From Library Journal:   A cautionary tale by Stephen R. Donaldson ("Reeve the Just"), a whimsical ad venture in miniature by Dennis L. McKiernan ("The Halfling House"), and a tribute to the art of storytelling by Charles de Lint ("The Conjure Man") il lustrate the variety of this collection of 19 stories written to celebrate the centennial of Tolkien's birth. Although fans of Middle Earth may be disappointed that none of these tales draw directly from Tolkien's world, discerning readers will find the unmistakable stamp of the master concealed in the heart of each story. All in all, this solid collection of fantasy belongs in most libraries. For a new edition of The Lord of the Rings and more on Tolkien, see Classic Returns, LJ 11/15/91. Copyright 1991 Reed Business Information, Inc. From Kirkus Reviews: Yet another Festschrift anthology by Greenberg, who has recently edited or coedited tributes to Isaac Asimov, Ray Bradbury, and H.P. Lovecraft, this time to honor the much-imitated author of The Hobbit and The Lord of the Rings. The difficulty with these projects is that the writers must retain the essential flavor of their own work while evoking somehow the style or subject or tone of the revered predecessor, and here--as in the Asimov, Bradbury, and Lovecraft volumes--the quality of the stories varies tremendously. The book leads off with an exceptionally good story by Stephen R. Donaldson, "Reave the Just", in which a legendary hero saves the day in a most unusual fashion. Emma Bull's "Silver or Gold", Peter S. Beagle's "The Naga", Judith Tarr's "Death and the Lady", and Patricia A. McKillip's "The Fellowship of the Dragon'' likewise evoke something of the spirit of Tolkien while offering wonderful, original tales in their authors' own strong voices. Meanwhile, John Brunner, Barry N. Malzberg, and Gregory Benford provide solid stories, but their connection to Tolkien is slight. Much that's unfortunately mediocre, and a few stories (such as Dennis L. McKiernan's "The Halfling House", egregious at 29 pages) that would have made Tolkien himself wince — but, still, the strongest tales here are among the best short-length fantasy of the year. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved

This sixth anthology in the adult fairy-tale series by acclaimed editors Ellen Datlow and Terri Windling presents another diverse collection of stories and poems loosely based on folklore traditions around the world. Readers familiar with previous books in the series will recognize the names of many regular contributors, including Tanith Lee, Jane Yolen, Esther Friesner, and Joyce Carol Oates, as well as works from Neil Gaiman, Charles de Lint, and others. Tanith Lee's "Rapunzel" opens the collection with a charmingly simple reconstruction of that classic fairy tale. Esther Friesner's "Big Hair" takes the same theme into the present with less cheerful results. Greg Costikyan considers the fate of an ensorcelled sleeping beauty dug up by archaeologists centuries later in "And Still She Sleeps," while Jane Yolen's "Snow in Summer" turns the tables on Snow White's evil stepmother with a deep-dish apple pie and a fry pan. Scott Bradfield's "Goldilocks Tells All" is especially memorable for its Jerry Springer-like portrayal of the ultimate dysfunctional family. Leah Cutter considers the loneliness of living under a curse in her Texas two-step story "The Red Boots." Severna Park's feminist "The Golem" revives a Jewish folktale, while Bryn Kanar's haunting "Dreaming Among Men" draws on Native American legend. Howard Waldrop's "Our Mortal Span" is perhaps the most unique story here, a surprising blend of black comedy, killer-robot story, and fairy tale. While on the whole this collection isn't as strong as previous volumes, it still delivers a fine array of thoughtful writing on some of the best-known-and yet unknown-stories we love.  — Charlene Brusso

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some or the Gentry followed…only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, hut the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves—appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black. Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spiritworld. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the southwestern desert of her youth. Outside her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them—until the night one follows her to the woods, and takes her hand…. Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King—another thing that Ellie does not believe in. Yet lack of belief won’t dim the power of the mask, or its dreadful intent. Donal, Ellie’s former lover, comes from an Irish family and. knows the truth at the heart of the old myths. He thinks he can use the mask and the “hard men” for his own purposes. And Donal’s sister, Miki, a punk accordion player, stands on the other side of the Gentry’s battle with the Native spirits or the land. She knows that more than her brother’s soul is at stake. All of Newford is threatened, human and mythic beings alike. Once again Charles de Lint weaves the mythic traditions or many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets

An anthology of stories The Devil is known by many names: Serpent, Tempter, Beast, Adversary, Wanderer, Dragon, Rebel. His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen… and a Man of Wealth and Taste. Sit down and spend a little time with the Devil

From legendary editor Ellen Datlow, Tails of Wonder collects the best of the last thirty years of science fiction and fantasy stories about cats from an all-star list of contributors