The fourth novel in Tariq Ali's Islam Quintet is set in medieval Palermo, a Muslim city rivaling Baghdad and Cordoba in size and splendor. The year is 1153. The Normans are ruling Siqqiliya, but Arab culture and language dominate the island and the court. Sultan Rujari (King Roger) surrounds himself with Muslim intellectuals, several concubines, and an administration presided over by gifted eunuchs. The bishops, expecting to be at the pinnacle of power, are angered by the decadence of the court. In this captivating novel, Tariq Ali charts the life and loves of the medieval cartographer Muhammed al-Idrisi. Torn between his close friendship with the sultan and his friends who are leaving the island or plotting a resistance to Norman rule, Idrisi finds temporary solace in the harem; but, confronted by the common people of Noto and Catania, his conscience is troubled. A Sultan in Palermo is a mythic novel in which pride, greed, and lust intermingle with resistance and greatness. Set in the past, it has haunting resonance today

The final volume in Tariq Ali’s acclaimed cycle of historical novels. Night of the Golden Butterfly concludes the Islam Quintet — Tariq Ali’s much lauded series of historical novels, translated into more than a dozen languages, that has been twenty years in the writing. Completing an epic panorama that began in fifteenth-century Moorish Spain, the latest novel moves between the cities of the twenty-first century, from Lahore to London, from Paris to Beijing. The narrator is rung one morning and reminded that he owes a debt of honour. The creditor is Mohammed Aflatun — known as Plato — an irascible but gifted painter living in a Pakistan where “human dignity has become a wreckage.” Plato, who once specialized in stepping back from the limelight, now wants his life story written. As the tale unravels we meet Plato’s London friend Alice Stepford, now a leading music critic in New York; Mrs. “Naughty” Latif, the Islamabad housewife whose fondness for generals leads to her flight to the salons of intellectually fashionable Paris, where she is hailed as the Diderot of the Islamic world; and there’s Jindie, the Golden Butterfly of the title, the narrator’s first love. Interwoven with this chronicle of contemporary life is the turbulent history of Jindie’s family. Her great forebear, Dù Wénxiù, led a Muslim rebellion in Yunnan in the nineteenth century and ruled the region from his capital Dali for almost a decade, as Sultan Suleiman. Night of the Golden Butterfly reveals Ali in full flight, at once imaginative and intelligent, satirical and stimulating

A novel of the deep roots of the clash between Islam and the West. The savagery of the Reconquest tore apart the world of the Banu Hudayl family. For the doomed Muslims of late-fifteenth-century Spain, the approaching forces of Christendom bring not peace but the sword. Capturing the brutality of a war both military and cultural — and the price paid by the innocent — Tariq Ali opens his Islam Quintet with a harrowing and profound historical fiction

Tariq Ali has been a British national treasure for almost five decades. Revolutionary, writer, broadcaster, filmmaker, polemicist-fighter in the street-and general all-round trouble-maker (in the nicest possible sense), he's been them all, and usually at the same time. Since 1990 Ali has also worked in fiction, firstly with Redemption, and now with a planned quartet of historical novels, of which The Book of Saladin is the second. (The first was the award-winning Shadows of the Pomegranate Tree.) Ali's passion for life, and his humor, are found all over this latest work, which is set in the 12th century-with eerily prescient echoes of modern times. It shows us the conflict between Christian and Islamic civilizations set to a sometimes bawdy, sometimes brutal background where all of life is in flux. As in his previous novel, Ali shows the depth and breadth of his learning and humanity on every page. Like his central character, Saladin, or Salah-al-Din (the Kurdish liberator of Jerusalem), he has been a fighter of many causes, a maker of alliances, who has made an impact on the world around him. Unlike his hero, Tariq Ali has never been a Sultan, or a warrior, except a class one, of course. But between them-Ali and his warrior king-readers can discover much of both history and contemporary life in the melting pot of world religion. -Robin Hunt, Amazon.co.uk

Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a re-tired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: 'Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?' The history of Iskender Pasha's family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the 'golden days.' The Stone Woman is the third novel of Tariq Ali's 'Islam Quartet'. Like its predecessors—Shadows of the Pomegranate Tree and The Book of Saladin—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam