Kashua's nameless anti-hero has grown up under the shadow of a grandfather who died fighting the Zionists in 1948 and a father jailed for blowing up a school cafeteria in the name of freedom. When he is granted a scholarship to an elite Jewish boarding school, his family rejoices, dreaming that he will become the first Arab to build an atom bomb. But he turns out to be a coward devoid of any national pride. In scenes of heartbreaking hilarity, he changes his accent, his clothes, his eating habits, and becomes an expert at faking identities, sliding between two cultures, two languages, and, eventually, a Jewish lover and an Arab wife. In a land where personal and national identities are synonymous, Dancing Arabs maps one man's struggle to disentangle the two, only to forfeit both

In his debut, Dancing Arabs, Sayed Kashua established himself as one of the most daring voices of the Middle East. In his searing new novel, a young Arab journalist returns to his hometown — an Arab village within Israel — where his already vexed sense of belonging is forced to crisis when the village becomes a pawn in the never-ending power struggle that is the Middle East. Hoping to reclaim the simplicity of life among kin, the prodigal son returns home to find that nothing is as he remembers: everything is smaller, the people are petty and provincial. But when Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly dire, the village devolves into a Darwinian jungle, where paranoia quickly takes hold and threatens the community's fragile equilibrium. With the enduring moral and literary power of Camus and Orwell, Let It Be Morning offers an intimate, eye-opening portrait of the conflicted allegiances of the Israeli Arabs, proving once again that Sayed Kashua is a fearless, prophetic observer of a political and human quagmire that offers no easy answers