Mortimer Tate was a recently divorced insurance salesman when he holed up in a cave on top of a mountain in Tennessee and rode out the end of the world. Go-Go Girls of the Apocalypse begins nine years later, when he emerges into a bizarre landscape filled with hollow reminders of an America that no longer exists. The highways are lined with abandoned automobiles; electricity is generated by indentured servants pedaling stationary bicycles. What little civilization remains revolves around Joey Armageddon's Sassy A-Go-Go strip clubs, where the beer is cold, the lap dancers are hot, and the bouncers are armed with M16s. Accompanied by his cowboy sidekick Buffalo Bill, the gorgeous stripper Sheila, and the mountain man Ted, Mortimer journeys to the lost city of Atlanta – and a showdown that might determine the fate of humanity

Charlie Swift just pumped three.38-caliber bullets into a dead polar bear in his taxidermist girlfriend's garage. But he's a gun monkey, and no one can blame him for having an itchy trigger finger. Ever since he drove down the Florida Turnpike with a headless body in the trunk of a Chrysler, then took down four cops, Charlie's been running hard through the sprawling sleaze of central Florida. And to make matters worse, he's holding on to some crooked paperwork that a lot of people would like to take off his hands. Now, with his boss disappeared and his friends dropping like flies, Charlie has got his work cut out just to survive. If he wants to keep the money and get the girl too, he's really going to have to go ape… Nominated for the Edgar Award for Best First Novel, Gun Monkeys is a fast, furious collage of wit and wise guys, violence and thrills-and a full-throttle run through the dark side of the Sunshine State

The editors of the New York Times bestselling Death's Excellent Vacation bring home a new collection...with a never-before-published Sookie Stackhouse story!  There's nothing like home renovation for finding skeletons in the closet or otherwordly portals in the attic. Now, for any homeowner who's ever wondered, "What's that creaking sound?" or fans of "how to" television who'd like a little unreality mixed in with their reality shows, editors Charlaine Harris and Toni L. P. Kelner return with an all-new collection of the paranormal perils of Do-It-Yourself.  Sookie Stackhouse resides in these pages, in a never-before-published story by #1 New York Times bestselling author Charlaine Harris. And New York Times bestselling authors Patricia Briggs, James Grady, Heather Graham, Melissa Marr, and nine other outstanding writers have constructed more frightening and funny fixer-upper tales guaranteed to shake foundations and rattle readers' pipes

The Edgar Award-nominated author of Gun Monkeys delivers an adrenaline rush of a novel that features a special appearance by Joe DiMaggio. The high spot of Teddy Folger's life was the day in 1954 that he got an autographed baseball card from Joe DiMaggio himself. It's been downhill ever since. Which is why he just unloaded his freeloading wife and torched his own comic-book store – in one of the stupidest insurance scams in history. Enter Conner Samson. The down-on-his-luck repo man has just been hired to repossess Teddy's boat. Little does he know there's a baseball card on board that some men are willing to kill for. Thus begins a rip-roaring cross-country odyssey – and with bodies piling up, the squeeze is on for the penultimate piece of Americana. And Conner will be lucky if he ends up back where he started: broke and (still) breathing

In its brief existence, THE BEST AMERICAN MYSTERY STORIES has established itself as a peerless suspense anthology. Compiled by the best-selling mystery novelist Ed McBain, this year’s edition boasts nineteen outstanding tales by such masters as John Updike, Lawrence Block, Jeffery Deaver, and Joyce Carol Oates as well as stories by rising stars such as Edgar Award winners Tom Franklin and Thomas H. Cook. The 1999 volume is a spectacular showcase for the high quality and broad diversity of the year’s finest suspense, crime, and mystery writing

The Edgar-nominated author of Gun Monkeys is back with a thrill-a-minute suspense novel that mixes crime and academia-with hilarious results. Here Victor Gischler draws us into a wild and wicked world, where tenured professors are busy burying bodies, cash-up-front P.I.'s hunt for missing coeds and one desperate street-tough has to decide which he'd rather be: a live poet or a dead criminal. An unlucky grad student just got himself killed in a robbery gone bad. And as lowly drug lieutenant Harold Jenks races with the killer out of the alley, a light goes off in his head: He'll steal the dead kid's identity. Now Jenks, who once lorded it over seven square blocks in East St. Louis, is headed due west. With a.32 in his pocket, a 9mm Glock taped across his back, and a rap sheet nearly as long as Finnegans Wake, he's cruising the halls of academia as Eastern Oklahoma U's newest grad student, looking for action and hoping he can stay one couplet ahead of his violent past. While this new bad boy on campus makes mincemeat of his metaphors, across campus visiting professor Jay Morgan has a more pressing problem: What to do about the dead coed in his bed. The professor's no killer, but try telling that to private eye Deke Stubbs. With the professor on the lam and Stubbs hot on his trail, more trouble blows into town. Now, as St. Louis drug boss Red Zach and his minions converge on Fumbee, Oklahoma, looking for a consignment of missing cocaine, the bullets start flying faster than the zingers at a faculty hate fest. For Morgan and Jenks, now desperate fugitives from poetic justice, survival means learning new skills-and learning fast. Because if they find out they're bottom-of-the-class, that means they're already dead. Featuring the sleaziest, sorriest, and most captivating group of criminal lowlifes, sexed-up academics, poets, and rappers ever to collide in one crime novel, The Pistol Poets speeds deliriously to its electrifying payoff

HORROR AT ITS SIDE-SPLITTING BEST! Victor Gischler is a master of the class-act literary spoof, and his work has drawn comparison to that of Douglas Adams, Kurt Vonnegut, and Thomas Pynchon. Now, Gischler turns his attention to werewolves, alchemists, ghosts, witches, and gun-toting Jesuit priests in Vampire a Go-Go, a hilarious romp of spooky, Gothic entertainment. Narrated by a ghost whose spirit is chained to a mysterious castle in Prague, Gischler's latest is full of twists and surprises that will have readers screaming – and laughing – for more