The year is 1911. In Cold Spring Harbour, New York, the newly formed Eugenics Records Office is sending its agents to catalogue the infirm, the insane, and the criminal—with an eye to a cull, for the betterment of all. Near Cracked Wheel, Montana, a terrible illness leaves Jason Thistledown an orphan, stranded in his dead mother’s cabin until the spring thaw shows him the true meaning of devastation—and the barest thread of hope. At the edge of the utopian mill town of Eliada, Idaho, Doctor Andrew Waggoner faces a Klansman’s noose and glimpses wonder in the twisting face of the patient known only as Mister Juke. And deep in a mountain lake overlooking that town, something stirs, and thinks, in its way: Things are looking up. Eutopia follows Jason and Andrew as together and alone, they delve into the secrets of Eliada—industrialist Garrison Harper’s attempt to incubate a perfect community on the edge of the dark woods and mountains of northern Idaho. What they find reveals the true, terrible cost of perfection—the cruelty of the surgeon’s knife—the folly of the cull—and a monstrous pact with beings that use perfection as a weapon, and faith as a trap

A young bride and her future mother-in-law risk everything to escape it. A repentant father summons help from a pot of tar to ensure it. A starving woman learns from howling winds and a whispering host, just how fulfilling it can finally be. Can it be love?

From a hidden city deep in the Ural mountains, they walked the world as the coldest of Cold Warriors, under the command of the Kremlin and under the power of their own expansive minds. They slipped into the minds of Russia’s enemies with diabolical ease, and drove their human puppets to murder, and worse. They moved as Gods. And as Gods, they might have remade the world. But like the mad holy man Rasputin, who destroyed Russia through his own powerful influence… in the end, the psychic spies for the Motherland were only in it for themselves. It is the 1990s. The Cold War is long finished. In a remote Labrador fishing village, an old woman known only as Babushka foresees her ending through the harbour ice, in the giant eye of a dying kraken—and vows to have none of it. Beaten insensible and cast adrift in a life raft, ex-KGB agent Alexei Kilodovich is dragged to the deck of a ship full of criminals, and with them he will embark on a journey that will change everything he knows about himself. And from a suite in an unseen hotel in the heart of Manhattan, an old warrior named Kolyokov sets out with an open heart, to gather together the youngest members of his immense, and immensely talented, family. They are more beautiful, and more terrible, than any who came before them. They are Rasputin’s bastards. And they will remake the world. http://www.youtube.com/watch?v=U46mr1iPFS4

When Ann LeSage was a little girl, she had an invisible friend—a poltergeist, that spoke to her with flying knives and howling winds. She called it the Insect. And with a little professional help, she contained it. And the nightmare was over, at least for a time. But the nightmare never truly ended. As Ann grew from girl into young woman, the Insect grew with her. It became more than terrifying. It became a thing of murder. Now, as she embarks on a new life married to successful young lawyer, Michael Voors, Ann believes that she finally has the Insect under control. But there are others vying to take that control away from her. They may not know exactly what they’re dealing with, but they know they want it. They are the ’Geisters. And in pursuing their own perverse dream, they risk spawning the most terrible nightmare of all. “The story is a white-knuckler from page one, and Nickle is a master of luring you into thinking that the supernatural can be rationalized and systemized, only to reveal, time and again, that the orderly patterns we try to make of the irrational are figments of our imagination. I was off-balance and more than a little scared throughout.” “Just finished David Nickle’s The ’Geisters…: brilliant, vicious, gothic-modern take on female monsters, aka poltergeists and the hubristic men who fetishize them. It is SO original and crazy, and SO well-written. GET IT.” “The ’Geisters is filled with an interminable sense of threat, as though the words could turn on the reader at any moment, and they often do…. This is a book that buzzes in your ears, climbs your crawling skin with multiple barbed feet, feeling with exquisitely sensitive antennae for the next new and terrible revelation.”

The first three volumes of The Best Horror of the Year have been widely praised for their quality, variety, and comprehensiveness. With tales from Laird Barron, Stephen King, John Langan, Peter Straubb, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect — and enjoy

The Caretakers by David Nickle is a strange tale about a group of people called to a meeting with their intimidating boss. The newest member of their organization is not so sure she wants to even be there