This sixth anthology in the adult fairy-tale series by acclaimed editors Ellen Datlow and Terri Windling presents another diverse collection of stories and poems loosely based on folklore traditions around the world. Readers familiar with previous books in the series will recognize the names of many regular contributors, including Tanith Lee, Jane Yolen, Esther Friesner, and Joyce Carol Oates, as well as works from Neil Gaiman, Charles de Lint, and others. Tanith Lee's "Rapunzel" opens the collection with a charmingly simple reconstruction of that classic fairy tale. Esther Friesner's "Big Hair" takes the same theme into the present with less cheerful results. Greg Costikyan considers the fate of an ensorcelled sleeping beauty dug up by archaeologists centuries later in "And Still She Sleeps," while Jane Yolen's "Snow in Summer" turns the tables on Snow White's evil stepmother with a deep-dish apple pie and a fry pan. Scott Bradfield's "Goldilocks Tells All" is especially memorable for its Jerry Springer-like portrayal of the ultimate dysfunctional family. Leah Cutter considers the loneliness of living under a curse in her Texas two-step story "The Red Boots." Severna Park's feminist "The Golem" revives a Jewish folktale, while Bryn Kanar's haunting "Dreaming Among Men" draws on Native American legend. Howard Waldrop's "Our Mortal Span" is perhaps the most unique story here, a surprising blend of black comedy, killer-robot story, and fairy tale. While on the whole this collection isn't as strong as previous volumes, it still delivers a fine array of thoughtful writing on some of the best-known-and yet unknown-stories we love.  — Charlene Brusso

Najnowszy almanach fantastyki Kroki w nieznane prezentuje szesnaście różnorodnych opowiadań autorów z Australii, Argentyny, Rosji, Stanów Zjednoczonych, Ukrainy i Wielkiej Brytanii. Wśród nich nowa krew, niedawne debiutantki (McCarron, Swirsky) oraz autorzy rozwijający skrzydła (Bacigalupi, Kosmatka, Ostapenko). Są też stare wygi, z niemałym dorobkiem, których tekstów nie było nam dane posmakować dotychczas (Brown, Kaługin) lub spotykaliśmy się z ich twórczością okazjonalnie (Kessel, szczególnie Waldrop). Oczywiście są także wielkie nazwiska (Egan, Kress, Silverberg, czy Willis), a oprócz tego pisarze wyjątkowi, za sprawą wyobraźni (Ballantyne), poetyckiego stylu (McDonald), czy prozy o niesamowitym klimacie (Nielsen)…

Najnowszy almanach fantastyki Kroki w nieznane prezentuje szesnaście różnorodnych opowiadań autorów z Australii, Argentyny, Rosji, Stanów Zjednoczonych, Ukrainy i Wielkiej Brytanii. Wśród nich nowa krew, niedawne debiutantki (McCarron, Swirsky) oraz autorzy rozwijający skrzydła (Bacigalupi, Kosmatka, Ostapenko). Są też stare wygi, z niemałym dorobkiem, których tekstów nie było nam dane posmakować dotychczas (Brown, Kaługin) lub spotykaliśmy się z ich twórczością okazjonalnie (Kessel, szczególnie Waldrop). Oczywiście są także wielkie nazwiska (Egan, Kress, Silverberg, czy Willis), a oprócz tego pisarze wyjątkowi, za sprawą wyobraźni (Ballantyne), poetyckiego stylu (McDonald), czy prozy o niesamowitym klimacie (Nielsen)…

Fifteen all-new stories by science fiction's top talents, collected by bestselling author George R. R. Martin and multiple-award winning editor Gardner Dozois Burroughs's A Princess of Mars. Bradbury's The Martian Chronicles. Heinlein's Red Planet. These and so many more inspired generations of readers with a sense that science fiction's greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own - a red planet that burned like an ember in our night sky …and in our imaginations. This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations - by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars. Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races

Howard Waldrop’s latest astounding tale takes its inspiration from an earlier era. Indeed, he tells us, “Where I really want this story to appear is in Wonder Stories Quarterly, Spring 1930.” A new collection of Mr. Waldrop’s exceptional short fiction, Going Home Again, was published last year by Eidolon Press of Perth, Australia. St. Martin’s Press will release a hard-cover American edition of the book in July

Today, in order to honor the magnificent career of Jack Vance, one unparalleled in achievement and impact, GEORGE R.R. MARTIN and GARDNER DOZOIS, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel. Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers