Chicago, 1947. Nathan Heller, formerly of the United States Marines, currently head of the A-1 Detective Agency, is settling happily into post-war suburban prosperity in the company of his lovely, pregnant wife. But when a client’s child turns up murdered, a detective who thinks he’s seen it all finds he hasn’t. The dead little girl is apparently the handiwork of a serial murderer whose lipstick-scrawled cry for help — “Catch Me Before I Kill More” — is a pledge Heller intends to help the killer keep. In the novella “Dying in the Post-War World,” Max Allan Collins — who, says best-selling suspense author Andrew Vachss, “blends fact and fiction like no other writer” — presents a fresh and powerful look at one of Chicago’s most famous crimes. In Dying in the Post-War World, Max Allan Collins ably demonstrates why Chicago Magazine has dubbed him “the master of true-crime fiction.” And Nathan Heller shows himself to be not only a classic private detective in the Hammett/Chandler tradition, but a man as well-flesh and blood, flaws and all