and Sicilian cannoli. Whatever happens, he must safeguard his transcendental dignity. So he watches—disinterestedly, of course—as the handsome climatologist who has his sights set on her keeps having strange accidents. And as the lanky geneticist becomes hell-bent on infiltrating the Vatican’s secret files, for reasons of her own…. A sly critique of the hypocrisy and hubris that underlie faith in religion, science, and macho careerism, I Am God takes us on a hilarious and provocative romp through the Big Questions with the universe’s supreme storyteller

It’s all-out war for ruthless red state special operator Kelly Turnbull when he returns in this blockbuster prequel to “People’s Republic,” Kurt Schlichter’s top selling novel of America after the polarized politics of blue versus red have split our country apart. “Indian Country” finds Turnbull sent back into the blue states to help those trapped inside resist a politically correct police state. As the progressive government ratchets up the violence, Turnbull must mold regular Americans into a fighting force capable of resisting the People’s Republic Army, led by his former US Army Special Forces mentor. Longer, bigger and bolder than the original, “Indian Country” is filled with Kurt Schlichter’s trademark snarky humor and even more non-stop action, drawing on his work as a television commentator and Senior Columnist for Townhall.com, and his experience as a retired Army infantry colonel

Finalist for the 2012 Wonderland Book Award for Best Novel Poor Dennis. He’s a regular sort of guy who’s recently been dealt a shitty hand by life: he lost his job, his wife hates him and wants a divorce, and it turns out she was also cheating on him as well. Now he’s living on his brother’s couch. Holy fuck, that sucks. Dennis can’t imagine things could get much worse, and that’s why he jumped at the opportunity to take part in a new reality game show: a “sexcathlon” where the first person to achieve 10 increasingly difficult and perverted sexual challenges wins a million dollars and is crowned King of the Perverts. Dennis doesn’t care about the title, he just wants the money, but now he’s not sure he can make it to the end. Enduring a golden shower and following through with an Abe Lincoln are hard enough, but he’s losing his nerve and fears what act of perversion will come next. He’d like to drop out, but his Russian bear of a cameraman, Mongo, has other plans for him and that million dollar prize, and Dennis has to decide which is worse: winning the King of the Perverts, or losing it

Stanley Johnson’s Kompromat is a brilliant satirical thriller that tells the story of 2016’s seismic and unexpected political events on both sides of the Atlantic. The UK referendum on Britain’s membership of the EU was a political showdown the British PM, Jeremy Hartley, thought he couldn’t lose. But the next morning both he and the whole of the rest of the country woke in a state of shock. America meanwhile has its own unlikely Presidential candidate, the brash showman Ronald Craig, a man that nobody thought could possibly gain office. Throw into the mix the cunning Russian President Igor Popov, with his plans to destabilise the west, and you have a brilliant alternative account of the events that end with Britain’s new PM attempting to seek her own mandate to deal with the Brexit related crisis and America welcoming its own new leader. Now in development for a major new TV series, Kompromat is a fast-paced thriller from a true political insider, and who knows, it just might all be true!

Berlin, Summer 2011. Adolf Hitler wakes up on a patch of open ground, alive and well. Things have changed — no Eva Braun, no Nazi party, no war. Hitler barely recognises his beloved Fatherland, filled with immigrants and run by a woman. People certainly recognise him, albeit as a flawless impersonator who refuses to break character. The unthinkable, the inevitable happens, and the ranting Hitler goes viral, becomes a YouTube star, gets his own T.V. show, and people begin to listen. But the Führer has another programme with even greater ambition — to set the country he finds a shambles back to rights. Look Who’s Back stunned and then thrilled 1.5 million German readers with its fearless approach to the most taboo of subjects. Naive yet insightful, repellent yet strangely sympathetic, the revived Hitler unquestionably has a spring in his step

It has been 20 years since The War, and Major John Karnage has finally settled into retirement: locked up in an insane asylum, with an explosive device embedded in the back of his neck to curb his violent tendencies. Karnage and his troopers have been deemed unfit to live in normal society. Like a bit of old chewing gum stuck under a coffee table, the world has left The War and its scarred, unstable veterans behind. The military has been disbanded and World Peace has descended upon the Earth. Its inhabitants live happy, profitable lives under the global rule of the benevolent Dabney Corporation. All is tea and roses in this new, sanitized world… Until a terrifying threat from beyond the stars rears its squiggly head! An invading armada of aliens threatens to destroy the Earth, and it’s up to Major Karnage to stop them—as long as he doesn’t accidentally blow his own head off first

This 1946 novel (by the author of the Worzel Gummidge books) is about a woman who goes on a cruise and is swept overboard; she lives for three years on a desert island before being rescued by a destroyer in 1943. When she returns to England it seems to her to have gone mad: she cannot buy clothes without ‘coupons', her friends are only interested in ‘war work', and yet she is considered uncivilised if she walks barefoot or is late for meals. The focus of Barbara Euphan Todd's satire is people behaving heroically and appallingly at one and the same time. Rosamond Lehmann considered Miss Ranskill Comes Home ‘a work of great originality, and delightfully readable, a blend of fantasy, satire and romantic comedy… a very entertaining novel and less light than it seems.’

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-size mosquito—along with a variety of wizards (including Merlin), vampires, and officers. First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world's greatest science-fiction writers

Originally published at the dawn of the Atomic Age, Mr. Adam is a riveting, chilling novel from the author of the post-apocalyptic classic Alas, Babylon, revealing the dangers of nuclear power—and the far greater danger of government bureaucracy. A young newspaperman accidentally turns up the biggest story of his career: On a certain date in the not-too-distant future, there are no reservations in the maternity wards of any hospitals in New York. When the journalist’s AP office checks other cities, he discovers that this alarming state of affairs is not just in the United States, but in the entire world. A few months earlier, an accidental explosion in an atomic plant in Mississippi released an unknown form of radiation that turned the Earth’s men sterile—with one notable exception. Mr. Homer Adam, who was at the bottom of a lead mine in Colorado at the moment of the explosion, is the only man unaffected by the atomic rays. Naturally, he is in great demand, and sadly, it’s up to the government to decide what to do with him. One of literature’s first responses to the atomic bomb, Mr. Adam is an artifact of classic science fiction—an equally biting satire and ominous warning to society—that will resonate deeply with readers today as it did when it was first published in 1946

Whether it involves musing on the inevitable and annoying ironies of everyday life, spouting off about anything and everything that gets his goat, or just plain figuring out new and improved ways to be difficult, George Carlin’s comedy is incorrigible and unmistakable. Following the runaway success of Brain Droppings, Carlin now delivers all-new rants, what-ifs, observations, and out-and-out damnations in his cantankerous new collection, Napalm and Silly Putty. Carlin is at his best taking on the whole world and telling it like it is—or at least how he sees it. From the “Airline Announcements” section (“…here’s a phrase that apparently the airlines simply made up: near miss. Bull****, my friend. It’s a near hit! A collision is a near miss.”) to “Cars and Driving” (“One of the first things they teach you in Driver’s Ed is where to put your hands on the steering wheel. They tell you to put ’em at ten o’clock and two o’clock. Never mind that. I put mine at 9:45 and 2:17. Gives me an extra half hour to get where I’m goin’.”), Carlin takes you on a wild ride through a life you’ll never look at the same way again. He identifies the experience of “vuja de”—“the distinct sense that, somehow, something that just happened has never happened before”—and posits existential questions including, “If there really are multiple universes, what do they call the thing they’re all a part of?” and “If the reason for climbing Mt. Everest is that it’s hard to do, why does everyone go up the easy side?” Of course, it wouldn’t be George Carlin if he didn’t say a whole lot more that we just can’t print here! Including more lists of things he’s had just about enough of, and hilarious short takes that will put you in stitches, Napalm and Silly Putty is Carlin’s comic opus on life at the dawn of the 21st century. In it, he asks, “Have you ever started a path? No one seems willing to do this. We don’t mind using existing paths, but we rarely start new ones. Do it today. Start a path. Even if it doesn’t lead anywhere.” Carlin has certainly started his own path — read Napalm and Silly Putty and decide for yourself where he’s going. (Elise Vogel) http://www.youtube.com/watch?v=-sdQgLmZgqs

A newspaper committed to blackmail and mud slinging, rather than reporting the news. A paranoid editor, walking through the streets of Milan, reconstructing fifty years of history against the backdrop of a plot involving the cadaver of Mussolini’s double. The murder of Pope John Paul I, the CIA, red terrorists handled by secret services, twenty years of bloodshed, and events that seem outlandish until the BBC proves them true. A fragile love story between two born losers, a failed ghost writer, and a vulnerable girl, who specializes in celebrity gossip yet cries over the second movement of Beethoven’s Seventh. And then a dead body that suddenly appears in a back alley in Milan. Set in 1992 and foreshadowing the mysteries and follies of the following twenty years, Numero Zero is a scintillating take on our times from the best-selling author of The Name of the Rose and Foucault’s Pendulum

A satirical fable, a political allegory and an ecological warning from the author of The Three-Body Problem. In a sunlit clearing in central Gondwana, on an otherwise ordinary day in the late Cretaceous, the seeds of Earth’s first and greatest civilization were sown in the grisly aftermath of a Tyrannosaurus’ lunch. Throughout the universe, intelligence is a rare and fragile commodity – a fleeting glimmer in the long night of cosmic history. That Earth should harbour not just one but two intelligent species at the same time, defies the odds. That these species, so unalike – and yet so complementary – should forge an alliance that kindled a civilization defies logic. But time is endless and everything comes to pass eventually… The alliance between ants and dinosaurs, was of course, based on dentistry. Yet from such humble beginnings came writing, mathematics, computers, fusion, antimatter and even space travel – a veritable Age of Wonder! But such magnificent industry comes at a price – a price paid first by Earth’s biosphere, and then by all those dependent on it. And yet the Dinosaurs refused to heed the Ants’ warning of impending ecological collapse, leaving the Ant Federation facing a single dilemma: destroy the dinosaurs, destroy a civilization… or perish alongside them?

America’s growing political and cultural divisions have finally split the United States apart. Now, as the former blue states begin to collapse under the dead weight of their politically correct tyranny, a lethal operative haunted by his violent past undertakes one last mission to infiltrate and take out his target in the nightmarish city of Los Angeles, deep in the heart of the People’s Republic of North America. National Review’s Jim Geraghty calls Kurt Schlichter’s “People’s Republic” “a surreal, fast-paced journey through a dramatically different America but less than a generation away.…Violent, imaginative, full of mordant humor and dark, gritty details, you won’t want to live in this People’s Republic… but you’ll feel a chill as you wonder how different our real future will be.” Author and television host Cam Edwards says “Kurt Schlichter's ‘People's Republic’ is a roller coaster ride through a post-election Hellscape that will leave you wanting more.” Radio host Hugh Hewitt say “Schlichter puts a whole flight of Black Swans in the air—each of them plausible—and the result is a riveting, page-turner, and a demand from Schlichter for… more.” “People’s Republic” is the first novel by Kurt Schlichter, a retired Army infantry colonel, a conservative radio and television commentator on the Fox networks and elsewhere, a Senior Columnist at Townhall.com, and a popular and hilarious Twitter raconteur. He's also a trial lawyer, so he has an intimate understanding of evil and deception. Radio host and commentator Ben Shapiro calls “People’s Republic “chilling,” and author and columnist David Limbaugh calls it “a thought-provoking action thriller set against the backdrop of a shattered America.” Fox News contributor and author Katie Pavlich says, “They say conservatives are terrible story tellers, but Kurt Schlichter destroys that stereotype in his new novel People's Republic and issues a dire warning about the future of America.” As with his prior book “Conservative Insurgency: The Struggle to Take America Back 2013-2041,” “People’s Republic” takes today’s news and projects the trends out into the future. Funny, frightening and action-packed, “People’s Republic” is a thriller that will make you think as well as keep you turning the pages

Philip St. Ives, the top professional go-between introduced last year in The Brass Go-Between, is back in action. In this new novel of intrigue, St. Ives is coerced by the Department of State into recovering the U.S. Ambassador to Yugoslavia. The diplomat has been kidnapped and is being held for a ransom of $1,000,000 and the release of a Nobel Prize-winning poet. It’s a complicated assignment that becomes downright deadly as St. Ives finds himself involved with a Broadway actor, a 30-year-old millionaire, the poet’s breathtakingly beautiful daughter, and a sexy CIA agent

Pussy is the story of Prince Fracassus, heir presumptive to the Duchy of Origen, famed for its golden-gated skyscrapers and casinos, who passes his boyhood watching reality shows on TV, imagining himself to be the Roman Emperor Nero, and fantasizing about hookers. He is idle, boastful, thin-skinned and egotistic; has no manners, no curiosity, no knowledge, no idea and no words in which to express them. Could he, in that case, be the very leader to make the country great again?

The rolling strip across the bottom of the screen shouts the news: BESTSELLING NOVELIST JOHN HOUSTON’S WIFE FOUND MURDERED AT THEIR LUXURY APARTMENT IN MONACO. Houston is the richest writer in the world, a book factory publishing many bestsellers a year — so many that he can’t possibly write them himself. He has a team that feeds off his talent; ghost writers, agents, publishers. So when he decides to take a year out to write something of quality, a novel that will win prizes and critical acclaim, a lot of people stand to lose their livelihoods. Now Houston, the prime suspect in his wife’s murder, has disappeared. He owns a boat and has a pilot’s licence — he could be anywhere and there are many who’d like to find him. First there’s the police. If he’s innocent, why did he flee? Then again, maybe he was set up by one of his enemies. The scenario reads like the plot of one of Houston’s million-copy-selling thrillers

Jack Pine was born to be a Hollywood star. He has no morals, no scruples; he will not hesitate to do anything or love anyone if it might advance his career, get him the best roles, or project him ever more firmly into the spotlight. And success does come, beyond the imagination of Jack’s agents and co-stars — even beyond the hopes of his boyhood friend Buddy Pal, a man who carries with the dark secrets of Jack’s past. Buddy stands apart, aloof: he alone truly benefits from Jack’s careening ambition and his artful, charming conniving. Others who depend on Jack may fall by the wayside, but how can the affable star be blamed? In fact, Jack Pine can be excused anything — until he carries out the final sin, for which there can be no pardon

WINNER OF THE DINAANE DEBUT FICTION AWARD FOR 2016 Compared to the likes of Clockwork Orange by Anthony Burgess, Lauren Beukes’ Zoo City and Andrew Miller’s Dub Steps, Selling LipService is a daring novel. Selling LipService introduces its reader to a strange assortment of new vocabulary, and through this touches on the familiar danger of the commercialisation of language. Through a linguistically brilliant text, Tammy Baikie has created a world that exposes a society that has been swallowed up by the ad men

At last a new book: a baker’s dozen of stories all with Helen DeWitt’s razor-sharp genius For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a reader as far as Helen DeWitt into the funniest, most yonder dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success. “Look,” a character begins to explain, laying out some gambit reasonably enough, even if facing a world of boomeranging counterfactuals, situations spinning out to their utmost logical extremes, and Rube Goldberg-like moving parts, where things prove “more complicated than they had first appeared” and “at 3 a.m. the circumstances seem to attenuate.” In various ways, each tale carries DeWitt’s signature poker-face lament regarding the near-impossibility of the life of the mind when one is made to pay to have the time for it, in a world so sadly “taken up with all sorts of paraphernalia superfluous, not to say impedimental, to ratiocination.”

The Break is an adventure story in which the Byzantine Empire and the Catholic Church take on the British State. Which side wins? No one knows what caused The Break eleven months ago, but there’s no sign of its end. England is settling into its new future as a reindustrialising concentration camp. The rest of the world is watching… waiting… curious… It’s Wednesday the 7th March 2018—in the mainland UK. Everywhere else, it’s some time in June 1065. Jennifer thinks her family survived The Hunger because of their smuggling business—tampons and paracetamol to France, silver back to England. Little does she know what game her father was really playing, as she recrosses the Channel from an impromptu mission of her own. Little can she know how her life has already been torn apart. Who has taken Jennifer’s parents? Where are they? What is the Home Secretary up to with the Americans? Why is she so desperate to lay hands on Michael? Will Jesus Christ return to Earth above Oxford Circus? When will the “Doomsday Project” go live? Can the Byzantine Empire and the Catholic Church take on the British State, and win? All will be answered—if Jennifer can stay alive in a post-apocalyptic London terrorised by cannibals, by thugs in uniform, and by motorbike gangs of Islamic suicide bombers

When Inspector Peter Glebsky arrives at a remote ski chalet, he intends to ski, drink brandy, and loaf around in blissful solitude. But the chalet’s other vacationers—a famous hypnotist, a physicist with a penchant for gymnastic feats, and a large handful of others—are a nuisance, and so is the avalanche that soon cuts the inn off from civilization. And then there’s the dead body, which may not even be human… In this genre-bending novel, the Strugatskys gleefully upend the plot of many a Hercule Poirot mystery, and the result is much funnier, and much stranger, than anything ever written by Agatha Christie. “If Russian sci-fi can be said to have a soul, it resides with the Brothers Strugatsky… Delightful, and a must-read for a new generation of sci-fi fans everywhere.” “This is the Strugatskys at their best, at once silly and dead serious… It’s a ripping good yarn, which translator Josh Billings has rendered with great energy and wit.” “Does for science-fiction/detective hybridization what *Hard to Be a God* has done for sci-fi/fantasy.”

The funny and moving story of the apocalypse – as seen from one small village in England

In the traditions of Victor Pelevin and Vladimir Sorokin, German Sadulaev’s follow-up to his acclaimed I am a Chechen! is set in a twenty-first century Russia, phantasmagorical and violent. A bitingly funny twenty-first century satire, The Maya Pill tells the story of a mid-level manager at a frozen-food import company who comes upon a box of psychotropic pills that’s accidentally been slipped into a shipment. He takes one, and disappears down the rabbit hole: entering the mind of a Chinese colleague; dreaming that he is one of the rulers of an ancient kingdom; even beleiving he is in negotiations with the devil. A mind-expanding companion to the great Russian classics, The Maya Pill is strange, savage, bizarre, and uproarious

Political backstabbing, rank hypocrisy, and dastardly deception reign in this delightfully entertaining political satire, sure to lift one’s spirits far above the national stage. America is in trouble—at the mercy of a puzzling pathogen. That ordinarily wouldn’t lead to catastrophe, thanks to modern medicine, but there’s just one problem: the government supply of Dormigen, the silver bullet of pharmaceuticals, has been depleted just as demand begins to spike. Set in the near future, The Rationing centers around a White House struggling to quell the crisis—and control the narrative. Working together, just barely, are a savvy but preoccupied president; a Speaker more interested in jockeying for position—and a potential presidential bid—than attending to the minutiae of disease control; a patriotic majority leader unable to differentiate a virus from a bacterium; a strategist with brilliant analytical abilities but abominable people skills; and, improbably, our narrator, a low-level scientist with the National Institutes of Health who happens to be the world’s leading expert in lurking viruses. Little goes according to plan during the three weeks necessary to replenish the stocks of Dormigen. Some Americans will get the life-saving drug and others will not, and nations with their own supply soon offer aid—but for a price. China senses blood and a geopolitical victory, presenting a laundry list of demands that ranges from complete domination of the South China Sea to additional parking spaces at the UN, while India claims it can save the day for the U.S

A vodka-soaked tragicomedy of bribes, backhanders and a certain ex-president of Russia going catastrophically awry. Former Russian president, Vladimir P, is going senile, marooned in a world of memories from his years in power. To get him out of the way, he has been exiled to his luxury dacha, where he is served by a coterie of bickering house staff. Only Sheremetev, the guileless nurse charged with Vladimir’s round-the-clock care, is unaware that everyone else is busily using every means at their disposal to skim money from their employer’s inexhaustible riches. But when the nurse suddenly needs to find cash for a bribe or see his nephew rot in jail, the dacha’s chef lets him in on the secret world of ‘commissions’ going on all around him. Yet surely Sheremetev wouldn’t think to steal from his ailing patient? And surely, in the upstanding modern Russia that Vladimir P created, no one would actually let him…

Stephen King calls Hesh Kestin’s The Siege of Ghetto Tel Aviv “scarier than anything Stephen King ever wrote.” Iran leads five Arab armies in a brutal victory over Israel, which ceases to exist. Within hours, its leaders are rounded up and murdered, the IDF is routed, and the country’s six million Jews concentrated in Tel Aviv, which becomes a starving ghetto. While the US and the West sit by, the Moslem armies—taking a page from the Nazi playbook—prepare to kill off the entire population. On the eve of genocide, Ghetto Tel Aviv makes one last attempt to save itself, as an Israeli businessman, a gangster, and a cross-dressing fighter pilot put together a daring plan to counterattack. Will it succeed? The Siege of Ghetto Tel Aviv is as as bizarrely funny as it is fast-paced. In the words of Stephen King: “An irrepressible sense of humor runs through it. It’s not satire I’m talking about—it’s stuff like the cross-dressing pilot (my favorite character) and any number of deliciously absurd situations (the pink jets). It’s the inevitable result of an eye that sees the funny side, even in horror. So few writers have that. This novel will cause talk and controversy. Most of all, it will be read.”

In the declining Weimar Republic, Egon Loeser works as a stage designer for New Expressionist theatre. His hero is the greatest set designer of the 17th century, Adriano Lavicini, who devised the so-called Teleportation Device for the whisking of actors from one scene to another — a miracle, until the thing malfunctioned, causing numerous deaths and perhaps summoning the devil himself. Apolitical in a dangerous time, sex-driven in a dry spell, Loeser leaves the tired scene in Berlin in pursuit of the lubricious Adele Hitler (no relation), who couldn’t care less about him, heading first to Paris and then to Los Angeles, where he finds his entire tired Berlin social circle reconstituted in exile, under the patronage of a hack writer and his possibly philandering wife. He also finds himself uncomfortably close to a string of murders at CalTech, where a physicist, assisted by Adele herself, is trying to develop a device for honest-to-God teleportation. Following his breathtaking debut, Boxer, Beetle, Ned Beauman raises the stakes, creating in The Teleportation Accident a marvelous mash-up of historical fiction, LA noir, science fiction, and satire. Here are sluts and scam artists, ghosts and ancient dinosaur-men, all wrapped up in one page-turning plot. Beauman is a writer of audacity and style; his second novel proves him a star on the rise

President Doughnut has built a wall to keep the Mexicans out of America. But can he keep the zombies out too? Desperate for help with his “zombie problem,” Doughnut flies out to see the British Prime Minister. But Britain faces a problem that’s far worse than plain old zombies. Thanks to Henderson, the original zomcat, Doughnut’s visit becomes more eventful than he could ever imagine. Will ‘The Doughnut’ leave Britain in Air Force One or in a body-bag? ZOMCATS! Is a satirically dark humour littered with blood, horror and gore. Zomcats! When their nine lives are up they claw their way back from the dead! “Jack Strange writes as though he’s on a mixture of speed and catnip!”

Сюжет о том, как Щёголев Александр Геннадиевич благословлял российское вторжение в Украину 1 марта 2022. Разбираем и комментируем. Сей мужик – это афтор и адепт «Секты сатанистов» имени Парфёнова М.С. Член Союза z-песателей. На обложке: скуф позирует для четателей, став победителем «Битвы педофилов» - конкурса сатанистов/извращенцев

Миниатюры сплошь натуральные, подсмотренные лиричным циником вокруг себя. А ещё несколько цитат из переписки Адама и Евы, — подлинник. 18+.«Склад ума — это не то же самое, что сарай ума» (с)

Известный американский сатирик Арт Бухвальд представлен в настоящей книге своими лучшими фельетонами и короткими рассказами. в которых он с острым сарказмом высмеивает уродливые стороны пресловутого американского образа жизни, политики и экономики Соединенных Штатов. Хотя сатира А. Бухвальда ограничена рамками буржуазного мировоззрения и не посягает на самые основы капиталистического общества, она представляет интерес для нашего читателя

Парфёнов М. С. и его сатанисты – это группа психопатов, которые пытаются писать русский хоррор. Их творчество – это проблема психиатров, а здесь рассказано о гражданской позиции афторов в эпоху СВО. Жанр: социальная сатира. Данная книга построена на скрупулёзной фактике, собранной из первоисточников. В ореоле циничной аналитики, которая присуща перу Ангелова. Рекомендовано для чтения всем гражданам нашей необъятной, включая детей и беременных женщин. «Всё дорожает, кроме совести. Она по-прежнему не в цене» (с). «Смысл в лицемерии – нулевой. Как и его эффект» (с)

18+. В некоторых эссе цикла — есть обсценная лексика. «Цель любого праздника — это вытянуть из человека как можно больше бабла, патриотизма, эмоций… в зависимости от формата Даты» (с)

Повесть известного у нас норвежского писателя С. Хельмебака — это сатира на провинциальное «процветающее» общество, которому противопоставлены Андерсены — люди, верные родной земле, стойкие к влияниям мещанского уклада, носители народного юмора, здравого смысла

Антология одного автора. Книга – это собрание всей художественной прозы, сотворённой гением! Под брэндом «Безумные сказки Андрея Ангелова». Книга составлена в 2024-ом, а до сего момента – тексты печатались в различных вариациях и у различных издателей. Обложка – уже классический ультрамарин и картинка брэнда. 2 полных романа, 2 мини-романа, 6 повестей, 21 рассказ и 6 притч. Более 1600 книжных страниц! Жанры: сатирическое фэнтези, мистика, фантасмагория, эротика, чёрная комедия, антиутопия, прикол, метамодерн + те жанры, которым наука ещё не дала название… «Правды в чистом виде не существует. Она всегда в той или иной степени разбавлена ложью» (с). *** «…Безумные сказки (Андрея) Ангелова — стильная, безумная фантазия на различные темы, от житейских до философских, мировоззренческих, которая подаётся с юмором, порою с сарказмом... Сказки Ангелова — это сказки нашего безумного мира и сумасшедшей эпохи. В них не только ирония и сарказм, но и романтика, и лёгкая печаль. А главное, — всегда интрига. Начав читать, невозможно бросить. А потом ещё и неожиданная развязка, которой автор любит удивить своих читателей и порой поставить всё с ног на голову... Главное, Ангелов заставляет нас, читателей, думать и размышлять, а иногда и мысленно спорить с автором, но равнодушным не оставляет никогда. (с) Наталья Гаврилюк, из книги «Андрей Ангелов – Гений или Миф»

Антология №2 — это лучшие тексты гения из всего non/fiction, что Ангелов написал в 2010-2023 гг. Юмористические мини-расследования на множество тем! 600 книжных страниц. Так, как пишет Андрей Ангелов – не пишет никто, по сути, — он вывел свой персоналистский жанр в non/fiction, — и, начав автора читать, нельзя остановиться. Здесь две сотни миниатюр, — а вкупе антология №2 – один-сплошной ПРИКОЛ! Однако. Тексты крепко привязаны к актуальной реальности, поражают глубиной, парадоксальностью и… взаимоисключаемостью. Чёрная сатира, романтизм и цинизм, — взрывоопасная смесь! Афористичный стиль, все тексты гения легко разбираются на цитаты! «Всё продаётся. И какая разница, как называется валюта — любовь, дружба или деньги» (с). * * * «…Если бы этот мир был справедлив, список 100 лучших книг современности состоял бы на 50% из книг (Андрея) Ангелова…». (с) Arya Stark («Флибуста»). * * *  «Почитал (Андрея) Ангелова. Зря на него набросились. У него есть то, чего нет у 99% своры, что на него набросилась. У него есть литературный слух, очень редкое качество в писательстве». (с) Михаил Белозеров («YouTube»)

«Я намерен прибрать этот лед к рукам. Сворачивайте наше дело и безотлагательно шлите мне все деньги. Я воздвигну склад, грандиозный, как Капитолий в Вашингтоне, набью его льдом до отказа и стану по Вашему требованию и в соответствии со спросом на южном рынке отгружать лед на судах. Могу посылать лед в виде плит для катков, статуэток для украшения каминных полок, стружек для сиропов, а также в жидком виде для мороженого и вообще для любых надобностей»