Far North is a 2009 National Book Award Finalist for Fiction. My father had an expression for a thing that turned out bad. He’d say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn. Out on the frontier of a failed state, Makepeace — sheriff and perhaps last citizen — patrols a city’s ruins, salvaging books but keeping the guns in good repair. Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism. What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace’s journey — rife with danger — also leads to an unexpected redemption. Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity’s origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world’s fragility and beauty, and its ability to recover from our worst trespasses

Whatever this is, it started when Nicky Slopen came back from the dead. Nicholas Slopen has been dead for months. So when a man claiming to be Nicholas turns up to visit an old girlfriend, deception seems the only possible motive. Yet nothing can make him change his story. From the secure unit of a notorious psychiatric hospital, he begins to tell his tale: an account of attempted forgery that draws the reader towards an extraordinary truth — a metaphysical conspiracy that lies on the other side of madness and death. With echoes of Jorge Luis Borges, Philip K. Dick, Mary Shelley, Dostoevsky’s Double, and George Eliot’s The Lifted Veil, Strange Bodies takes the reader on a dizzying speculative journey that poses questions about identity, authenticity, and what it means to be truly human

Damien March hasn't thought of his eccentric uncle for almost twenty years when he receives a terse message by telegram. "Patrick dead. Father." Damien, a journalist for the BBC in London, is even more shocked to learn that he has inherited his uncle's ramshackle house on Ionia, an isolated island off the coast of Cape Cod. Offered the choice between his own humdrum life and the strange isolation of his uncle's, he decides to make the swap. It soon turns out, however, that Damien's step into a new future means moving circuitously into his family's past. Once settled, he begins rummaging through his uncle's possessions, uncovering letters and writings that provide scattered clues to Patrick's solitary life. When he discovers a fragment of an unpublished novel, The Confessions of Mycroft Holmes, the stakes in this paper chase are suddenly higher. Mycroft Holmes, the older brother of Sherlock, is one of literature's most intriguing absences. A neglected genius who lives in obscurity, he bears a striking resemblance to Patrick himself. The parallels quickly grow more disconcerting, and a sinister tale of murder and deception takes on new meaning