Acclaimed hard-SF author Linda Nagata introduces a new world: a human colony whose people have forgotten their past, on a tremendous structure that forms a great ring around the sun… where the sky is bisected by an arch of light and the mysterious “silver” rises from the ground each night to completely transform the landscape—and erase from existence anything it touches. Young Jubilee is devastated when her brother Jolly is caught and taken by the silver. But when a forbidding stranger with the incredible power to control the silver comes seeking Jolly—and claiming that Jolly knows him—Jubilee first distrusts the man, then fears him and flees. For she has learned an impossible secret: Jolly may still be alive… and may somehow become the catalyst for the annihilation of everything she knows if she does not find him first. Jubilee’s flight will lead her to discoveries she could never have imagined, from the secret history of her civilization and her people’s origins to the true nature of the silver, to the awesome forgotten memories within her. And with these she will forever alter her world’s future… unless the dark stranger, relentless in his pursuit, achieves his goal of destroying it. One way or another, Jubilee’s final confrontation will change everything…

“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories — stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join her on this journey into the dark parts of the human heart. either for the first time. or once again

Scarred by war. In pursuit of truth. Army veteran True Brighton left the service when the development of robotic helicopters made her training as a pilot obsolete. Now she works at Requisite Operations, a private military company established by friend and former Special Ops soldier Lincoln Han. ReqOp has embraced the new technologies. Robotics, big data, and artificial intelligence are all tools used to augment the skills of veteran warfighters-for-hire. But the tragedy of war is still measured in human casualties, and when True makes a chance discovery during a rescue mission, old wounds are ripped open. She’s left questioning what she knows of the past, and resolves to pursue the truth, whatever the cost. THE LAST GOOD MAN is a powerful, complex, and very human tale

Stories of the fall of civilisation, the destruction of the Earth and the end of the Universe itself The last sixty years have been full of stories of one or other possible Armageddon, whether by nuclear war, plague, cosmic catastrophe or, more recently, global warming, terrorism, genetic engineering, AIDS and other pandemics. These stories, both pre- and post-apocalyptic, describe the fall of civilization, the destruction of the entire Earth, or the end of the Universe itself. Many of the stories reflect on humankind’s infinite capacity for self-destruction, but the stories are by no means all downbeat or depressing — one key theme explores what the aftermath of a cataclysm might be and how humans strive to survive

In War Stories: New Military Science Fiction, editors Andrew Liptak and Jaym Gates collects short stories by science fiction and fantasy authors dealing with the effects of war prior, during, and after battle to soldiers and their families. War is everywhere. Not only among the firefights, in the sweat dripping from heavy armor and the clenching grip on your weapon, but also wedging itself deep into families, infiltrating our love letters, hovering in the air above our heads. It’s in our dreams and our text messages. At times it roars with adrenaline, while at others it slips in silently so it can sit beside you until you forget it’s there. Join Joe Haldeman, Linda Nagata, Karin Lowachee, Ken Liu, Jay Posey, and more as they take you on a tour of the battlefields, from those hurtling through space in spaceships and winding along trails deep in the jungle with bullets whizzing overhead, to the ones hiding behind calm smiles, waiting patiently to reveal itself in those quiet moments when we feel safest. War Stories brings us 23 stories of the impacts of war, showcasing the systems, combat, armor, and aftermath without condemnation or glorification. Instead, War Stories reveals the truth. War is what we are