A collection of classic, yet shockingly contemporary, short stories set in the vibrant world of mid-century Bombay, from one of India’s greatest writers. Arriving in 1930s Bombay, Saadat Hasan Manto discovered a city like no other. A metropolis for all, and an exhilarating hub of license and liberty, bursting with both creative energy and helpless despondency. A journalist, screenwriter, and editor, Manto is best known as a master of the short story, and Bombay was his lifelong muse. Vividly bringing to life the city’s seedy underbelly — the prostitutes, pimps, and gangsters that filled its streets — as well as the aspiring writers and actors who arrived looking for fame, here are all of Manto’s Bombay-based stories, together in English for the very first time. By turns humorous and fantastical, Manto’s tales are the provocative and unflinching lives of those forgotten by humanity

The gentle dhobi who transforms into a killer, a prostitute who is more child than woman, the cocky, young coachman who falls in love at first sight, a father convinced that his son will die before his first birthday. Saadat Hasan Manto's stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto's prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story

The prevalent trend of classifying Manto’s work into a) stories of Partition and b) stories of prostitutes forcibly enlists the writer to perform a dramatic dressing-down of society. But neither Partition nor prostitution gave birth to the genius of Saadat Hasan Manto. They only furnished him with an occasion to reveal the truth of the human condition. My Name Is Radha is a path-breaking selection of stories which delves deep into Manto’s creative world. In this singular collection, the focus rests on Manto the writer. It does not draft him into being Manto the commentator. Muhammad Umar Memon’s inspired choice of Manto’s best-known stories, along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling

In this collection of sixteen stories and three sketches, translated by Rakhshanda Jalil, Manto brazenly celebrates the warts of a seemingly decent society as well as its dark underbelly — tired and overworked prostitutes in 'The Candle's Tears' or 'Loser all the Way'; ruthless as also humane pimps in 'The Hundred Candle Watt Bulb' and 'Sahay'; the utter helplessness of men in the face of a sexual encounter in 'Naked Voices' and 'Coward'; and the madness perpetrated by the Partition as witnessed in 'By God!' and 'Yazid'. In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled 'Saadat Hasan' calling 'Manto the writer' a liar, a thief and a failure! And in another titled 'In a Letter to Uncle Sam', Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America

One of the greatest raconteurs of the 20th century, Saadat Hasan Manto declares that he was forced to write when his wife routinely demanded that he put bread on the table for the family. He doesn’t attribute any genius to his skills as a writer and convinces his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treats his tryst with Bollywood with disdain and unmasks the cardboard lives of tinsel town when a horse is painted to double up for a zebra or multiple fans rotate to create a deluge. Two of Manto’s favourite and recurring themes — Women and Partition — find special mention. For the first time ever, this unique collection of non-fiction writing from the subcontinent’s greatest writer, translated by well known author and journalist, Aakar Patel showcases Saadat Hasan Manto’s brilliance while dealing with life’s most mundane things — graveyards, bumming cigarettes, a film crew with motley characters from mythology — and a sharp dissection of what ails the subcontinent even after 6 decades — Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear