If you don't shudder with every twist and sudden thrust of these 16 terror tales… if you are able to turn off your bedside lamp after closing this volume and drift off to a deep, dreamless sleep… if you can drink your morning coffee without thinking there just might be a peculiarly bitter taste to it, or turn your back on your spouse or best friend without feeling a funny itching between your shoulder blades… then that lovable old master of menace, Alfred Hitchcock, apologizes and personally guarantees you your full payment in horror. All you have to do is meet him in the cemetery under the next murderer's moon…

A walk on the wild side! In this series of collections of gritty Noir and Hardboiled stories, you’ll find some of the best writers of the craft writing in their prime

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America: Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors