From the author of Silence Once Begun—one of our most audacious and original writers — a beguiling new novel about a man starting over at the most basic level, and the strange woman who insinuates herself into his life and memory. A man and a woman have moved into a small house in a small village. The woman is an "examiner," the man, her "claimant." The examiner is both doctor and guide, charged with teaching the claimant a series of simple functions: this is a chair, this is a fork, this is how you meet people. She makes notes in her journal about his progress: he is showing improvement, yet his dreams are troubling. One day, the examiner brings him to a party, and here he meets Hilda, a charismatic but volatile woman whose surprising assertions throw everything the claimant has learned into question. What is this village? Why is he here? And who is Hilda? A fascinating novel of love, illness, despair, and betrayal, A Cure for Suicide is the most captivating novel yet from one of our most exciting young writers

The highly acclaimed author of A Cure for Suicide now gives us a singular, blistering novel about a teenage girl who has lost everything—and will burn anything. Lucia's father is dead; her mother is in a mental institute; she's living in a garage-turned-bedroom with her aunt. And now she's been kicked out of school—again. Making her way through the world with only a book, a zippo lighter, a pocket full of stolen licorice, a biting wit, and striking intelligence she tries to hide, she spends her days riding the bus to visit her mother and following the only rule that makes any sense to her: Don't do things you aren't proud of. But when she discovers that her new school has a secret Arson Club, she's willing to do anything to be a part of it, and her life is suddenly lit up. And as her fascination with the Arson Club grows, her story becomes one of misguided friendship and, ultimately, destruction

Ben Marcus, one of the most innovative and vital writers of this generation, delivers a stellar anthology of the best short fiction being written today in America. In New American Stories, the beautiful, the strange, the melancholy, and the sublime all comingle to show the vast range of the American short story. In this remarkable anthology, Ben Marcus has corralled a vital and artistically singular crowd of contemporary fiction writers. Collected here are practitioners of deep realism, mind-blowing experimentalism, and every hybrid in between. Luminaries and cult authors stand side by side with the most compelling new literary voices. Nothing less than the American short story renaissance distilled down to its most relevant, daring, and unforgettable works, New American Stories puts on wide display the true art of an American idiom

One morning in the park James Sim discovers a man, crumpled on the ground, stabbed in the chest. In the man's last breath, he whispers his confession: Samedi. What follows is a spellbinding game of cat and mouse as James is abducted, brought to an asylum, and seduced by a woman in yellow. Who is lying? What is Samedi? And what will happen on the seventh day?

From the celebrated author of The Curfew (“A spare masterwork of dystopian fiction” —The New York Times Book Review), Jesse Ball’s Silence Once Begun is an astonishing novel of unjust conviction, lost love, and a journalist’s obsession. Over the course of several months, eight people vanish from their homes in the same Japanese town, a single playing card found on each door. Known as the “Narito Disappearances,” the crime has authorities baffled — until a confession appears on the police’s doorstep, signed by Oda Sotatsu, a thread salesman. Sotatsu is arrested, jailed, and interrogated — but he refuses to speak. Even as his parents, brother, and sister come to visit him, even as his execution looms, and even as a young woman named Jito Joo enters his cell, he maintains his vow of silence. Our narrator, a journalist named Jesse Ball, is grappling with mysteries of his own when he becomes fascinated by the case. Why did Sotatsu confess? Why won’t he speak? Who is Jito Joo? As Ball interviews Sotatsu’s family, friends, and jailers, he uncovers a complex story of heartbreak, deceit, honor, and chance. Wildly inventive and emotionally powerful, Silence Once Begun is a devastating portrayal of a justice system compromised, and evidence that Jesse Ball is a voraciously gifted novelist working at the height of his powers

William and Molly lead a life of small pleasures, riddles at the kitchen table, and games of string and orange peels. All around them a city rages with war. When the uprising began, William’s wife was taken, leaving him alone with their young daughter. They keep their heads down and try to remain unnoticed as police patrol the streets, enforcing a curfew and arresting citizens. But when an old friend seeks William out, claiming to know what happened to his wife, William must risk everything. He ventures out after dark, and young Molly is left to play, reconstructing his dangerous voyage, his past, and their future. An astounding portrait of fierce love within a world of random violence, The Curfew is a mesmerizing feat of literary imagination

Loring is a widow and chess master who makes her living giving chess lessons; her newest student, who might be a prodigy, bears a striking resemblance to her dead spouse. Has her chess champion husband found a final move beyond the grave? A chess fable from the wildly inventive, immensely talented author of A Cure for Suicide and Silence Once Begun, “The Lesson” is a surprising, poignant, macabre tale of games, children, and the unknowability of the beyond. Channeling the chess masterpieces of Nabokov and Stefan Zweig, Jesse Ball's newest is a fabulous and entertaining novella that astonishes from first move to last

The Village on Horseback features mesmerizing new work from the author of Samedi the Deafness and The Way Through Doors, one of the New Yorker’s Best Books of 2009. This collection of new pieces by experimental writer Jesse Ball is a philosophical recasting of myth and legend. Unearthing parables from the compost heap of oral tradition, folklore, literature, and popular culture, The Village on Horseback can be read as a sort of fabulist’s compendium by an author who has been called charming, lyrical, fanciful, and "disturbingly original."

With his debut novel, Samedi the Deafness, Jesse Ball emerged as one of our most extraordinary new writers. Now, Ball returns with this haunting tale of love and storytelling, hope and identity. When Selah Morse sees a young woman get hit by a speeding taxicab, he rushes her to the hospital. The girl has lost her memory; she is delirious and has no identification, so Selah poses as her boyfriend. She is released into his care, but the doctor charges him to keep her awake, and to help her remember her past. Through the long night, he tells her stories, inventing and inventing, trying to get closer to what might be true, and hoping she will recognize herself in one of his tales. Offering up moments of pure insight and unexpected, exuberant humor, The Way Through Doors demonstrates Jesse Ball's great artistry and gift for and narrative